The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
Yoon Ha's Story: Part 3 - Making it to South Korea
This is the third part of a three-part story. Read part one about the hardships Yoon Ha experienced growing up in North Korea, and part two about being trafficked in China.
After connecting with LiNK’s network, I had to hike up more mountains to get out of China. It was very difficult being eight-months pregnant. My legs hurt and began to swell up a lot. It was really dark and I fell a few times. It was so hard - I was completely exhausted.
There were other North Koreans escaping China with me and they were pulling me and helping me up. Whenever I wanted to give up, they encouraged me.
“We must go. We must go to South Korea to live. To live…”
I felt like it was my responsibility to keep going and to survive for myself and my daughter. The journey getting out of China was so tough. I was worried that my unborn baby might have died because I didn’t feel the baby moving in my stomach for a while.
After many months in government processing and after going through the Hanawon resettlement education center, I was finally able to live freely in South Korea. I was overjoyed.
Thankfully, my baby survived and I had a beautiful baby daughter right after I came to South Korea. More than a year later now, I am thankful that she is growing well and is in good health.
In North Korea, the police oppressed me, keeping me from doing what I needed to do to survive. And in China, the police were trying to find North Korean refugees who were living in hiding. They wanted to send us back to North Korea, even though they knew we would be brutally punished by the regime. Whenever the police came around, I locked all the doors and hid in fear until they left town. So at first, I was scared of the police in South Korea.
I got to know my assigned police officer and realized he is just a person like me and we are not that different. (Every resettled North Korean refugee in South Korea is assigned a police officer for their first five years. They check in on them on a regular basis, and provide basic legal advice and special protection if necessary.)
We talked openly and he shared about the challenges he had when he was younger. He calls me once a week to see how my daughter and I are doing. He has brought us fruit and diapers for my daughter. He is so sweet. He also helped me with paperwork, paying bills, and getting my phone fixed when it broke. I really appreciate him and now he feels like a friend to me.
Thanks to people like him, I can sleep well.
I have been surrounded by many good people from my church community, the Hana Center (the local South Korean government resettlement assistance center) and my designated police officer.
It felt so good to talk freely with many people in my first language--Korean. I had lived in China for many years and when I first went there, I knew no Chinese. I struggled so much with communicating and I couldn’t talk to people freely either because of the fear of getting caught.
Now I can talk to anyone without worrying about getting caught.
I am so glad I came to South Korea. My life here is much better than my life in North Korea or China. I feel very safe and free in South Korea.
I am still learning the meaning of freedom as I experience it in this new society. I can do what I want and go where I want to go. I can go somewhere just to have fun and no one stops me.
That is freedom to me, and I am living it right now.
