From North Korea to the Oval Office: A North Korean Defector Advocates for Religious Freedom
This past summer, you may have spotted Ill Yong Joo, a North Korean activist, at the White House meeting with the President. Ill Yong was a LiNK Advocacy Fellow last year! The LiNK Advocacy Fellows program prepares and empowers the next generation of North Korean leaders, advocates, and analysts on this issue. Ill Yong took what he learned during his time at LiNK and traveled to the White House to advocate for the North Korean people. During his trip to the White House, he advocated for the North Korean people’s religious freedom as part of the Ministerial to Advance Religious Freedom hosted by the U.S. State Department.Interview edited for clarity and length.
What are you doing right now?
Ill Yong: Right now, I’m a senior studying Political Science and International Relations at Korea University. I also work for ‘One King, One Korea’ which is a missionary group for North Koreans. My main goal is to focus on working to improve North Korea’s situation and following the path that God has prepared for me.
You were a LiNK Advocacy Fellow last year.
What did that experience mean to you?
Ill Yong: LiNK AF was like a “booster” for me. I knew that I wanted to do something for my friends in North Korea, but I wasn't sure what or how to take action. And if I did do something, I didn’t know if I could influence or make an impact for the people. But through the Advocacy Fellows program, I became sure of my identity as an advocate for the North Korean people.When I toured the U.S. as an Advocacy Fellow and I saw the way American young people hung onto every word of my story, I realized that I had to continue doing this work. I was sure of it. Because this experience helped me move forward towards this dream, I like to say that being an AF in a word was a “booster” for me.
What was the experience going to the White House like?
Ill Yong: It was an honor and I was grateful for the experience. However, my heart was heavy because I carried the message of the pain of North Koreans.
I was there because of the heartbreaking pain and stories of my people.
It was a pity I could only speak to President Trump for a moment, but I hope that even though it was short, my message moved President Trump's heart. I pray that the work or policy the President carries out will not be for the North Korean regime, but for the lives of the North Korean people.
What message did you want to give to the President?
Ill Yong: I wanted to inform him about the situation of my people being persecuted for religious reasons in North Korea. I wanted him to know that not only my family but many other people, especially Christians, are oppressed for religious reasons.Many people judge North Korea based on only Kim Jong-Un, but I want to tell everyone that within North Korea, the North Korean people want freedom, have achieved some freedom on their own, and now we must empower their restoration of freedom.
Want to learn more about Ill Yong’s journey from a small North Korean farming village to studying to become a human rights lawyer? Watch our latest video interview with him.
Film Review: Under the Sun
Spoiler alert: The North Korean government suffers from a severe transparency deficit.
How do you reveal the reality of a society where government representatives script each scene you're allowed to shoot?
Simple: leave cameras rolling at all times, and show your audience the scripting and retakes of "real life" in all their glory.
You end up not with a documentary about a family going about their lives, but a behind-the-scenes reveal of a family whose dinner-table conversations, workplace interactions, and even expressed emotions are curated by government propagandists for external consumption.
No North Koreans question this process out loud--except to check their lines.In this system everyone knows the role expected of them, especially with government officials overseeing everything. So before our very eyes, we observe the theatrical production of an ideal 'Kimilsungist socialist society', played out by real citizen-actors. And when citizens know the risks of not playing the part they’re asked to play, they become good actors.
This is of course a very real aspect of life in North Korea, even when no cameras are rolling. The everyday ritualised theatrical production of 'obedient citizens willingly striving as one for the socialist cause' is one of the key means by which the state perpetuates itself. Everyone knows what to say, how to say it, and that you have to say it. Whatever your innermost thoughts may be, it's hard to break role publicly when everyone else is sticking so closely to a ‘script’.
Revealing the nature of this production, warts-and-all, is one of the key contributions of Under the Sun.But as with any behind-the-scenes look, cracks in the facade, tired actors and cock-ups are apparent.'Off stage', strategically placed cameras record poor Pyongyang kids scavenging from a trash can. We see commuters disembarking to push a tram. A government 'set manager' shoos away two women approaching the back door of a milk processing plant with a big jug; we can only guess they were looking for an off-the-books top up, unaware there were foreign filmmakers present that day.
We see a forgetful factory worker reporting they have exceeded production targets by 150%, and in the next take 200%. It doesn't matter to any of her coworkers which fiction is used, and no one bats an eyelid.
And of course, children being less practiced in their roles within the system than adults, the best scenes feature North Korean kids. A small girl struggles to keep her eyes open while an aging war veteran wearing far too many medals bumbles through an anti-American propaganda lecture, punctuating tales of shooting down planes with praise for Kim Il-sung.
Jinmi, the star of the film, breaks down in tears when the pressure of performance becomes too much. Elsewhere, on-screen text tells us that she unwittingly revealed her parents' true occupations of journalist and restaurant worker before the government co-producers scripted them as the more socialist-appropriate textile factory technician and soy milk plant worker.
It's hard to not recall The Truman Show, and it boggles the mind to think there are 25 million people living out their lives in this theater state.
But unlike a Hollywood Movie, the enemy here is not represented by a snarling on-screen character. The propagandists are unnamed and we rarely even see their faces properly. The enemy is in fact the system itself, whose quiet tyranny forces every citizen - including the propagandists - to become complicit in its perpetuation by allowing the expression of only a singular narrative of what it is to be a North Korean.
