Meet Charles - A North Korean Living in the United States
Charles escaped from North Korea and made the dangerous journey through China without the help of a rescue network. We met Charles after he resettled in the United States and were able to connect him with Coding Dojo, a coding boot camp and Liberty in North Korea partner, that generously provides free programming education to North Koreans. We've become great friends with Charles and recently he was excited to share his story with you.
My name is Charles. I was born on October 1st, 1994. I grew up without the love of my parents because my father left us when I was five years old and my mother passed away six years later from starvation. For years, I had to figure out how to live alone. I begged for food from strangers on the street, battling starvation and freezing weather. One day my stepbrother came to find me and take me in. I lived with him for a while and when I was 14 years old he brought me to my father in China. Life was so much better in China and I remember thinking there would be no more starvation and no more begging for a place to sleep.
Yet nine months later, the Chinese police came to our house and arrested my family.
We begged the Chinese police to let us go but they wouldn’t listen. Instead, we were kept in a Chinese jail for two weeks. It was when I was sent back to North Korea after this two week period that I realized that no happiness existed any longer -- the happiness that I had felt had been only temporary. The North Korean government questioned me, abused me, and forced me to work as punishment even though I was only sixteen.
Each meal consisted of a single piece of corn.
After eight months, I was finally released. I was just skin and bones - I had almost starved to death.
Without any money, I knew I had to find work. I began working in a coal mine which allowed me to buy rice to eat. Work in the coal mine was very risky -- I saw people lose their arms and legs as they were smashed under the rocks. I was afraid and I couldn’t help thinking that I would soon lose an arm or a leg myself. After working in the mine for a year, I realized I couldn’t stay in North Korea any longer. I knew how long and hard escaping North Korea would be without money or food, and I understood that if I was caught I could be killed. But I wanted to take these risks instead of continue working at the coal mine. I knew I could leave - I just needed to be brave.
My journey began when I boarded a train to take me closer to the border of China and North Korea. I was riding illegally and though I managed to hide during most of the ride I was at one point caught by the train security without my birth certificate. They locked me in a room with plans to kick me off at the next stop. I felt every piece of hope inside of me break because I knew they would send me to jail. Then, as the train slowed, I realized that I might be able to escape through the window.
With my heart pounding in my throat I opened the window and jumped out.
Still, I had more to go. I walked for hours, illegally boarded a second train, and then, finally, I was at the border of China and North Korea.
I remember feeling excitement and happiness when I reached the border, but I also felt worry because I knew I had to cross the Tumen River. The land surrounding the river had constant security and if I was caught I would be shot. I hid in tall grass for six hours, waiting for darkness. Finally, I took a deep breath and stepped into the water. I was halfway across when the river picked up. I almost fell and in my fear I let out a scream before I could catch myself.
Suddenly, I felt a light on my head. A border guard screamed, “Come back here or we'll shoot you.”
I was terrified, and I thought I would never make it because the current kept pulling me under, but I just kept swimming. At last, I made it to the river’s shore.
My journey did not end when I got to China. I traveled by foot, van, bus, motorcycle, and boat. My shoes fell apart and my feet bruised and bled. I went for days without food and water and there were times when I wanted to give up. I cried many days until I couldn’t cry anymore because I was too dehydrated. When I made it to my father’s house, I expected him to welcome me, but he beat me and asked me why I had come to him. I saw that he did not want me. He asked me to leave and he sent me away with his first wife. Together, his wife and I escaped the eyes of many police officers and finally made it to Southeast Asia where I was safe. For months I stayed in a Korean embassy refugee camp and then an international refugee camp where I was finally helped to come to the United States.
In those months and years when I was struggling to survive, my dreams and hopes for a better life kept me going.
I told myself every day that I could make it better -- that one day, somehow, I would change my life, and I kept dreaming about this life. Eventually, I realized that I couldn’t just wait for this dream of a better life to come true -- I had to make it happen.
_____Charles has shared his incredible story at many events to help grow the movement of support for the North Korean people. We are honored to be able to work with him and we are grateful to you for making it all possible! Thank you.
Film Review: Under the Sun
Spoiler alert: The North Korean government suffers from a severe transparency deficit.
How do you reveal the reality of a society where government representatives script each scene you're allowed to shoot?
Simple: leave cameras rolling at all times, and show your audience the scripting and retakes of "real life" in all their glory.
You end up not with a documentary about a family going about their lives, but a behind-the-scenes reveal of a family whose dinner-table conversations, workplace interactions, and even expressed emotions are curated by government propagandists for external consumption.
No North Koreans question this process out loud--except to check their lines.In this system everyone knows the role expected of them, especially with government officials overseeing everything. So before our very eyes, we observe the theatrical production of an ideal 'Kimilsungist socialist society', played out by real citizen-actors. And when citizens know the risks of not playing the part they’re asked to play, they become good actors.
This is of course a very real aspect of life in North Korea, even when no cameras are rolling. The everyday ritualised theatrical production of 'obedient citizens willingly striving as one for the socialist cause' is one of the key means by which the state perpetuates itself. Everyone knows what to say, how to say it, and that you have to say it. Whatever your innermost thoughts may be, it's hard to break role publicly when everyone else is sticking so closely to a ‘script’.
Revealing the nature of this production, warts-and-all, is one of the key contributions of Under the Sun.But as with any behind-the-scenes look, cracks in the facade, tired actors and cock-ups are apparent.'Off stage', strategically placed cameras record poor Pyongyang kids scavenging from a trash can. We see commuters disembarking to push a tram. A government 'set manager' shoos away two women approaching the back door of a milk processing plant with a big jug; we can only guess they were looking for an off-the-books top up, unaware there were foreign filmmakers present that day.
We see a forgetful factory worker reporting they have exceeded production targets by 150%, and in the next take 200%. It doesn't matter to any of her coworkers which fiction is used, and no one bats an eyelid.
And of course, children being less practiced in their roles within the system than adults, the best scenes feature North Korean kids. A small girl struggles to keep her eyes open while an aging war veteran wearing far too many medals bumbles through an anti-American propaganda lecture, punctuating tales of shooting down planes with praise for Kim Il-sung.
Jinmi, the star of the film, breaks down in tears when the pressure of performance becomes too much. Elsewhere, on-screen text tells us that she unwittingly revealed her parents' true occupations of journalist and restaurant worker before the government co-producers scripted them as the more socialist-appropriate textile factory technician and soy milk plant worker.
It's hard to not recall The Truman Show, and it boggles the mind to think there are 25 million people living out their lives in this theater state.
But unlike a Hollywood Movie, the enemy here is not represented by a snarling on-screen character. The propagandists are unnamed and we rarely even see their faces properly. The enemy is in fact the system itself, whose quiet tyranny forces every citizen - including the propagandists - to become complicit in its perpetuation by allowing the expression of only a singular narrative of what it is to be a North Korean.
