The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
A North Korean Refugee’s Legacy of Freedom | Holly & Mia’s Story
As a little girl in North Korea, I dreamt of becoming a musician. When I was 6 years old, I saw my school teacher playing the organ. After class one day, I went up and placed my hands on the keys, trying to mimic what she played. When the teacher got back, she asked who touched the organ. All the kids looked at me and I thought I’d get in trouble, but instead of punishing me, she started teaching me how to read music. Eventually, my teacher came to my home and urged my parents to send me to Pyongyang, North Korea’s capital, to pursue music with some of the country’s best musicians.
But my parents knew I could not achieve my dream. My grandfather had been a landowner before the North Korean regime took power. When the Korean War broke out, he had fled to the South, never to be heard from again. The regime didn’t forget my family’s past - to them, we were traitors. Before I was even born, my future had been decided.
I couldn’t attend a university or get a good job. While others studied, I would have to dig for coal and sell it.
One night, I was gathering firewood on a mountain near the South Korean border with another girl. In the distance, I saw a town that was dazzlingly bright in the dark evening. Electricity is a luxury in North Korea, and I soon realized I was looking across the border. I had secretly watched South Korean movies for years. I had seen the delicious food they ate and the amazing places they traveled. I stared at the lights and dreamed of what my life could be.
The dream was too powerful to ignore. I worked every day from sunrise to sunset to save money for my escape.
I gathered rare mushrooms on the slopes of North Korea’s tallest mountain, through the bitter cold. After sixty trips, I had enough money to hire a broker to help me escape into China.
But I trusted the wrong broker.
The broker betrayed us and sold us out. Soldiers were waiting for us at the meeting point and we were dragged from the river to an interrogation cell. The secret police want you to confess that you were trying to defect to South Korea. They beat you with a stick and slam your head against a wall until you just want the pain to stop. But if you confess, you’re sent to a political prison camp to die like an animal.
So I refused to say anything. They kept beating me and screaming at me, but I closed my eyes and held on to my dream of freedom. It was two weeks before they finally sent me to a detention center.
A woman in my cell told me about another broker who could help me escape. But there was a catch - I would have to be sold to a man in China.
I chose the unimaginable. I was sold for less than $3,000.
It is hard for me to talk about this time in my life. The man who bought me kept me in a small bedroom in his house. In one month, I was pregnant. When he found out, he told me to get an abortion. I refused. He tried to drug me and take me to get an abortion while I was unconscious.
One night I felt sick and thought it was food poisoning, but I was in labor and rushed to the hospital. After twenty hours, the doctor had to perform an emergency c-section. The man who bought me complained about the extra expense.
But when I woke up, there was my beautiful baby. I put her on my chest and knew she was my everything. My new dream was to give my daughter Mia a chance to have a better life than me.
I knew we couldn’t stay in China. The man who bought me didn’t want a child, and every day we stayed was another day we could get caught. But I couldn’t take a newborn baby on the dangerous journey. I waited until Mia was one year old, making secret plans with someone who could help us escape - now I know they were part of LiNK’s rescue network.
The day of our escape finally came, and we went to a safe house. I had Mia on my back and a bag full of diapers, clothes, and a small bracelet that was a gift for her. It was everything we had. We met up with other North Koreans, and they were not happy that Mia and I were joining them. I could not blame them. There were stories about groups that were caught because of a crying baby.
Taking care of a one year old is hard enough. Doing so while avoiding the Chinese police was one of the hardest things I have ever done.
I didn’t want Mia to cry so I never put her down, even when my back and arms ached from rocking her. We never stopped for more than a few hours so I had to breastfeed her along the way. Whenever we did have a break, I’d change her diapers, clean her, and make sure she ate enough. By the time I was done, we had to move again. I didn’t have time to eat so I went days with barely any food.
But every mile we traveled brought us closer to our new life. One hot morning, we climbed into a boat and crossed a river. With Mia in my arms, we were met by LiNK’s field team who welcomed us into freedom.
There are two days I will never forget. The day Mia was born and the day I arrived in the United States. I cried so much walking out of the airport. I had no idea what our new life would look like, but we were together and we were finally free.
Now when Mia falls asleep in my arms, all I feel is happiness. My story used to only be about my dreams, but now, I am watching my daughter grow into a fearless and curious person. If I never decided to escape and if I didn’t have LiNK’s help, Mia’s life would be so different. Instead of growing hungry, she has a full stomach. Instead of learning North Korean propaganda, she’s learning about science and animals and the world. Instead of fearing we could be sent to a political prison camp, I just worry she’s growing up too soon.
I believe that one day, every North Korean will be free. And every child will be able to write their own story, like my Mia.
Thanks to Holly’s bravery and the help of LiNK supporters around the world, Mia will never know a life without freedom. Holly will be leaving behind a legacy of freedom for her daughter and for generations to come.
You can help rescue more North Korean refugees and support them as they begin their new lives.
