A Day at Work with Ji Min and Hyun Kyung
Ji Min and Hyun Kyung recently started working at a food wrapping/delivery company that employs resettled North Koreans. The company buys organic potatoes, fruits, and vegetables from local farmers, and then wraps and delivers them to middle and high school cafeterias.
Ji Min and Hyun Kyung gave our resettlement coordinator Jihyun a tour of their workplace. Though it was their day off, they showed him how they would usually work so the photographer could take photos.
Jihyun: Thanks so much for showing us your workplace and demonstrating how you would usually work.
Ji Min: My pleasure. You know, I am usually not a big fan of getting my picture taken, especially since my family is still in North Korea. However, I am so happy to do this. If my story and pictures can help bring more attention to the North Korean issue so that LiNK will get more support and more North Korean people can achieve freedom through LiNK’s work, I feel like this is something I ought to do. You know, I always want to give back in return for what I have received. LiNK and LiNK’s supporters rescued me when I was in such a dangerous situation in China. I want more North Korean people to benefit from LiNK’s work.
Jihyun: What is the best thing that happened to you recently?
Ji Min: When it snowed for the first time this winter, I felt happy because snow reminds me of my hometown in North Korea. We get a lot of snow in North Korea compared to South Korea.
Recently, I got complimented by my boss for doing something well. You know, since I started working here, I have made some mistakes especially because I didn’t know some vegetables like parsley and broccoli. I had never seen them or heard of them until I started working here, so I got a bit discouraged during the first few weeks. And then, when no one else noticed that some expensive fruit was just sitting outside because someone forgot to put it onto a truck, I spotted the fruit on the ground and told my boss about it so we could save the fruit. If I hadn’t seen it, it would’ve been just thrown away or something. Yes, after all the mistakes I made, I did this so I got a compliment from my boss. It was so encouraging. You know what? No matter how old you are, getting a compliment is still very good (laughs).
Jihyun: What was your biggest challenge in North Korea?
Ji Min: Besides not having enough food and clothes, I really didn’t like that human rights and freedom of speech didn’t exist in North Korea. I could just get by with not having enough food and clothes, but I couldn’t stand my rights and freedom being taken away by the North Korean regime.
Hyun Kyung: I didn’t like the brutality of the North Korean regime. They cruelly punished people who said a single word against the regime. It was so scary.
Jihyun: What's your biggest challenge in South Korea?
Ji Min: I know that not every South Korean person is like this, but there are some South Korean people who have negative stereotypes and prejudices about people from North Korea like me. They sometimes treat me and other North Koreans like second-class citizens, looking down on us. I get very discouraged when that happens to me or other North Koreans.
Hyun Kyung: I am always concerned about my children left in North Korea. It is very difficult to call them, even through brokers, these days. I would never want to think anything about North Korea if my children were with me in South Korea. It is very painful not being with them and not being able to hear their voices on the phone. When I get so sad because of my children, I try to not think about them by working hard. Fortunately, I like what I do at my workplace, so it helps.
Ji Min: I miss my family too. After I came to South Korea, I realized how happy it was just to be with my family looking at their faces whether or not we had enough food or clothes back in North Korea.
Hyun Kyung: Whenever I am having a hard time in South Korea, I tell myself that I shouldn't give up for my children. I must successfully resettle in South Korea, so I can bring them here as soon as possible.
Jihyun: What is it like living in freedom in South Korea?
Hyun Kyung: I am just so thankful for many things. I love the work I do here because it perfectly complements my personality and the way I work (smiling). Among all kinds of new freedoms I have now, I really appreciate the freedom of movement. I like that the public transportation system in South Korea is so good that I can easily go wherever I want.
Ji Min: It is like going from an extreme to the other extreme. My life has radically changed since I came to South Korea. Now, I have freedom and rights I can enjoy.
A funny thing is that back in North Korea even the North Korean constitution states that the North Korean people have freedom and rights, but in real life there is no freedom and rights in the country.
Jihyun: What is something that you started to do in South Korea that you never did before?
Ji Min: I never even dreamed of driving a car in North Korea and after I came to South Korea I got a driver’s license. It feels so good whenever I get to drive a company truck. I always ask myself, “If I was still in North Korea, would I ever be able to drive?”
Jihyun: What should people do in order to remove the stereotypes/prejudices toward North Koreans?
Ji Min: There should be more proper education about North Korea in schools in South Korea. Especially younger South Korean people don’t know about North Korea and North Korean people. I think that is because students in South Korea don’t learn about North Korea and the people properly. Also the students need to know how to differentiate the North Korean regime and the people.
The lack of education on North Korea causes a lot of misunderstanding and indifference toward the North Korean issue and the people. I know that some South Koreans don’t even welcome resettled North Koreans here like me. This is very concerning. I think many South Koreans see reunification and the North Korean issue only as economic issues. They think that reunifying with North Korea and having more resettled North Korean refugees in South Korea won’t be beneficial for them.
Jihyun: What advice would you give to a friend who just arrived in South Korea?
Ji Min: You might get overwhelmed by so many new things and different kinds of jobs you can choose from in South Korea. Try to evaluate yourself (things like your experience, abilities and family situation) from an objective perspective and then choose what you want to do. If you start working, try to work at job as long as possible. Don’t quit your job too quickly.
Hyun Kyung: Yes, I agree! Don’t change jobs too often.
Jihyun: What are your hopes for the new year?
Hyun Kyung: Reunification! Or at least opening up of the North Korean society so I can see my children. I believe if the society opens up, the living conditions of the people in the country will get better.
Ji Min: Realistically, I hope I can work at my current company as long as possible without too much trouble. I hope both me and my company will do well next year.
And…yes, I hope I can see my children somehow. I really want to see them. I really do.
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The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
