Film Review: Under the Sun
Spoiler alert: The North Korean government suffers from a severe transparency deficit.
How do you reveal the reality of a society where government representatives script each scene you're allowed to shoot?
Simple: leave cameras rolling at all times, and show your audience the scripting and retakes of "real life" in all their glory.
You end up not with a documentary about a family going about their lives, but a behind-the-scenes reveal of a family whose dinner-table conversations, workplace interactions, and even expressed emotions are curated by government propagandists for external consumption.
No North Koreans question this process out loud--except to check their lines.In this system everyone knows the role expected of them, especially with government officials overseeing everything. So before our very eyes, we observe the theatrical production of an ideal 'Kimilsungist socialist society', played out by real citizen-actors. And when citizens know the risks of not playing the part they’re asked to play, they become good actors.
This is of course a very real aspect of life in North Korea, even when no cameras are rolling. The everyday ritualised theatrical production of 'obedient citizens willingly striving as one for the socialist cause' is one of the key means by which the state perpetuates itself. Everyone knows what to say, how to say it, and that you have to say it. Whatever your innermost thoughts may be, it's hard to break role publicly when everyone else is sticking so closely to a ‘script’.
Revealing the nature of this production, warts-and-all, is one of the key contributions of Under the Sun.But as with any behind-the-scenes look, cracks in the facade, tired actors and cock-ups are apparent.'Off stage', strategically placed cameras record poor Pyongyang kids scavenging from a trash can. We see commuters disembarking to push a tram. A government 'set manager' shoos away two women approaching the back door of a milk processing plant with a big jug; we can only guess they were looking for an off-the-books top up, unaware there were foreign filmmakers present that day.
We see a forgetful factory worker reporting they have exceeded production targets by 150%, and in the next take 200%. It doesn't matter to any of her coworkers which fiction is used, and no one bats an eyelid.
And of course, children being less practiced in their roles within the system than adults, the best scenes feature North Korean kids. A small girl struggles to keep her eyes open while an aging war veteran wearing far too many medals bumbles through an anti-American propaganda lecture, punctuating tales of shooting down planes with praise for Kim Il-sung.
Jinmi, the star of the film, breaks down in tears when the pressure of performance becomes too much. Elsewhere, on-screen text tells us that she unwittingly revealed her parents' true occupations of journalist and restaurant worker before the government co-producers scripted them as the more socialist-appropriate textile factory technician and soy milk plant worker.
It's hard to not recall The Truman Show, and it boggles the mind to think there are 25 million people living out their lives in this theater state.
But unlike a Hollywood Movie, the enemy here is not represented by a snarling on-screen character. The propagandists are unnamed and we rarely even see their faces properly. The enemy is in fact the system itself, whose quiet tyranny forces every citizen - including the propagandists - to become complicit in its perpetuation by allowing the expression of only a singular narrative of what it is to be a North Korean.
Finally Free
I went to Southeast Asia to see where LiNK’s Field Team rescues North Korean refugees. Here’s what I found…
Refugees must cross terrain like this to reach safety in Southeast Asia
We’re on a dirt road weaving around potholes.
On one side, the rice reaches to the horizon. On the other, corn stretches higher than the van.It feels like rural Iowa, but hotter and with palm trees.
The van lurches along, swaying back and forth with the ruts in the road. We’ve been driving for five hours through dense jungle and villages so small that you’d miss them if you blinked. It’s starting to seem like we’re in the middle of nowhere.
We finally coast to a stop and LiNK’s Field Manager points to a steep ravine.
“We’re here,” she says.
“We’ve rescued North Korean refugees right here,” she continues.
For the next hour we stop every couple hundred yards. She points to a field or a patch of trees and recounts stories.Stories of screeching to a stop, sliding open the door, and pulling North Korean refugees into the van.Stories of refugees so dehydrated they barely have the words to ask for water.
Stories of people collapsing in exhaustion, caked in mud and peppered with bruises from the long trek through the jungle.“What do refugees do once they’re in the van?” I ask.“Some start crying, the tears stream down their cheeks. They’re so overwhelmed that they finally made it. Others flash smiles in triumph, soaking in every second.”
I realize we’re not on just any dirt road.
This road meanders along the border. You can’t see the line but throw a stone in a certain direction and it’s likely to land in another country.For North Korean refugees this border means everything. Cross it, and they’re safe. The North Korean regime cannot have them arrested and forcibly returned.The danger is finally gone — evaporated in the sweltering heat and suffocating humidity of Southeast Asia.
For the first time in their entire lives: they are free.
It’s a week later and I’m sitting in an air-conditioned coffee shop that sells overpriced lattes.
I’m back in South Korea to interview a North Korean woman who reached freedom through LiNK’s rescue network.It took her four tries to make it to South Korea.She was arrested twice at the North Korean border and once in China. Each time the punishments seemed unimaginable, but they’re terrifyingly common.She recounts the horrific torture she endured for trying to escape. The way they slammed her head into a nail on the wall. The torment of witnessing cellmates whither away from starvation. The heartbreak of watching her 5-year old daughter being beaten in front of her.I’m trying hard to collect the facts. But hers is one of those stories that hollows you out. Leaving you nauseous and numb.The conversation dwindles. I can see the toll that sharing these stories are having. Her shoulders start to slump. She barely looks up to make eye contact anymore.I pull out my phone and show her a video. Her eyes flash with life.
20 seconds pass and she’s still glued to the phone.
It’s a video of that dirt road. And the exact place where she finally reached freedom. There are corn stalks on the left and a small farmhouse hidden behind palms leaves on the right.“Do you remember this place?” I ask.“How could I ever forget it?” she says without looking up.She’s smiling for the first time all afternoon.
