LiNK’s Biggest Milestone Yet: 1,000 North Korean refugees rescued!
I am incredibly humbled, grateful, and excited to announce that TOGETHER we have rescued 1,000 North Korean refugees!
This is the most significant milestone we have accomplished as an organization. But 1,000 is not just a number to us. It is 1,000 individuals with their own stories: mothers, fathers, children, grandparents, and friends - who now live in freedom and finally have the opportunity to pursue their dreams.
It's amazing to think about how far we have come since that night back in 2009 at a bar in Seoul, South Korea. I was with our then VP and Director of Field Operations. We were channeling our anger and frustration at the stories we kept hearing over and over: North Korean refugees were fleeing into China but didn’t have the resources to make it to freedom; many were being arrested and forcibly sent back to unknown fates; North Korean women were being trafficked, sold as brides, and sometimes even exploited after they made it to Southeast Asia.
We had to do something.
So we set out to try something that we knew would be dangerous and audacious.
We put a call out during the 2009 holiday season and launched a campaign called The Hundred. The goal was to raise as much money as we could to help 100 North Korean refugees escape China as soon as possible. Through the unwavering tenacity, dedication, and optimism of LiNK’s early supporters, people around the world donated over $40,000 in less than two months.
A few months later, in the jungles of Southeast Asia, we completed our first rescue mission. We brought out a group of eight refugees, including four young women, a mother and her 7-year old son, and an elderly couple we lovingly nicknamed Grams and Gramps.
What started as one rescue mission grew. More people joined this movement: Rescue Teams popped-up on university campuses and in communities around the world raising funds to rescue refugees; LiNK Nomads drove across North America and hosted thousands of events to tell the stories of the North Korean people; and, most importantly, more North Korean refugees reached freedom.
I am in awe and beyond thankful for the unbelievable support of LiNK’s donors, fundraisers, and Rescue Teams around the world for believing in this work and funding the rescue of 1,000 lives - to our partners in China and our Field Team in Southeast Asia for risking their own safety to do this exhausting work tirelessly and anonymously - to our incredible staff who, have been through so many crazy ups and downs over the years, from unbelievable victories to agonizing heartaches.
But no matter what, I am so thankful that you have always believed in our mission and have never stopped believing in the North Korean people.
I am especially grateful to each North Korean refugee who trusted us with their lives and gave us the opportunity to become a part of their stories. I am filled with hope thinking about the day we will return to a free North Korea with all of our North Korean friends: to meet their families, visit their homes, and see them finally reunited with the ones they love -but, this time, in freedom.
Thank you for being a part of this movement. It is because of your support, encouragement, and hope that this work is possible.
In gratitude and in hope,
Hannah Song
CEO/President
Film Review: Under the Sun
Spoiler alert: The North Korean government suffers from a severe transparency deficit.
How do you reveal the reality of a society where government representatives script each scene you're allowed to shoot?
Simple: leave cameras rolling at all times, and show your audience the scripting and retakes of "real life" in all their glory.
You end up not with a documentary about a family going about their lives, but a behind-the-scenes reveal of a family whose dinner-table conversations, workplace interactions, and even expressed emotions are curated by government propagandists for external consumption.
No North Koreans question this process out loud--except to check their lines.In this system everyone knows the role expected of them, especially with government officials overseeing everything. So before our very eyes, we observe the theatrical production of an ideal 'Kimilsungist socialist society', played out by real citizen-actors. And when citizens know the risks of not playing the part they’re asked to play, they become good actors.
This is of course a very real aspect of life in North Korea, even when no cameras are rolling. The everyday ritualised theatrical production of 'obedient citizens willingly striving as one for the socialist cause' is one of the key means by which the state perpetuates itself. Everyone knows what to say, how to say it, and that you have to say it. Whatever your innermost thoughts may be, it's hard to break role publicly when everyone else is sticking so closely to a ‘script’.
Revealing the nature of this production, warts-and-all, is one of the key contributions of Under the Sun.But as with any behind-the-scenes look, cracks in the facade, tired actors and cock-ups are apparent.'Off stage', strategically placed cameras record poor Pyongyang kids scavenging from a trash can. We see commuters disembarking to push a tram. A government 'set manager' shoos away two women approaching the back door of a milk processing plant with a big jug; we can only guess they were looking for an off-the-books top up, unaware there were foreign filmmakers present that day.
We see a forgetful factory worker reporting they have exceeded production targets by 150%, and in the next take 200%. It doesn't matter to any of her coworkers which fiction is used, and no one bats an eyelid.
And of course, children being less practiced in their roles within the system than adults, the best scenes feature North Korean kids. A small girl struggles to keep her eyes open while an aging war veteran wearing far too many medals bumbles through an anti-American propaganda lecture, punctuating tales of shooting down planes with praise for Kim Il-sung.
Jinmi, the star of the film, breaks down in tears when the pressure of performance becomes too much. Elsewhere, on-screen text tells us that she unwittingly revealed her parents' true occupations of journalist and restaurant worker before the government co-producers scripted them as the more socialist-appropriate textile factory technician and soy milk plant worker.
It's hard to not recall The Truman Show, and it boggles the mind to think there are 25 million people living out their lives in this theater state.
But unlike a Hollywood Movie, the enemy here is not represented by a snarling on-screen character. The propagandists are unnamed and we rarely even see their faces properly. The enemy is in fact the system itself, whose quiet tyranny forces every citizen - including the propagandists - to become complicit in its perpetuation by allowing the expression of only a singular narrative of what it is to be a North Korean.
