The DMZ and North Korea
What Is the DMZ?
The Korean Demilitarized Zone (DMZ) is a strip of land running 160 miles (250km) across the Korean Peninsula that serves as a buffer zone between North Korea and South Korea. It passes just 30 miles north of Seoul but is one of the most heavily guarded borders in the world. It divides the Korean Peninsula approximately in half roughly near the original border at 38°N (the 38th parallel), the line that divided North and South Korea at the end of World War II. The Demilitarized Zone incorporates territory on both sides of the cease-fire line as it existed at the end of the Korean War (1950-1953), and was created by pulling back the respective forces 1.2 miles along each side of the line.
The armistice that ended hostilities was signed here in 1953, but, as an official peace treaty was never signed, the two sides have officially been at war for over seven decades.
A Brief History of the DMZ
With Japan’s surrender to the Allies ending World War II in 1945, Korea gained its independence after 35 years of colonization by Japan. The United States and the Soviet Union agreed to a joint temporary occupation of the Korean Peninsula with the US administering the southern part and the USSR administering the northern part.
The zones were split at the 38th parallel, an arbitrary line on the map chosen because it divided the country roughly in half. The division and international administration was supposed to be temporary until Koreans were considered ready to govern by themselves, but with the onset of the Cold War and growing suspicion between the US and USSR the two sides failed to come to an agreement that could establish a unified Korean government and state.
Instead the Republic of Korea (ROK), supported by the United States, was established in 1948 in the south while the Democratic People’s Republic of Korea, supported by the Soviet Union, was established soon after in the north, with both sides claiming sovereignty over the whole peninsula.
On June 25th, 1950, the new North Korean Army invaded across the 38th parallel in an attempt to quickly reunify the Korean peninsula by force. They nearly succeeded, but US-led international intervention changed the course of the war. The conflict devastated the Korean peninsula for three years and killed three million people. After the conflict reached a stalemate close to the 38th parallel, the Korean Armistice Agreement was signed on July 27th, 1953 between the United Nations Command, North Korea, and China to establish a ceasefire.
Each side agreed to move their troops back 2,000m (1.24 miles) from the front line to create a demilitarized zone, establishing a 2.5 mile wide buffer with established rules of conduct. The Military Demarcation Line (MDL) runs through the middle of the DMZ and indicates where the front was when the agreement was signed.
More than seven decades later, both sides still stand guard on either side of the DMZ, two large armies on constant alert for potential aggression from the other side. The arbitrary division that in 1945 everyone thought would be temporary has ended up with one of the most impermeable borders in human history.
The Security Status at the DMZ
The border between North and South Korea is one of the most heavily guarded stretches of land in the world. The DMZ, littered with scores of mines and barbed-wire fences, is almost impossible to cross, except at the Joint Security Area (JSA). The JSA is a special zone inside what is known as the "truce village" of Panmunjom, about 35 miles north of Seoul. Every year, when it is open to tourists, thousands of people visit the JSA for a chance to see North Korean soldiers standing at attention just dozens of feet away and to officially step into North Korean territory inside a United Nations Command administered conference room that straddles the military border.
A visit there feels like military theater, with stern warnings from the South Korean soldiers under United Nations Command not to make gestures at their counterparts. Since demarcation, the DMZ has had numerous incidents and incursions by both sides, although the North Korean government typically doesn’t acknowledge direct responsibility for any of these incidents.
Human Rights and Repression in North Korea
North Korea is one of the world's most repressive states. The government restricts all civil and political liberties for its citizens, including freedom of expression, assembly, association, and religion. It prohibits all organized political opposition, independent media, civil society, and trade unions. The government routinely uses arbitrary arrest and punishment, torture in custody, forced labor, and executions to maintain fear and control across the country. Beyond the DMZ, North Korea is a highly controlled country where human rights are routinely violated.
The international community has continued to press the North Korean government to expand its engagement with United Nations human rights mechanisms, including action on findings of the UN Commission of Inquiry (COI). The COI report shows that the country has committed crimes against humanity including extermination, murder, enslavement, imprisonment, rape, sexual violence, forced abortion, and other heinous crimes. The citizens of North Korea require a lot of help and support from the international community in order to attain a better life.
The North Korean people face a brutal and repressive government that isolates them from the world and denies their most basic human rights. But you can help to create change. At Liberty in North Korea (LiNK), we help North Korean refugees escape through a 3,000-mile secret rescue route and empower North Koreans who have reached freedom to be changemakers, advocates, and leaders on this issue.
You can help make a difference in the lives of North Korean citizens by learning more about our organization, raising funds, advocating for the people of North Korea, starting a rescue team, or making a donation today!
The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
