Holly & Mia: North Korean mother and daughter
"When I was young, my mom took me to go see a fortune teller. The fortune teller stared quite forcefully into my eyes, then said that she couldn't see me—that my future was a mystery because she couldn't see me in this world. My mother started crying, asking if I was going to die. The fortune teller told her not to worry, that although I would leave this world, I was going to find success in a world away. That was the moment I understood. I knew I had to leave."
To not know a day’s rest, to never feel a moment's peace — these were common themes in Holly’s life. Since graduating high school, she worked tooth and nail just to stay afloat. Growing into adulthood in the midst of a changing North Korea, she knew that money would be the only thing that could keep her and her family safe. Her family was able to find security by doing business in the Jangmadang (North Korean Market), but it was not enough. Holly left her home to travel to the southern part of North Korea to try to run her own business. Instead of steady business, she found love. Holly’s newfound romantic bliss did not last long. Due to a series of unfortunate business transactions, her husband lost everything. Feeling helpless, she decided to give up everything she had and make for the border. After two attempts and two jail sentences for attempted escape, she finally made it out. But even in China, she could feel a target on her back. Shortly after crossing the border, with no options, Holly was sold into a marriage.
Holly had a daughter with this man, and stayed in a loveless “marriage” because she did not want to deprive her daughter a father. She wanted to be able to give the new light in her life everything — every chance and opportunity any other child is offered by birth in the free world. Seeing that her husband could not care or provide for her, let alone her child, she knew she was not yet free. With the dream of an opportunity-rich future for her baby, Holly was able to make the arduous journey to freedom through our rescue networks. Traveling thousands of miles with her baby, not yet two years old, she could feel her dream come true the further she got from her old life.Now, Holly and her daughter Mia are safely resettled in the United States. Holly is excited to be able to learn anything and everything. "I want to learn a skill, any skill, that allows me to gain a good career and provide for my baby."
On a recent visit with Holly and Mia, we learned something new about her. Mia had beautiful hats, scarves, mittens and sweaters that were all knit by her mother. Holly learned to knit from her own mother and was using her skills to dress her daughter. With limited resources, she was even knitting with two chopsticks! Holly is working diligently to learn English and is excited and motivated by all of the new information she has access to. When she is not studying English or playing with Mia, she is knitting. To support Holly and Mia in their resettlement, we worked together to provide a place for Holly to sell her beautiful, handmade hats. 100% of the proceeds will go directly to Holly and Mia. Thank you for your support!
The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
