Interview with Charles - North Korean Student at Coding Dojo

Charles escaped from North Korea and made the dangerous journey to safety without the help of a rescue. He resettled to the US in 2012, completing high school and soon after taking the opportunity to participate in a rigorous coding bootcamp through a partner of Liberty in North Korea, Coding Dojo. Charles is now attending community college and pursuing his own coding project. We had a chance to meet with Charles this summer to learn more about his life in North Korea and his new coding passion. Read the interview is below. Charles is also fundraising for rescues with us!
LiNK: Why did you choose to resettle to the US?
Charles: I was born between a North Korean mom and a Chinese dad, which put me in a difficult situation. I wasn’t accepted into South Korea because my Dad is Chinese, even though I had proof of having been captured once in China for being a North Korean refugee. So I applied for refugee status through the United Nations and resettled in the US.
LiNK: You attended Coding Dojo’s coding Bootcamp earlier this year - so cool! Between coding language, English, and borrowed words in Korean, which was the hardest language to learn?
Charles: Coding was hard. You have to know the terms while learning the specific coding language, so that was a challenge. I’m still teaching myself the parts of coding that I find difficult. As for borrowed words in Korean, I didn’t know those existed at all until I started to talk to more Koreans in the US. Borrowed words frequently came up, and I would have to ask people around me to explain the words that I couldn’t understand; part of the challenge was how the same word is pronounced differently in Korean and in English. Shortened words in Korean were tough to learn as well.
LiNK: What’s your favorite thing about programming?
Charles: My favorite thing about programming is I have finally discovered what I truly want to do with my life. I used to want to be a doctor one day, a cop the next day, and maybe a week later, I would want to join the army. Coding first became my hobby and thanks to Coding Dojo, it became something I want to make a career out of. It’s a lot of fun. But aside from that, I’ve also met good friends and instructors at Coding Dojo. I think it’s safe to say coding made me pull a 180 in life. I’m set on computers for now.
LiNK: Can you tell us about a project you’ve been working on?
Charles: Sure. I’ve been working on a project using MEAN stack to make an auction platform for ideas. Users can present ideas, sell ideas, buy ideas… You could say that it’s similar to Ebay in a way, but I think at this stage it’s important to emulate what other people have made to explore and learn about various successful models rather than trying to create something entirely new and different. With the current version, users can upload an idea onto the platform, but there’s been glitches in the idea being transferred to the the auction page. So that’s something I’ve been struggling with, but I think I’m going to finish it pretty soon.
LiNK: How do you get into computer programming as a career in North Korea?
Charles: I’m not sure because I don’t have any friends who went to university, although I do have a relative who was able to go. Most students who go to university come from wealthy families or are people who have been able to make a good amount of money from market activities, and they might find that kind of job. But in North Korea a lot of occupations are passed down from your parents, for example if you’re a politician then your children will also likely become politicians.
LiNK: After coding, what do you like to do in your free time?
Charles: I’m usually at the gym working out. If it’s breezy and not too hot outside, I go to the park and listen to music. You can find me sitting on a bench with my headphones on.
LiNK: What kinds of things do you think about when you’re at a park listening to your music?
Charles: Usually I think about memories from North Korea. When I’m busy my mind is preoccupied with work, but when I have more time on my hands I often think back on my life in North Korea -- both the good days and the hungry days.
LiNK: Can you share one of your favorite memories with us?
Charles: Sure. I had a lot of friends back in North Korea, and we were always outdoors in nature. I lived near Daedong River, so every Sunday, five to six friends of mine and I would have cookouts near the river. We would get rice, a pot, and some firewood to make porridge. Would I do that here? Probably not. I could try, but I think being with my friends was what made it memorable and special. Even when we were hungry, we were hungry together.
LiNK: That sounds really nice. Have you found any foods that you like to eat here?
Charles: Subway! I love sandwiches. My go-to Korean food is Kimchijiggae. I also like Vietnamese noodles — Pho.
LiNK: Cool. What are three things you want to accomplish by the end of this year?
Charles: First is completing my programming project, the Idea Auction project that I mentioned earlier. Second is getting accepted into the community college that I’m applying to. And third would be keeping in good health!
LiNK: Those are some solid goals. You drive Uber sometimes, right? When you’re talking with riders, do you share that you’re from North Korea?
Charles: Well, not a lot of people in the US are aware about North Korea. They say, “Where are you from?” So I would say, “I’m from North Korea,” and they go, “How is it there?” Haha. So I tell them that North Korea is the counterpart of South Korea. The funny thing is that they might not be familiar with North Korea, but they know what I’m talking about when I say the name Kim Jong Un. Then, they don’t believe me and say it’s impossible to escape. When I share my story, they’re very surprised. A lot of my customers stick around to listen to my story even after we’ve arrived at the destination. Even if it’s late at night, people don’t get out of my car until I finish my story.
The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg

Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.

When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.

What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!

Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.

Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!