The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
Women’s History Month | Korean Freedom Fighter Yu Gwan-sun
March 1st marks the beginning of Women’s History Month, an opportunity to celebrate the contributions women have made to culture and society through the ages.
For Koreans, it’s also the anniversary of the March 1st Movement, or Sam-il (3-1) Undong. On this day in 1919, Koreans across the peninsula took a stand against Japanese colonial occupation. As peaceful protesters called for independence, an unlikely leader and activist emerged in 16 year old Yu Gwan-sun. As we honor her bravery as a symbol of Korea’s collective fight for freedom, we’re reminded of the North Korean women who are still fighting for free and full lives today.
The Korean Independence Movement
The Sam-il movement began with a declaration of independence issued by thirty-three Korean cultural and religious leaders - many of whom were young adults. In the face of great risk, they laid out a Korean vision of equality, internationalism, human happiness and world peace that is still relevant today. These daring words galvanized the nation, and peaceful protests erupted across the country over the coming weeks, with peasants, tradespeople, housewives, and scholars marching alongside one another. An estimated 2 million Koreans participated in these first public displays of resistance, fostering a sense of national unity; an awareness that each individual was not alone in their desire for freedom.
Ordinary Korean women played a crucial role in the grassroots movement. While traditional Confucian culture and Japanese education policy relegated women to the domestic sphere, they emerged as leaders in the demonstrations following March 1st. Along with freedom for their country, they sought social awakening and an improvement in the status of women.
Canadian journalist Frederick Arthur Mckenzie, who was working as a correspondent in Korea at the time, witnessed the historic culture shift. In his book, Korea’s Fight for Freedom, he recalls how “Female students were most active in Seoul. For instance, most of the people arrested in the morning of the 5th of March were girl students.”
Freedom Fighter Yu Gwan-sun
Yu Gwan-sun was one such student, a brilliant 16-year-old girl who attended Ewha Hakdang. There, she witnessed the beginnings of the Sam-il Movement and took part in the initial protests in Seoul. Yu and her classmates were detained by Japanese authorities, but missionaries from their school were able to negotiate their release.
Following March 1st, schools were shut down in an attempt to stop students and activists from coordinating further protests. Yu returned to her hometown of Cheonan, but her conviction for a free Korea did not waver. She smuggled a copy of the declaration of independence and went from village to village, spreading word about the Sam-il Movement. On March 31st, Yu climbed to the top of Mount Maebong and lit a beacon fire, signaling to protestors that the time had come to make their stand.
The next day, 3,000 people gathered at Aunae marketplace in Cheonan shouting “Mansei!” and “Long live Korean independence!” Yu distributed homemade taegukgi, or Korean national flags, while rallying the villagers. When Japanese military police arrived to shut down the protest, they fired into the crowd and killed 19 people, including Yu’s parents.
The Sam-il Movement was eventually suppressed by Japanese authorities in mid-April. According to The Bloody History of the Korean Independence Movement by Park Eun-sik, there were an estimated 7,500 deaths, 16,000 injuries, and 46,000 arrests.
Yu Gwan-sun was arrested and convicted of sedition. She was sent to Seodaemun Prison but even then, she did not give up the fight for freedom. While incarcerated, she famously wrote:
“Even if my fingernails are torn out, my nose and ears are ripped apart, and my legs and arms are crushed, this physical pain does not compare to the pain of losing my nation. My only remorse is not being able to do more than dedicating my life to my country.”
On the one year anniversary of the Sam-il Movement, Yu organized a large-scale protest with her fellow inmates. They were brutally beaten and tortured for their defiance, and she was
transferred to an isolated underground cell. On September 28th, 1920, at the age of 17, Yu died from the injuries she suffered.
Yu never experienced a free Korea, yet she audaciously fought to see a different future in her lifetime. Twenty-five years after her passing, in August of 1945, Korea finally gained its independence from colonialism, but at the same time was split into North and South Korea. Today, Yu is remembered as Korea’s “Joan of Arc,” and the Sam-il Movement is celebrated annually as a national holiday in South Korea.
North Korea’s Fight For Freedom
As we honor the bravery of Yu Gwan-sun and other women in history, we’re also reminded of the millions of North Koreans still fighting for free and full lives. They’re engaging in everyday acts of resistance and transforming their country from the ground-up.
In North Korea, women are also the ones driving crucial engines of change. Grassroots market activity at the Jangmadang is primarily driven by women, shifting economic power away from the regime and into the hands of the people. Women are smuggling goods across the border, testing the limits of self-expression through fashion and beauty, and becoming breadwinners for their families. From outside of the country, resettled North Korean women are accelerating change as activists and entrepreneurs, sending money and information back home.
While North Korean women still face many obstacles and human rights abuses, they’re challenging the status quo and striving towards freedom.
Liberty in North Korea
LiNK is helping North Korean refugees to reach freedom, begin new lives, and become agents of change on this issue. We’re so excited and grateful to announce that 8 North Korean women have recently reached freedom through LiNK’s rescue routes!
During the three years of heightened surveillance and lockdowns in China, our field team has worked tirelessly to establish new routes and expand our network. We’re excited to finally gain momentum in this area of our rescue work!
Like Yu Gwan-sun, these North Korean women never gave up in their pursuit of freedom. Many of them had crossed the North Korean border into China years ago, but were unable to complete the journey during the pandemic. Now they’ll be able to take full authorship of their lives.
“I tried multiple times to escape China but ended up getting caught and spending time in a Chinese prison. When I left home this time, I knew it would be my last attempt to reach freedom. If I failed, I had planned to drink pesticide and kill myself - if I were caught it would do so much harm to my family in China and even in North Korea. This time with the help of LiNK, I successfully made it to safety. I threw away the pesticide after the journey. I risked my life to come here, and I will live in freedom to the fullest.”
- Yi Hyun, reached freedom through LiNK’s networks in 2023
Thank you for making this possible with your steadfast support, especially through a tumultuous past few years. North Koreans have not given up, and they will not until they achieve their freedom. We can stand with them as they change history.
Fundraise or donate to help rescue more North Korean refugees today!
