The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
5 Reasons Why Being a Field Coordinator Is Awesome
Being a field coordinator is a difficult, but incredibly rewarding job and we always come to treasure the unique and life-changing experiences we have during our time in the field. To give you some insight into what this job is like, here are the five best things about it.
Getting to know the refugees
This is by far the most amazing part of what we do. When refugees come under our care, we form strong bonds with them. Despite the vastly different stories and personalities, through our conversations, we see the common thread of remarkable perseverance and will to survive in each of the North Koreans we rescue. All of them have hopes for the future and many of the things we learn about our friends can be emotional, further strengthening our bond. We focus so much of our energy on providing food, clothes, shelter, time to rest for these refugees who have been through so much. When it comes time for them to leave, they do so with so much gratitude and strength. We believe getting to know them creates a strong relationship between the refugees and LiNK so that they feel comfortable reaching out for additional services after resettlement.
Seeing how refugees have changed post-resettlement
In Southeast Asia, the North Korean refugees we assist are still en route to their resettlement destination and are still not completely at peace. They are often nervous, anxious, and trying to process being in a world completely unfamiliar to them.
When we have the opportunity to travel to South Korea to meet with them once they have resettled, it’s always gives us a rush of anticipation because we get to see how they have changed. One particular memory we have from one of these trips is of visiting a noraebang (a Korean karaoke room) with resettled refugees. To watch them having fun was very moving. Sometimes, the simple fact that they look happy and safe is more than enough to make this job worth it.
Introducing refugees to the supporters who funded their rescues
The concept of a complete stranger donating several thousand dollars to a person in need they have never met is a completely foreign concept to many North Koreans. They are often astounded and moved that a person thousands of miles away would do something so selfless. With each refugee that comes through, we always make sure to introduce them to the person or group that helped fund their rescue, explaining who they are, where they’re from, how they found out about North Korea, and why they donated. It’s a moment when two worlds meet and the refugees often write thank you cards to donors to express their gratitude.
Observing how refugees interact with technology
It’s interesting to observe how sudden exposure to a world of technology affects a person who hasn’t grown up with it. One middle-aged refugee was hesitant about taking a photo with his head turned to the side because he thought the North Korean government had the technology to turn heads in photos and thus find out his identity. In contrast, we have also seen a North Korean child begging his mom as soon as the group arrived to turn on the TV so he could watch cartoons. The family had been well-off enough to be able to expose their son to foreign media at a young age even inside North Korea.
It’s a fascinating experience to show refugees Google Maps views of their hometowns. It’s just a simple bird's eye view, but the way their eyes light up and their fingers trace the roads to their homes, circle their schools, train stations, and marketplaces, is so visceral for them. It’s a contemplative moment for us—these people have left their country because of reasons that made life in North Korea miserable or unlivable. Despite that, North Korea is HOME and still filled with memories, both good and bad, of their childhood, family, and the simple pleasures of life—chatting with neighbors, holiday memories of gifts and special foods, and weddings.
Breaking the ice with delicious food
The first meal with every group is always quiet because we’re all meeting each other for the first time. So we always make it a point to ask about special foods the refugees had in North Korea or on the journey down as an icebreaker. Afterall, who doesn’t love talking about food? It’s true for North Koreans as well - everyone loves giving input on regional differences in preparing holiday meals, comparing market prices on fruit and produce, or complaining about the food not matching their tastes on their journey down.
We want to make sure the North Korean refugees are able to eat as much as they can to be strong enough for the remainder of their journey so we’ve made it a point to find out what foods fit best with their palates. For many of them, this journey is the first time they’ll have experience some tastes or seasonings (like cilantro) and it can come as a shock to them. It’s fun to think about what foods they would like—Yogurt? Chinese-style buns? Noodle soup? Fried rice with a fried egg on top is an all-around crowd pleaser.
Soon after the first meal, the refugees will have lively discussions about the delicious foods they ate in North Korea and when they were available. One mission, we brought out persimmons as dessert—it initiated a 20-minute discussion on the merits and differences of persimmons eaten in North Korea versus the ones bought in Southeast Asia.
Being a field coordinator is filled with many unique moments and this list summarizes just a few of them. And yes, though it is challenging at times, it’s the refugees who we are most excited to serve. We love sharing our experiences with them. No one group or mission is the same and that keeps our job exciting, varied, and dynamic.
Want to be our team in the field? Apply to be our next field coordinator!
