The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
North Korean Refugee Stories: Meet Yoon Suk
Yoon Suk has vivid, happy memories of growing up in North Korea. She was raised during a time when state-socialism was relatively functioning, and the government could provide basic necessities to its citizens. She remembers wearing beautiful nylon (a highly-sought after fabric back in the earlier days of North Korea) uniforms with bows and red, patent-leather shoes to school. She also had a passion for the arts and performed frequently on stage. But as she grew older, the shine in her shoes began to fade and the hunger in her belly began to grow.
After the collapse of the Soviet Union, North Korea lost crucial sources of subsidized trade and aid and the North Korean economy crashed. It was during this time that Yoon Suk got married, but what should have been a happy time in her life ended up being far from it. The regime’s mismanaged agricultural and environmental policies were confounded by harsh weather, plunging the country into a severe famine that lasted for years. Yoon Suk and her husband struggled to survive on the meager rations they received—and they were not alone. During this period, an estimated one million people died from starvation, while many of those who survived suffered immensely.
Yoon Suk, knowing that she had to do something to keep her family alive during the most difficult years of the “Arduous March,” turned to the jangmadang—small, illegal markets where people sold and traded anything they could for food. Yoon Suk was like many North Korean women in this new reality, abandoning her traditional role for market activities. Unfortunately, running her modest merchant business was more challenging than she had anticipated and she struggled to keep it afloat. As the situation grew worse, she discontinued her business and looked for other ways to support her family, which had grown by two with the birth of her sons. It was during this time that she learned that life might be better in booming China.
As recently as three decades ago, Chinese people were on average poorer than their North Korean neighbors. But China’s economic reforms have produced wealth and opportunities that are the envy of nearly all North Koreans today. Since North Korea’s economic collapse, which lead to unprecedented cross-border movement and inflows of Chinese goods and media, North Koreans have gained a painful awareness of just how far their formerly impoverished Chinese neighbors have come.
But it’s extremely risky for North Koreans to escape their country. The North Korean regime makes it illegal to leave without explicit permission and if Yoon Suk was caught trying to escape, or caught in China and sent back, she would be punished severely. Yet, the opportunity was too great to pass up and she fled for the first time in the mid-2000s.
Once she arrived, alone in a foreign country where she didn’t speak the language, Yoon Suk was sold to a Chinese man as his bride. China’s lack of marriageable women, particularly in rural areas of the northeast, creates high demand for female North Korean refugees like Yoon Suk. Without legal status and no protection from the authorities, these women are often kidnapped by sex traffickers and sold, sometimes for as little as $200.
Even though she was now living with a Chinese man, Yoon Suk still wasn’t safe from the watchful eye of the Chinese authorities. North Korean refugees’ well-founded fear of persecution if repatriated means that they should be protected under international refugee law. However, the Chinese government labels them as “economic migrants,” so they can forcibly send them back, as per their agreement with the North Korean regime. Yoon Suk was caught by Chinese police not even a month after arriving and was forcibly repatriated back to North Korea. There, the authorities sent her to a prison camp, where she was abused, beaten, and starved.
After all she had gone through, Yoon Suk was still undeterred from finding freedom outside of North Korea. She escaped again to China shortly after her release from the prison camp. She was sold off three times by traffickers, again under the pretense that she was going to be given work. With the last husband, she had her beautiful daughter.
Yoon Suk wanted to give her daughter a better life, and knew that would not be possible in China. Without the proper documentation, her daughter would have difficulty even going to school and would be denied the opportunities available to other Chinese children. Yoon Suk and her daughter escaped China together through Liberty in North Korea’s network and are now on their way to safety in South Korea.
Yoon Suk is excited for the life and opportunities that lie ahead of her. She’s a talented cook and wants to explore the option of obtaining a culinary certificate in South Korea. She also has high hopes for her daughter, who loves art just like her mother did as a young girl, and wants to enroll her in dance and painting lessons. Yoon Suk’s greatest wish is to reunite with her two adult sons someday. She often dreams about appearing on TV to send a message to her sons, showing them she’s alive and well.
Thank you for helping supply the funds for Yoon Suk’s rescue. Your efforts have changed her life and have provided the opportunity for her to enjoy her new LIBERTY.
Fundraise or donate to help rescue more North Korean refugees today!
