The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
Chuseok for North Koreans | No Way Home for the Holidays
Autumn is a significant season for many people and cultures around the world. It’s a period of transition and reflection, gratitude for the days gone by, and celebration of the harvest.
In both North and South Korea, this time of year is celebrated with Chuseok, or the mid-autumn festival. Also known as “Korean Thanksgiving,” it’s a major holiday that predates the division of the peninsula. Chuseok is observed on the 15th day of the 8th month of the lunar calendar, when the harvest moon shines brightest. Traditionally, people return to their ancestral hometowns to gather with family, share a variety of delicious foods, and pay respects to their ancestors.
But for North Korean refugees, there is no going back. Holidays like Chuseok can be a bittersweet time, one of both gratitude for a life in freedom and grief over being unable to celebrate with family still inside North Korea.
“The first Chuseok in the US felt very empty and lonely. It was just me and my two-year-old daughter, Mia, back then. It didn’t feel like a holiday. I had multiple emotions at the same time. Loneliness, emptiness… there were so many feelings that I couldn’t even put into words.“
– Holly, escaped North Korea in 2013
Chuseok celebrations have evolved to look a little different in North versus South Korea, and even in countries like the US where the Korean diaspora have resettled.
Chuseok Traditions in South Korea
In South Korea, Chuseok is considered the largest and most important holiday of the year. It’s celebrated over three days, during which a “national migration” takes place as people all over the country travel to their hometowns or to go sightseeing. Tickets for planes, trains, and buses are sold out months in advance, and freeways are packed with bumper-to-bumper traffic during the holiday period.
On the morning of Chuseok, families hold a memorial service for their ancestors at home, known as charye (차례). A table of food is prepared as an offering, typically featuring rice cakes, fresh fruits and vegetables, meat dishes, and the favorite meals of deceased loved ones. Families will also visit ancestral gravesites, a custom known as seongmyo (성묘), to pay their respects and tend to the graves.
From the ancestral table to large family meals, food is a central part of Chuseok celebrations. The defining dish of this holiday is seongpyeon (송편), a chewy, sweet, and nutty half-moon shaped rice cake steamed in fresh pine needles. It’s traditionally made with rice from the year’s harvest, finely milled into flour. Preparing seongpyon becomes a family activity as each piece is shaped by hand and filled with red bean paste, toasted sesame seeds, or chestnuts.
Other holiday foods include pajeon(파전), a crispy, savory pancake made with green onions; galbijjim (갈비찜), sweet and savory braised short ribs; and japchae(잡채), glass noodles stir-fried with meat and vegetables.
How Chuseok is Celebrated in North Korea
In North Korea, Chuseok is just a one-day celebration. While it is considered a key traditional holiday, its importance has been minimized relative to national holidays like the birthdays of Kim Il-sung and Kim Jong-il, and the anniversary of the founding of the Worker’s Party.
On both traditional and national holidays, North Koreans are urged to visit the statues of Kim family leaders or the Kumsan Palace of the Sun in Pyongyang, where the bodies of Kim Il-sung and Kim Jong-il lie.
It is much less common for widespread travel to take place during Chuseok due to severe travel restrictions and poor transportation infrastructure. However, these constraints have also made it so that generations of North Koreans remain in close proximity to their hometowns and relatives. For Chuseok, people gather with their nearby family members. Just like in South Korea, they’ll prepare special foods as offerings for charye, and then visit ancestral grave sites to pay respects.
After ancestral rites, festivities become a community affair with traditional food and folk games shared amongst family, friends, and neighbors. Songpyeon is also a holiday staple, but the North Korean version is made with a minced meat and vegetable filling, and are twice as big as South Korean ones. Common folk games are yutnori (윷놀이), a board game, and ssireum (씨름), or Korean wrestling.
Holly & Mia: A Legacy of Freedom
It’s been over a decade since Holly left her hometown in North Korea. But whenever she makes pajeon (파전), it takes her right back to her childhood—sitting by the frying pan and watching her mom cook, eagerly awaiting a taste. “Pa”(파) means green onion and “jeon”(전) refers to foods that have been pan-fried or battered. There are many varieties of “jeon,” made with everything from potatoes to zucchini, seafood, kimchi, and more.
Holly saw her mom cook this dish countless times in North Korea. It was an inexpensive, everyday staple, but also an essential part of the holidays. Every year for Chuseok, the mouthwatering aroma of oil and batter would draw everyone to the kitchen, where a colorful assortment of jeon was being prepared.
Holly now lives halfway across the world from North Korea, but every year during Chuseok, she sets out an offering table for charye. For hours, she prepares foods like pajeon with great care, remembering and honoring her parents and loved ones, who she can’t be with for the holidays.
In 2016, Holly reached freedom through LiNK’s rescue networks with one-year-old Mia in her arms.
Mia is now at an age where she’s able to understand some of the things her mother went through. Holly has begun to open up more about her life in North Korea, and does her best to keep their small family connected to their Korean heritage. She takes Mia to Korean language school on Sundays, and makes an effort to celebrate cultural holidays, like Chuseok. What can’t be put into words, Holly communicates through food—their dinner table is always full of delicious Korean cooking.
In 2024, Holly received her US citizenship, nine years after her resettlement!
"When I obtained my US citizenship, it felt like my escape journey was finally complete. I cried and felt so grateful to the US for giving me a new life. My greatest happiness is seeing Mia have a childhood free of the painful hardships that defined mine.”
These days, Chuseok has become a lively gathering with the many friends and neighbors they’ve met over the years! Holly gathers with other Koreans in the community, and they go all-out preparing delicious seongpyeon and pajeon. She takes great pride in wearing traditional hanboks with Mia, and explaining each dish when guests arrive. The festivities always continue long after dinner, with Korean games like jegichagi, a version of hacky sack, and yutnori, a board game.
Living in the US, Holly and Mia have been introduced to new traditions too. Just a month after Chuseok, their community gathers again to celebrate Thanksgiving with turkey and pumpkin pie, in true American fashion.
Holly still has hope that in her lifetime, she’ll be able to celebrate Chuseok with all her family and bring Mia to visit her hometown in North Korea.
We’re working towards the day when families don’t have to be separated. To date, LiNK has rescued almost 1400 North Korean refugees and their children, reuniting over 500 people with their families in freedom. As we’re helping North Koreans, like Holly, build new lives, we’re also leading initiatives to increase change inside North Korea, through advocacy, information access, and more.
Become a monthly donor and create a long-lasting legacy of freedom. Your support will rescue North Korean refugees waiting for their chance to escape right now, and fuel work that is increasing change and opening inside North Korea.
