The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
The North Korea I Remember: School, Family, and Home
By: HyeGyeong Joo
HyeGyeong is a PhD student in the Department of Economics at Korea University, specializing in theoretical economics. Her research looks at developing theoretical models of the North Korean economy. Since 2022, Hye-Gyeong has also participated in LiNK’s English Language Program.
Have you ever wanted to go home even while you were already at home? Because I have. It feels as though I am not longing for a physical house, but for something harder to name: a sense of belonging, of being whole, of belonging not anywhere but somewhere I would truly belong. Instead, I often feel emptiness, as if I do not fully belong. But I am not sure what these feelings mean or where they come from exactly.
I have been living in South Korea for around ten years, but I still miss North Korean food, school life, and above all, the time I spent with my family. There are restaurants in South Korea run by North Korean refugees, and sometimes their dishes bring back memories of home. Foods like injogogi-bap or nongma-guksu remind me not only of North Korean cuisine, but of birthdays, family, and everyday life.
The long strands of nongma-guksu always carry the wish for a long life, while the taste of injogogi-bap brings back the memory of a soybean dish made to resemble the meat we so rarely had.
While these foods remind me of home, what I remember most vividly is my school life in North Korea. When I was in fourth grade, the girls in my school would often gather in the schoolyard to play jump rope. I was actually quite good at it. We would start with the rope at ankle height and gradually raise it higher and higher.
One day, when the rope had been raised to about head height, I tried to jump over it. Since I was quite short, I had to lift my leg as high as I could. Unfortunately, I ended up tearing my pants. I was so embarrassed that I almost cried. But what I remember most clearly is my teachers laughing so hard as they watched from the side. Even now, I can still picture that moment vividly.
I also remember winter lunchtime at school. We all brought packed lunches from home. In one corner of the classroom, there was a stove, and before lunch, students would place their lunch boxes on top of it to warm their food.
Sometimes, the lunch box closest to the stove would get burnt. During class, the smell of scorched rice would fill the room and make us so hungry that it was hard to focus. When lunchtime finally came, my friends and I would gather around the stove, sit in a circle, and eat together.
More than anything else, however, I miss the memories of winter. My friends and I would climb the hills near our town, sit on large sacks, and slide all the way down as if we were on sleds. We did it so often that the fabric on the back of our pants would wear thin and eventually tear. When that happened, I would go home only to be scolded by my mother.
Life was not easy in those days. We were often hungry and did not live comfortably. Sometimes we skipped breakfast, and sometimes a thin porridge was all we had for dinner. Yet, despite those hardships, I cannot forget the laughter we shared.
Looking back now, I realize that what I miss is not North Korea as a system. What I miss are the people with whom I laughed and cried, and the memories of my childhood that have stayed with me to this day.
For a long time, however, I could not talk about these feelings to anyone. I kept them to myself, unsure of how others would understand them. That began to change after I met people through Liberty in North Korea (LiNK). For the first time, I found a space where I felt I could speak more honestly about my memories and my life in North Korea.
Through the LiNK English program, I became close to a friend, and together we made a plan to create a book. I would write about real life in North Korea, and she would draw the illustrations for the book. I wanted people to see North Korea not only as a political system, but also as a place where ordinary people live, love, struggle, and create memories.
I shared this plan with someone I trusted deeply in South Korea. But she told me, “No, you can’t!” She said that if I spoke honestly about daily life in North Korea and about how much I miss certain parts of it, despite all the difficulties, people might ask, “Then why are you here? If you miss it so much, why don’t you go back?” Her response hurt me so deeply that I eventually closed my heart to others. After that, I stopped talking about these feelings with anyone. Only later did I finally find a place where I could tell my story freely and without hesitation.
When many people think about North Korea, they often think about politics, missiles, or the regime. But when I think about North Korea, I remember a girl whose pants tore while playing jump rope, students gathering around a stove to eat lunch together, and children laughing as they slid down snowy hills on sacks.
That is why I hope people can see North Korea not only as a political system, but also as a place where ordinary people live their lives. The people living there are not so different from people anywhere else. They laugh, dream, make friends, and create memories. Those are the stories I hope to share.
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HyeGyeong is a participant of the LiNK English Language Program (LELP), which serves to not only help North Korean defectors build confidence and skills in English, but develop their capacity as advocates for this issue. To that end, we partnered with select LELP “columnists” to write and polish personal essays through multiple rounds of external feedback and revision. Our goal is to have more North Koreans share their stories directly and lead efforts to change the narrative.
We believe the North Korean people can achieve their liberty in our lifetime.
Opportunities like LELP invest in the people building that future now. Help more North Koreans find their voice, reach their goals, and lead change on this issue.
