Film Review: Under the Sun
Spoiler alert: The North Korean government suffers from a severe transparency deficit.
How do you reveal the reality of a society where government representatives script each scene you're allowed to shoot?
Simple: leave cameras rolling at all times, and show your audience the scripting and retakes of "real life" in all their glory.
You end up not with a documentary about a family going about their lives, but a behind-the-scenes reveal of a family whose dinner-table conversations, workplace interactions, and even expressed emotions are curated by government propagandists for external consumption.
No North Koreans question this process out loud--except to check their lines.In this system everyone knows the role expected of them, especially with government officials overseeing everything. So before our very eyes, we observe the theatrical production of an ideal 'Kimilsungist socialist society', played out by real citizen-actors. And when citizens know the risks of not playing the part they’re asked to play, they become good actors.
This is of course a very real aspect of life in North Korea, even when no cameras are rolling. The everyday ritualised theatrical production of 'obedient citizens willingly striving as one for the socialist cause' is one of the key means by which the state perpetuates itself. Everyone knows what to say, how to say it, and that you have to say it. Whatever your innermost thoughts may be, it's hard to break role publicly when everyone else is sticking so closely to a ‘script’.
Revealing the nature of this production, warts-and-all, is one of the key contributions of Under the Sun.But as with any behind-the-scenes look, cracks in the facade, tired actors and cock-ups are apparent.'Off stage', strategically placed cameras record poor Pyongyang kids scavenging from a trash can. We see commuters disembarking to push a tram. A government 'set manager' shoos away two women approaching the back door of a milk processing plant with a big jug; we can only guess they were looking for an off-the-books top up, unaware there were foreign filmmakers present that day.
We see a forgetful factory worker reporting they have exceeded production targets by 150%, and in the next take 200%. It doesn't matter to any of her coworkers which fiction is used, and no one bats an eyelid.
And of course, children being less practiced in their roles within the system than adults, the best scenes feature North Korean kids. A small girl struggles to keep her eyes open while an aging war veteran wearing far too many medals bumbles through an anti-American propaganda lecture, punctuating tales of shooting down planes with praise for Kim Il-sung.
Jinmi, the star of the film, breaks down in tears when the pressure of performance becomes too much. Elsewhere, on-screen text tells us that she unwittingly revealed her parents' true occupations of journalist and restaurant worker before the government co-producers scripted them as the more socialist-appropriate textile factory technician and soy milk plant worker.
It's hard to not recall The Truman Show, and it boggles the mind to think there are 25 million people living out their lives in this theater state.
But unlike a Hollywood Movie, the enemy here is not represented by a snarling on-screen character. The propagandists are unnamed and we rarely even see their faces properly. The enemy is in fact the system itself, whose quiet tyranny forces every citizen - including the propagandists - to become complicit in its perpetuation by allowing the expression of only a singular narrative of what it is to be a North Korean.
Remembering North Korea: Today, I’m Happy Because I Can Have Ice Cream
By: Hyeyoung Woon
Hyeyong escaped from North Korea in 2009. She currently works as a financial accountant, and strives to grow her ability as a storyteller and writer to share her personal experiences as a North Korean defector.
There are days when happiness feels complicated.
And then there are days when it feels very simple.
For me, sometimes, it is just ice cream.
When I was young in North Korea, ice cream was very different.
We had “eoreum bosunge” which is sweet pink water frozen in a small metal can with a stick inside. It was icy and rough, and the taste was so strong. That was all I knew.
But everything changed on my first day in South Korea.
I went to a small neighborhood store with my mom and that was where I first saw an ice cream called “Pure Milk”.
At that time, I had just started becoming interested in the English language, so maybe that is why the name catch my eyes
I picked it up and took a bite.
And honestly, it felt like a different world.
It was soft, smooth, and full of real milk flavor.
Until then, ice cream had only meant frozen sweet water to me. I did not know something so simple could taste so real.
After that day, I kept choosing the same ice cream again and again.
Of course, now I know there are more expensive and famous ice creams in the world and, just like that, my life has changed too.
But maybe that is why I still choose Pure Milk.
Not because it is the best,
But because it reminds me of who I used to be.
When I first came to South Korea, everything felt new and exciting.
And little by little, this new world made me forget the old one.
Maybe that is part of growing up.
Or maybe it is part of learning how to survive in a new society.
But sometimes, I become afraid that my old memories are slowly fading away too.
That is why small things like this ice cream still matter to me.
They remind me of where I started.
They help me keep a part of myself that I do not want to lose.
And I still want to remember the girl who once believed pink frozen water was enough to be called ice cream.
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Hyeyoung is a participant of the LiNK English Language Program (LELP), which serves to not only help North Korean defectors build confidence and skills in English, but develop their capacity as advocates for this issue. To that end, we partnered with select LELP “columnists” to write and polish personal essays through multiple rounds of external feedback and revision. Our goal is to have more North Koreans share their stories directly and lead efforts to change the narrative.
We believe the North Korean people can achieve their liberty in our lifetime.
Opportunities like LELP invest in the people building that future now. Help more North Koreans find their voice, reach their goals, and lead change on this issue.
