The Moment I Chose Freedom
I remember sitting in an empty apartment.
There was nothing. No bed, no chair, no dishes, no clothes. I sat on the floor and stared at the wall for hours, wondering “what do I do now?” I was alone in a new country. I had lost all my friends and I had no idea what happened to my family.
It all started over a dinner in Beijing. I am from North Korea’s elite class and I was one of the few university students that was allowed to study abroad. In China, I met a few South Korean students and we became friends. One night over dinner they began talking about human rights in North Korea. They criticized my country and I was so confused. What are human rights? What is a dictatorship? What is freedom?
I grew up very comfortably in North Korea’s capital, Pyongyang. I never went hungry and I could buy whatever I wanted. I even owned a South Korean computer and I played video games on it. But there were also moments when I questioned things. There was the time I was interrogated for 3 days for giving a friend some South Korean movies. Or the time my dad had to bribe the police to let me go.
But I thought it was like that everywhere. I cried in the taxi on the ride home that night. I was so frustrated that I didn’t have the words to defend my homeland. I went back to my dorm room and began searching the internet for information on human rights.
My idea of North Korea died that night.
The place I called home and the only system I had ever known was all a lie. I couldn’t stop crying as I watched a documentary about North Korea’s political prison camps. I didn’t go to class after that. I stopped hanging out with most of my friends and spent most of my time reading and learning about things I had never known about my country.
A couple weeks later I was at an ice rink in Beijing. As I was watching these little Chinese kids skate around so carefree, something broke deep inside me. I thought about the North Korean children in the documentaries who would never get to enjoy something like this. That’s when I knew I had to do something.
I began devouring books about democracy and freedom. I watched more documentaries and read the political classics like Plato’s The Republic.
If the regime discovered I was reading that book, it could have cost me my life.
But I couldn’t kill my curiosity. I couldn’t unlearn what I now knew and I definitely couldn’t go back to North Korea.
One morning I received a call from the North Korean embassy in Beijing. They asked me to come in because they said something was wrong with my visa. Nothing like this had ever happened before so it seemed strange. I was convinced that they knew what I had been reading and thinking about. I agreed to come in and hung up.
I never went to the embassy.
I destroyed my phone and ID cards that day and left my dorm room with some cash. A couple days later I found a South Korean pastor and he helped me find a way to get safely to South Korea.
It has been six years since I sat in that empty apartment on my first day as a free South Korean citizen. There was a moment while I sat there where I began to question everything. Did I make the wrong choice? What did I do to my family? Will I really be okay on my own now?
But then I reminded myself—I came here with a purpose: to learn about democracy and to help my people get their freedom. So I put on my shoes and went to buy groceries for the first time.
Film Review: Under the Sun
Spoiler alert: The North Korean government suffers from a severe transparency deficit.
How do you reveal the reality of a society where government representatives script each scene you're allowed to shoot?
Simple: leave cameras rolling at all times, and show your audience the scripting and retakes of "real life" in all their glory.
You end up not with a documentary about a family going about their lives, but a behind-the-scenes reveal of a family whose dinner-table conversations, workplace interactions, and even expressed emotions are curated by government propagandists for external consumption.
No North Koreans question this process out loud--except to check their lines.In this system everyone knows the role expected of them, especially with government officials overseeing everything. So before our very eyes, we observe the theatrical production of an ideal 'Kimilsungist socialist society', played out by real citizen-actors. And when citizens know the risks of not playing the part they’re asked to play, they become good actors.
This is of course a very real aspect of life in North Korea, even when no cameras are rolling. The everyday ritualised theatrical production of 'obedient citizens willingly striving as one for the socialist cause' is one of the key means by which the state perpetuates itself. Everyone knows what to say, how to say it, and that you have to say it. Whatever your innermost thoughts may be, it's hard to break role publicly when everyone else is sticking so closely to a ‘script’.
Revealing the nature of this production, warts-and-all, is one of the key contributions of Under the Sun.But as with any behind-the-scenes look, cracks in the facade, tired actors and cock-ups are apparent.'Off stage', strategically placed cameras record poor Pyongyang kids scavenging from a trash can. We see commuters disembarking to push a tram. A government 'set manager' shoos away two women approaching the back door of a milk processing plant with a big jug; we can only guess they were looking for an off-the-books top up, unaware there were foreign filmmakers present that day.
We see a forgetful factory worker reporting they have exceeded production targets by 150%, and in the next take 200%. It doesn't matter to any of her coworkers which fiction is used, and no one bats an eyelid.
And of course, children being less practiced in their roles within the system than adults, the best scenes feature North Korean kids. A small girl struggles to keep her eyes open while an aging war veteran wearing far too many medals bumbles through an anti-American propaganda lecture, punctuating tales of shooting down planes with praise for Kim Il-sung.
Jinmi, the star of the film, breaks down in tears when the pressure of performance becomes too much. Elsewhere, on-screen text tells us that she unwittingly revealed her parents' true occupations of journalist and restaurant worker before the government co-producers scripted them as the more socialist-appropriate textile factory technician and soy milk plant worker.
It's hard to not recall The Truman Show, and it boggles the mind to think there are 25 million people living out their lives in this theater state.
But unlike a Hollywood Movie, the enemy here is not represented by a snarling on-screen character. The propagandists are unnamed and we rarely even see their faces properly. The enemy is in fact the system itself, whose quiet tyranny forces every citizen - including the propagandists - to become complicit in its perpetuation by allowing the expression of only a singular narrative of what it is to be a North Korean.
