The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
The 2019 LiNK Advocacy Fellows: North Korean Defectors Raising Their Voices
Meet the new class of LiNK Advocacy Fellows! They are already adjusting to life in the U.S. and learning how to become stronger storytellers and better advocates. All four of the AFers have incredible stories they want to share with the world. Here’s a little bit about each of them and what they hope to accomplish during the fellowship! Stay tuned for updates throughout their time here!
Joy
Joy was born in 1991 in Musan, North Korea and escaped when she was 18 years old. When she reached China, the broker who had helped her escape demanded that Joy repay her immediately for her assistance. When Joy couldn’t afford to pay, the broker took her from village to village, trying to sell her as a bride.After three humiliating days, an older Chinese farmer paid $3,000 for her. She tried to find a way to escape but soon became pregnant with the man’s child and gave birth to a daughter.
In 2013, Joy was introduced to LiNK’s network in China and was finally able to reach safety. She is now a university student studying social work in South Korea and wants to dedicate her life to helping families. “I want to be able to share my story in English without a translator’s help. I want to communicate freely and express my thoughts and ideas with others. When I return to South Korea in late November, I want to be able to look back at my time in the U.S. and feel empowered and proud of my work.”
Read more about Joy’s story here.
Ilhyeok
Ilhyeok is from Saetbyeol, North Korea and was born in 1995 at the start of the famine. Growing up, Ilhyeok often missed school to help his family make ends meet by fishing and farming. In order to feed the family, Ilhyeok’s father became a broker who helped defectors living in South Korea send money to their relatives inside North Korea. But when Ilhyeok was only 12, his father was caught and imprisoned for illegally owning a Chinese cell phone. Even after he was released, the authorities kept the family under close surveillance.
Well aware of the risks they would face if they tried to escape, but dreaming of a brighter future, one night llhyeok’s father suggested that the entire family leave their homeland in search of a better life. They fled that very night, and after a long and difficult journey made it to South Korea in 2011.
Ilhyeok is now a senior Political Science and Diplomacy major at Hankuk University of Foreign Studies in Seoul and wants to work for the United Nations one day.“I want to improve my English skills because it is the international language. I want to be able to communicate with everyone so that I can raise awareness about what’s happening in North Korea. And I also want to meet new people from different backgrounds.
Dasom
Dasom was born in 1993 in Gangwon Province, North Korea. When she was seven years old, her family relocated to Hamgyung Province. Before Dasom was even born, her grandfather had been accused of being a spy and was taken away that same day, never to be seen again. Because of North Korea’s system of collective punishment, her grandfather’s alleged crimes severely restricted the jobs she could get after graduating high school. Dasom had no other choice than to join a workers’ group doing manual labor for the government.
After being sexually assaulted at work, Dasom vowed to leave North Korea. She escaped with the help of a North Korean broker but was almost sold to a Chinese broker upon reaching China. Fortunately, a group of North Korean defectors she met connected her with LiNK and she was rescued soon after. She resettled in South Korea in 2014 and dreams of becoming a florist.“I want to be able to look back after the AF program ends and reminisce on all the good memories. I also want a lot of people to remember my story and who I am as a person.”
Jeongyol
Jeongyol was born in 1998 and grew up in Pyongsong, close to North Korea’s capital city Pyongyang. Jeongyol’s father began teaching him math at a young age and by elementary school, he had mastered the middle school math curriculum. In high school, his extraordinary abilities earned him a spot on North Korea’s team for the International Mathematical Olympiad (IMO). In his first IMO in Colombia, Jeongyol won the silver medal. He went on to win the silver medal at the next three IMO competitions.
His success brought the attention of the North Korean government and they offered him a job. He asked for a deferral until after he was finished with his IMO competitions, but realized he’d eventually be forced to work for the regime. At 18, Jeongyol knew that the international competition in Hong Kong would be his last opportunity to defect while abroad. On the last day, while everyone was packing up to return home, he snuck out of the hotel and sought asylum at the South Korean consulate where his dramatic defection made international news.
Jeongyol resettled in South Korea in 2016 and is now a freshman at Seoul National University.“I want to meet people from diverse backgrounds and learn from them. I also want to share my story with as many people as possible.”
