Most North Korean Refugees Are Women. Here’s Why.
Over 33,000 North Korean refugees have made it safely to South Korea. 70% of them are female.
Why?
Firstly, North Korea is both politically and culturally very patriarchal, so women traditionally have a lower status than men, and are actually less tightly controlled by the North Korean system. Starting from the famine of the 1990s, North Korean women had to exploit their official status as “housewives” to engage in private market activities and become the breadwinners to ensure their family’s survival.
This combination of a new found economic role, relatively more mobility, and increased independence led more North Korean women to seek further economic opportunities in China (sometimes with an intention to stay temporarily and return, and sometimes as a more permanent move).
There was also a perception among North Koreans that women would have a better chance of being able to stay under the radar and work informally in China, for instance in restaurants or textile factories. This has in fact been borne out in reality, and there is another more tragic factor pulling North Korean women into China—a demand for North Korean brides among unmarried Chinese men, and a broader demand for North Korean women in the Chinese sex industry (including brothels and online sex chat rooms). This demand is driven by a lack of marriage-aged women particularly in rural Northeast China, a result of China’s ‘one child policy’ and the migration of young Chinese women to the cities.
Regardless of the reason behind their initial escape into China, a higher proportion of women getting out of the country translates to a female majority making it all the way to South Korea.
Another reason that might be thought to hold North Korean men back is that they are tied up in military service for much of their 20s, which is a prime age for defection. Not only do men have less freedom when they are in the military, but they are also often relocated to the interior of the country away from the border with China, decreasing their chances of escape. However this does not exactly play out in the demographic data for arrivals of North Korean refugees in South Korea, which shows no spike in the female to male ratio of refugees in their 20s, so it is hard to say how big of a factor this is.
Finally, anecdotally, it seems that some North Korean women may be more likely to be motivated to make the journey to South Korea after watching dramas and films that are smuggled into North Korea on USBs and Micro-SD cards. North Korean women have told us that visions of life in South Korea where women have much greater freedom in self expression and fashion, and are granted higher status and respect—especially by the romantic heartthrobs of your typical K-drama—fueled their fantasies of life beyond North Korea’s borders and were a significant factor in their decision to escape.
Among the more than twenty thousand female North Koreans who have made it all the way to safe resettlement in South Korea have emerged some of the most effective advocates for the North Korean people. Several North Korea-born women have written books, and are increasingly giving the issue a human face on South Korean television and to audiences around the world.
These advocates, and hundreds of other North Korean women who have quietly strived to successfully resettle and bring their children and other family members to South Korea, are among the people that we’ve been able to support and work with because of your commitment to stand alongside the North Korean people.
So on International Women’s Day, we salute the North Korean women who have been able to emerge as a force of progress despite being born in the most repressive country in the world, and we salute our sisters and brothers around the world who continue to believe in and support them.
- Sokeel Park, Director of Research & Strategy
The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
