Film Review: Under the Sun
Spoiler alert: The North Korean government suffers from a severe transparency deficit.
How do you reveal the reality of a society where government representatives script each scene you're allowed to shoot?
Simple: leave cameras rolling at all times, and show your audience the scripting and retakes of "real life" in all their glory.
You end up not with a documentary about a family going about their lives, but a behind-the-scenes reveal of a family whose dinner-table conversations, workplace interactions, and even expressed emotions are curated by government propagandists for external consumption.
No North Koreans question this process out loud--except to check their lines.In this system everyone knows the role expected of them, especially with government officials overseeing everything. So before our very eyes, we observe the theatrical production of an ideal 'Kimilsungist socialist society', played out by real citizen-actors. And when citizens know the risks of not playing the part they’re asked to play, they become good actors.
This is of course a very real aspect of life in North Korea, even when no cameras are rolling. The everyday ritualised theatrical production of 'obedient citizens willingly striving as one for the socialist cause' is one of the key means by which the state perpetuates itself. Everyone knows what to say, how to say it, and that you have to say it. Whatever your innermost thoughts may be, it's hard to break role publicly when everyone else is sticking so closely to a ‘script’.
Revealing the nature of this production, warts-and-all, is one of the key contributions of Under the Sun.But as with any behind-the-scenes look, cracks in the facade, tired actors and cock-ups are apparent.'Off stage', strategically placed cameras record poor Pyongyang kids scavenging from a trash can. We see commuters disembarking to push a tram. A government 'set manager' shoos away two women approaching the back door of a milk processing plant with a big jug; we can only guess they were looking for an off-the-books top up, unaware there were foreign filmmakers present that day.
We see a forgetful factory worker reporting they have exceeded production targets by 150%, and in the next take 200%. It doesn't matter to any of her coworkers which fiction is used, and no one bats an eyelid.
And of course, children being less practiced in their roles within the system than adults, the best scenes feature North Korean kids. A small girl struggles to keep her eyes open while an aging war veteran wearing far too many medals bumbles through an anti-American propaganda lecture, punctuating tales of shooting down planes with praise for Kim Il-sung.
Jinmi, the star of the film, breaks down in tears when the pressure of performance becomes too much. Elsewhere, on-screen text tells us that she unwittingly revealed her parents' true occupations of journalist and restaurant worker before the government co-producers scripted them as the more socialist-appropriate textile factory technician and soy milk plant worker.
It's hard to not recall The Truman Show, and it boggles the mind to think there are 25 million people living out their lives in this theater state.
But unlike a Hollywood Movie, the enemy here is not represented by a snarling on-screen character. The propagandists are unnamed and we rarely even see their faces properly. The enemy is in fact the system itself, whose quiet tyranny forces every citizen - including the propagandists - to become complicit in its perpetuation by allowing the expression of only a singular narrative of what it is to be a North Korean.
I Escaped at 6 Years Old. Am I Really North Korean?
By Sean
Sean is a participant of LiNK’s Intensive English Program (LIEP), designed to build the capacity of North Korean English speakers at the intermediate level. In partnership with the British Council, LIEP aims to cultivate participants’ communication and critical thinking skills in English. LIEP is complementary to our broader LiNK English Language Program (LELP), which supports speakers of all proficiency levels.
From Fear to My Spear
Growing up, I was a very timid boy who avoided anything that made me uncomfortable. I never raised my hand in class because I was too embarrassed to speak in front of people. Just the thought of everyone looking at me made me freeze.
One time in elementary school, every student had to sing in front of the class for a music assignment. I was extremely nervous, not only because I hated standing on stage, but also because I was afraid people would laugh at my terrible singing. It felt like a kind of phobia. I ended up crying and quietly went back to my seat.
But as I grew older, things started to change.
In early 2021, I began playing the electric guitar. At first, I practiced by myself, but after a while I wanted to play with others and do something more meaningful with music. I heard that my church band was looking for a guitarist, so I asked the band leader if I could join—very unusual for someone like me, who had never wanted to be on stage before. To be honest, I wasn’t even good enough to play during a live service. But the band leader still let me join.
I made plenty of mistakes every week. Every Sunday, I was always nervous before going on stage. But this time, I didn’t run away from fear. I knew I wouldn’t grow if I kept avoiding challenges. I realized that achieving goals often comes with pain and discomfort.
Over time, I got better at guitar and became more comfortable performing in front of people. Now, I feel totally fine being in front of a crowd. That experience really changed me. Since then, I’ve tried to face challenges instead of avoiding them.
In the summer of 2023,I had the opportunity to go to England and help raise awareness about North Korea. A Christian organization invited me and some North Korean friends to speak to people in the UK about life in North Korea. My role was to translate their stories into English for the audience.
At one of the events, I was shocked by how many people were there. There were hundreds, maybe even thousands of chairs. I had never spoken in front of such a large crowd before and I had to speak in English, not my first language. I was terrified. But I reminded myself that this was another opportunity to grow. I didn’t back down. I did my job and didn’t give up. I continued translating for two weeks as we traveled across England, helping North Korean refugees share their stories.
There was another reason I had to translate. I didn’t have much of my own story to share. I was born in North Korea, but I left when I was six years old, so I don’t remember much. But during this trip, I learned a lot more about North Korea. I also saw that many people around the world truly care about what’s happening there and I realized that I care, too.
This was the first time I used my language skills for something meaningful. It was the first time I spoke, not just for myself, but for North Korea.
Growing up, I never really realized that I was from North Korea. My mother didn’t want me to interact with other North Korean kids, and I didn’t have any of the typical traits of a North Korean refugee. The way I spoke and behaved was completely South Korean. I spoke fluent South Korean, and I just lived like everyone else around me.
It wasn’t until late 2020 that I met North Korean students for the first time at an alternative school in Seoul. It was quite interesting to meet people who were born in the same place as me, but I felt different from them. Most of them had arrived in South Korea during their late teenage years. They spoke with a North Korean accent and shared detailed memories of their lives in the North. But I had nothing to share. I didn’t remember anything from North Korea. I felt like a South Korean kid surrounded by North Koreans. I couldn’t relate to their stories at all.
That’s when I started to question my identity. Am I South Korean or North Korean?
But after my experience in the UK, I can now say with confidence that I am both. I am North and South Korean.
One meaningful moment was when I shared my mother’s story---how she escaped North Korea and survived in China. She had told me this story many times, but saying it out loud myself was very different. I could feel it more deeply. It wasn’t just something I had heard anymore, it became something I carried. I realized more clearly that I am from North Korea and that my mother went through many hardships. Telling the story helped me feel more connected to my background. North Korea started to feel closer, more real, and more personal.
Now, more than anything, I want to study and learn more about North Korea. The world needs to be aware of what is happening in the North. With increasing attention and focus from the outside, we will be able to take the first step toward unification. Even if unification doesn’t happen, it could lead to the opening of borders.
Since I speak both French and English, I have come to realize that I am able to use my language skills to let the world know about North Korea. I’ve already overcome my fear of speaking on stage. That fear used to hold me back, but not anymore. Now, I feel that I need to get ready to speak up for North Korea and help the world understand its people and stories.
I’ve lived as a South Korean and connected deeply with North Koreans. I understand both sides in a way that not many people can. That’s why I believe I can become a bridge between the two Koreas.
As I continue to grow, I will keep improving my language skills and keep learning so that one day, I can stand on the global stage and speak for the people of North Korea. I want to be someone who helps the world see them not as strangers, but as part of one family.
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Opportunities like LiNK’s Intensive English Program (LIEP) are helping North Koreans find their voice, reach their goals, and lead change on this issue. Your support can help us continue to make an impact in the lives of North Korean refugees, like Sean.
