The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg

Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.

When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.

What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!

Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.

Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
A Realm of Possibilities: Catching Up with Eun Young and Min Gu

Eun Young and her husband Min Gu were unable to support themselves in North Korea through government-approved means, so they found other ways to survive. She worked in an underground market and he traded goods between North Korea and China. This life was difficult, but they continued on in order to provide their child (they asked us not to disclose their child’s gender) with the best future possible. However, they eventually came to realize that their situation would never improve if they stayed in North Korea and resolved to escape in pursuit of a better life.
Today, Eun Young and Min Gu are safely resettled in South Korea and are making lives for themselves in their new society. Our resettlement coordinator, Anna, recently met up with them to talk about their lives in North Korea, what they're doing now, and what their plans are for the future.

Anna: I saw a North Korean restaurant close by your apartment on the way.
Min Gu: The person who owns the restaurant is also from North Korea and she resettled seven years ago, but the food there is not as good as what you can have in North Korea. I asked them to slice and fry tofu thinner because that’s what it is supposed to look and taste like back home.
Eun Young: Those aren’t authentic. It’s not a matter of the thickness, but rather the quality of the tofu, because in North Korea two to three generations of a family will make tofu traditionally and it’s so flavorful and good. But, I still go to the restaurant instead of going to a bigger and nicer restaurant whenever I miss my hometown. They also have corn-noodle soup and stuffed squid, and every bite makes me feel nice and warm. Have you tried any of these foods?
Anna: My friend from North Korea and I once made rice-filled tofu, but I’ve never had corn-noodle soup. It sounds really good!

Min Gu: (Chuckles) It’s not like what you'd expect. People back in North Korea eat it to fill their stomachs. Why would you go to the North Korean restaurant when there are so many better choices? As I said, we go there because it brings back our memories of home.
Anna: Many North Korean people must live around here.
Min Gu: Yes, I’m guessing about 30% of the residents of this apartment complex are North Korean. Many disabled and elderly people who receive housing through the government live in the apartment complex, too.
Anna: By the way, what happened to your leg?
Min Gu: I got hurt at work. I was hospitalized, but I came home for today because you were coming.
Eun Young: Actually, you don’t go to hospital for a sprained ankle in North Korea. You just rest and apply a steamed towel to the ankle. Hospitals here have better technology and service, so he can be treated with the proper procedures.

Anna: When do you remove the bandage?
Min Gu: I now have to wear a cast. It’s terribly boring to spend all my time at the hospital. I’d rather work.
Eun Young: We enjoy working; it’s so rewarding. We both received our first paycheck in November. We sent $2,000 out of $3,000 to our child in North Korea.
Anna: Who is your child staying with?
Eun Young: With an aunt. We recently had a chance to talk to our child on the phone, I recorded the whole conversation and listen to it every single day.

[Recording of the conversation]
Child (age of 9): Mom?
Eun Young: My darling, I miss you, I really do. Mom and dad just sent your aunt $2,000. It’s 100 $20 bills. Okay? If there’s anything you want to eat or have, don’t hesitate to ask your aunt. Ask your aunt to buy you fruits if you want. Don’t cry, Mom and dad will bring you out next year. Please be a little more patient. Also, drink milk. You promise me to drink milk every day, okay?
Child: Mom, don’t worry. Stay healthy.
Eun Young: I’ll be never relieved until we meet. We’ll bring you out. I’ll hand the phone to your dad.
Min Gu: Stay healthy and eat well. Don’t tell other friends and teachers that you’ve talked to us. Always be careful.
Child: (Sobbing) I want to see you, dad. I miss you.

Anna: S/he seems mature.
Eun Young: S/he used to be like a baby sometimes and was very affectionate, but s/he has changed over past few months. My sister-in-law takes good care of my child, but it’s not the same to live with someone other than your immediate family.
Anna: When people first attempt to escape, you can’t predict how it’ll turn out. Is that why you couldn’t bring your child with you?
Min Gu: Yes, exactly. If two of us get caught crossing the river or in China, we can make excuses since I worked as a trader between the two countries. We would be imprisoned for a shorter period. But if we get caught with our child, there’s no explanation other than defecting from North Korea.

Eun Young: But after we succeeded, I regret bitterly not bringing our child. We want to bring him/her out some time next year when we’re more stable and have enough money to support him/her. I’m glad that it’s possible to hear his/her voice through the phone and to be able to mail each other occasionally. My child recently sent me a picture of him/herself in the clothes that I sent him/her for the holidays. It means a lot to him/her when I pick out a piece of clothing and send it instead of cash.
Anna: S/he looks good in yellow!
Eun Young: His/her favorite color is yellow, but I’m worried that people suspect s/he has relatives in South Korea because s/he owns better belongings than his/her friends. We need to bring him/her out as soon as possible. That’s why we work so hard to save money, there’s no time to waste.

Anna: What was your biggest challenge in South Korea?
Eun Young: I struggled to figure out what kinds of job were out there, what I’m good at, and how to make a wise decision when I’m newly resettled.
Min Gu: Nothing too hard, but I’m busy catching up with South Korea’s advanced technology and assimilating in a new society.

Anna: How often do you think about North Korea? What do you think about?
Eun Young: Yes, every second of my life I think about North Korea, especially the food shortage. I wish they could have enough food so they don’t starve to death. I wish people in North Korea could have this freedom that I have now. I have a better life here, but people in North Korea are dying because of starvation.
Min Gu: Even just before we left North Korea, a young-man who lived next door died of starvation although he served in the military for thirteen years. I saw no hope.

Anna: What was your biggest challenge in North Korea?
Min Gu: We had enough to feed our child, but I was always nervous living in an unstable society with fear of getting caught or being imprisoned for irrational reasons.
Eun Young: Day and night, I was always intimidated by someone knocking on the door. That sound was so terrifying because we bribed the head of a company so that my husband could run his own business instead of taking a labor-intensive job that was required by the government.Anna: What was your happiest memory in North Korea?
Min Gu: (Looking at his wife) Did we ever have a happy moment there? Maybe once a year? When were we happy?
Eun Young: (Smiles)

Anna: How did you get involved with your trade job?
Min Gu: My parents were from Japan and taught me about the concept of capitalism. Although it was a highly risky job, I did it to provide a better quality of life for my family. It was all for my child. I was also discriminated against and couldn’t pursue certain careers because my parents were from Japan.
Anna: It seems like you were more aware of the outside world since you had traveled to China many times?
Min Gu: I traveled to different provinces in North Korea for business, and I realized that some of these people have also awoken to the reality of the outside world. Young North Korean women in the bigger city talk and dress like South Korean women. I even saw a group of young people at a restaurant who tried to talk with a South Korean accent and had fun. Without government regulation, North Korean culture is going to be the same as here in the South. They secretly watch the same types of movies and dramas all the time.
Anna: How were you able to travel to many different provinces?
Min Gu: As long as I pay them enough, they’ll issue a travel permit right away. If you pay them in the morning, you’ll be able to obtain the permit in the afternoon even to go to China. Well, if you have certain amount of accumulated capital and a respectful family background, North Korea is not the worst country to live, but you never know when the government will take all of that away from you. Everyone has the same concern.

Anna: Aren’t you worried about the competitive nature of life in South Korea?
Eun Young: No, I’m not worried at all. The more we work, the more we earn. It’s very satisfying and no one will accuse or arrest me. I like that!
Anna: What is it like living in freedom?
Min Gu: It’s so relaxing and fascinating to live like an actual human being.
Eun Young: The effort and time I put into my work pays off. I really appreciate the sense of accomplishment. In North Korea, although you’re healthy and your physical condition is allowing you to work, you never get paid for your labor anywhere. We jokingly said to each other that at least one person per household should go to South Korea because they’re better off. It’s a shame.

Anna: What is something that you started to do in South Korea that you never did before?
Min Gu: Nothing yet.
Eun Young: I thought about it, but I haven’t been able to challenge myself to learn a new thing just yet. I wanted to learn how to use computers and take classes to be a nurse assistant. My husband wanted to get a heavy equipment driving license, but we both agree that it’s more important to save money first to bring our child out. We’ll achieve those goals little by little. I know if I try to achieve too much too fast, I could lose it all, so I’m not in a hurry.

Anna: What advice would you give to someone who just arrived in South Korea?
Min Gu: When you come to South Korea, live your life to the fullest. As long as you keep trying, anything is possible. Some people might have more resources to start with, but it’s important to appreciate what you have, not complain about what you don’t have.
Eun Young: Sometimes I feel shameful to look at myself sweeping the street all day and think ‘Why did I risk my life to escape to do this?’ and I’m so sad that I wasted half of my life in North Korea. The last 40 years of my life seem like a blank sheet of paper. If I was born in South Korea, I would have been able to receive a proper education and achieve more, however, it’s even more depressing when I think of people who are still in North Korea who never had a chance to live in freedom like an actual human being. I’m going to put all of these negative thoughts away, and work hard and do my best to provide a stable and healthy life for my family.
You can help other North Korean refugees escape China and resettle successfully by donating to our work. Donate here.