The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
I am Joy: I Escaped North Korea and Survived Human Trafficking
I was born and raised in a small North Korean village near the border with China. My family was very poor, and it made life extremely difficult for us. As a child I could not attend school and didn’t have any dreams for my future, because we were just trying to survive.
When I was seven, my mother quietly left us to go to China in order to make money. It took me months to realize that she was never coming back. As a teenager, my stepmother kept trying to marry me off so they would have one less mouth to feed. I didn’t want to be married off, so I finally decided to go to China to find a better life.
I felt so sorry to my father for not being a good daughter. I left a letter for him to explain why I was leaving, and how much I loved him. I told him that I hoped to see him again someday. Next to the letter I also left behind my nicest clothes, hoping he could sell them to buy food. I sewed a secret pocket into my jacket and hid a photo of my family there, and under my shirt collar I hid enough opium to kill myself in case I was caught. The morning I left I didn’t want to raise any suspicion, so I casually said goodbye to my father and walked out like it was any normal day. I couldn’t stop crying as I walked away. I knew that I may never see my family again, especially my father, who had sacrificed so much to raise me.
I will never forget how cold it was at the river. I could feel the snow through my torn shoes and the wind blew through my thin jacket. I was shivering as I stood in the knee-deep snow, waiting for the chance to make my escape. I slid down the riverbank onto the ice. I could hear the ice cracking as I crawled on my stomach across the frozen river. I expected that at any minute, North Korean guards would see me escaping and shoot me. After I finally made it to the Chinese side, it took me hours to find the broker I was supposed to meet.
By the time I found her, my toes were frozen white. The broker took me to her home to rest and recover . But I soon realized I was trapped. She told me I had to repay her and the other brokers a lot of money for helping me escape. And, because I had no money, the only option was to be sold as a bride. I was scared that if I refused, the brokers would sell me to a brothel or I would be forced to work in online sex chatrooms. I also knew that if I ran away, I’d be caught by the Chinese police and sent back to North Korea to face imprisonment and torture.
I had no choice but to be sold as a bride. For three days, a broker paraded me around villages in northern China and crowds of men would gather to bid on me.
In the final village, I sat cowering in the corner of a house. My cheeks were still red from the night I had crossed the river. There were many older Chinese men walking around me, and staring at me. I stared at the floor to avoid looking into their eyes. I did not understand what they were saying, but I could tell they were talking about me. I felt so humiliated. I was treated like an animal in a zoo. The North Korean broker finally found a man who was willing to pay enough for me. I was sold for three thousand dollars. In that moment, I was overcome with hopelessness, sorrow, and loss. I felt like I was losing everything, including my own body, to someone I had just met.
I was only 18.
The man who bought me lived with his parents. They were afraid I would run away so they were always watching me. I was not even allowed to go to the bathroom without their permission. One morning, I started feeling sick so they took me to a local hospital.After some medical tests, the family brought me back to the house and everyone was smiling and talking. I was so confused. Someone called a North Korean woman who lived in my village and asked her to interpret the news for me. I was pregnant. As everyone celebrated, I felt even more hopeless.
This pregnancy would make my escape impossible. In North Korea, I had heard that if you jump off a high place or carry heavy things while you’re pregnant, you’ll have a miscarriage. So I tried to jump off the highest tree in the backyard, and carried around heavy buckets of water. But nine months later, I gave birth to a healthy baby daughter.
For the first few days after her birth, I didn’t even want to look at her. I was sorry and ashamed for feeling that way, but I couldn’t help resenting her. But as the days passed, my daughter began to recognize my face, and she would greet me with a big smile and open arms whenever I walked into the room. Her smile and joyful laughter began to melt away my troubles and hardships.
For the next two years, my daughter became my only reason to live.
Then one day, a North Korean woman who had also been sold into the same village introduced me to a South Korean man. He told me about South Korea, and the possibility of a free life, and said he offered to help me get there. But he warned me that the journey through China and Southeast Asia would be too dangerous for a young child. I was so torn. This was my chance to finally be free from this man and from the constant fear of being caught and sent back to North Korea. But how could I leave my child, the only joy in my life?
I was afraid I would never get an opportunity like this again , so I made the extremely difficult decision to go to South Korea, and I vowed to come back to China as soon as I could to get my daughter. In the early morning of my departure, I held my daughter in my arms as she slept and cried. I thought about the moment she would wake up and cry because I was not there. It reminded me of the day that my own mother had left me. I had felt so lonely and wondered for so long why she had abandoned me. I resented her for giving birth to me if she wasn’t interested in raising a child. And now I had to do the same thing to my own daughter.
I clenched my fists as hard as I could to hold back the tears, and I told the family I was making a trip to the market. I grabbed the bag of clothes I’d hid in the bush the day before, and headed to the bus station. I cried every day for the next three months thinking about my daughter. During my journey out of China, there were many nights when I woke up thinking I’d heard my daughter’s voice calling out “mommy.” One night, I didn’t want to wake everyone up so I went behind the curtain to cry, and I found another woman who was already there crying. She had also left her child behind to escape with my group. We sat behind that curtain in the safe house, weeping and hugging each other.
I finally made it to South Korea in 2013 with the help of Liberty in North Korea. I am currently in my last year of studying social work, and I want to devote my life to helping North Korean women who have endured the same trauma that I have. Although adjusting to a new society is difficult at times, I am determined to work hard so that one day I can bring my daughter to South Korea to be with me.
I should not be here today - I am one of the lucky ones.
At this very moment, women are being treated like a commodity and are being sold to older Chinese men. A recent report estimated that 60% of the North Korean female refugees in China are trafficked into the sex trade. 50% of those trafficked are forced into prostitution, 30% are in a forced marriage, and 15% are working in the cyber sex industry.
I am here as a survivor to share the darkest moments from my past so that I can help bring an end to the exploitation of other North Korean women refugees.
For North Korean women, escaping from North Korea is not the end of their journey but the beginning of their fight for freedom.
Please extend your love and give your support so that more North Korean people will find true freedom and safety. Thank you. I am grateful and hopeful. I am Joy.
See what life is like for North Korean women who are sold in China in the short film "Sleep Well, My Baby". Based on true stories from women rescued through LiNK.
Read Joy’s full journey from escaping North Korea to being sold in China, and finally reaching freedom through LiNK’s rescue routes in our 3-part series here!
