The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
Finally Free
I went to Southeast Asia to see where LiNK’s Field Team rescues North Korean refugees. Here’s what I found…
Refugees must cross terrain like this to reach safety in Southeast Asia
We’re on a dirt road weaving around potholes.
On one side, the rice reaches to the horizon. On the other, corn stretches higher than the van.It feels like rural Iowa, but hotter and with palm trees.
The van lurches along, swaying back and forth with the ruts in the road. We’ve been driving for five hours through dense jungle and villages so small that you’d miss them if you blinked. It’s starting to seem like we’re in the middle of nowhere.
We finally coast to a stop and LiNK’s Field Manager points to a steep ravine.
“We’re here,” she says.
“We’ve rescued North Korean refugees right here,” she continues.
For the next hour we stop every couple hundred yards. She points to a field or a patch of trees and recounts stories.Stories of screeching to a stop, sliding open the door, and pulling North Korean refugees into the van.Stories of refugees so dehydrated they barely have the words to ask for water.
Stories of people collapsing in exhaustion, caked in mud and peppered with bruises from the long trek through the jungle.“What do refugees do once they’re in the van?” I ask.“Some start crying, the tears stream down their cheeks. They’re so overwhelmed that they finally made it. Others flash smiles in triumph, soaking in every second.”
I realize we’re not on just any dirt road.
This road meanders along the border. You can’t see the line but throw a stone in a certain direction and it’s likely to land in another country.For North Korean refugees this border means everything. Cross it, and they’re safe. The North Korean regime cannot have them arrested and forcibly returned.The danger is finally gone — evaporated in the sweltering heat and suffocating humidity of Southeast Asia.
For the first time in their entire lives: they are free.
It’s a week later and I’m sitting in an air-conditioned coffee shop that sells overpriced lattes.
I’m back in South Korea to interview a North Korean woman who reached freedom through LiNK’s rescue network.It took her four tries to make it to South Korea.She was arrested twice at the North Korean border and once in China. Each time the punishments seemed unimaginable, but they’re terrifyingly common.She recounts the horrific torture she endured for trying to escape. The way they slammed her head into a nail on the wall. The torment of witnessing cellmates whither away from starvation. The heartbreak of watching her 5-year old daughter being beaten in front of her.I’m trying hard to collect the facts. But hers is one of those stories that hollows you out. Leaving you nauseous and numb.The conversation dwindles. I can see the toll that sharing these stories are having. Her shoulders start to slump. She barely looks up to make eye contact anymore.I pull out my phone and show her a video. Her eyes flash with life.
20 seconds pass and she’s still glued to the phone.
It’s a video of that dirt road. And the exact place where she finally reached freedom. There are corn stalks on the left and a small farmhouse hidden behind palms leaves on the right.“Do you remember this place?” I ask.“How could I ever forget it?” she says without looking up.She’s smiling for the first time all afternoon.
