The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
Yoon Ha's Story: Part 2 - Life in China
This is the second part of a three-part story. Read part one about the hardships Yoon Ha experienced growing up in North Korea that led her to escape. Part three follows this part with her experience resettling in South Korea.
The couple who helped me escape into China brought me to a house that same night after we crossed the river. There they told me about my options. They said I could work in a restaurant somewhere in China. However, there would be a high risk that I would be caught by the Chinese police and get sent back to North Korea. I already knew that if you get sent back to North Korea from China, you could be severely punished by the North Korean regime.
They said there was another way, which would be safer; I could "marry" a Chinese man. They told me my Chinese husband would protect me from getting caught by the Chinese police. So it seemed that this was the best choice I could make. I had already come to China and I didn’t want to go back to North Korea. I was prepared to do anything to have a better life, so I told the couple that I would live with a Chinese man.
The next morning the couple took me to a car and we started driving.
In the car, I started getting scared. The only thing I knew was that I was going to live with a Chinese man I had never met, and I was just hoping that my life would somehow get better through the marriage. After driving for a while, we arrived in a small city in China. There I met some Chinese people who turned out to be family members of the man I would marry.
I saw one of them give money to the couple who had brought me there. It was then that I realized that I had been sold.
A part of me still felt I could do anything to have a better life. But it didn’t feel good to be sold like an object. Even to this day, there are so many North Korean women being trafficked like I was. This kind of trafficking is now an industry.
I also felt selfish for leaving my mother and sister without letting them know. I came all this way so that I could have a better life, but I missed them a lot. I didn’t know what would happen next or how the Chinese man would treat me. At that point, I wanted to run away, but it was too late and there was nowhere to go. It was a small town in the country and I didn’t know anything, including the Chinese language.
Without having a proper wedding, I started living with the Chinese man - I don’t even want to call him my husband. It was frustrating not knowing any Chinese. And since I was sold into the marriage, I didn’t love the man. So it was really hard for me to live with him.
Despite all of this, I would eventually have my first daughter with him.
He and his family farmed for a living and were very poor. His family didn’t treat me well. They made me do all sorts of hard work on the farm and they would say bad things about me. Sometimes I even got hit. I wasn’t familiar with the area and couldn’t speak the language very well for the first couple of years. And there was always the danger of getting caught by the Chinese police and sent back to North Korea.
I cried a lot whenever I was by myself. I knew I had to keep enduring it for my daughter but it was so tough.
I started hearing from some people around me that I could live safely and freely if I could make it to South Korea. I didn’t want to leave my daughter, but I couldn’t keep living this life without freedom. So I decided to run away, hoping that I could come back for my daughter later.
I soon discovered that it would cost me a lot of money to find people who could take me to South Korea. I had no money, so I ended up getting sold to another Chinese man in order to survive.
Living with the second Chinese man was even worse than with the first one. I still had to do a lot of hard farming work and he was always watching me. He was suspicious that I was going to try to run away. When he went to work he brought me to his workplace so he could still watch me. And he was not kind to me. Whenever I got sick, he didn’t care.
I felt so unloved and suppressed.
Soon, I was pregnant with my second daughter. All the while, my desire to go to South Korea kept growing. I thought about giving up on my unborn daughter, knowing that I couldn’t be a good mother to her while living like this in China. And I knew it would be even harder for me to leave after I gave birth to the baby. But I didn’t want to leave another child of mine for my own freedom.
After hearing from some people that I could raise my child with support from the government in South Korea, I started having hope. I dreamt about living there with my baby. So I looked for opportunities to run away from the second Chinese man, even though he was always watching me. At some point, I met another North Korean woman who lived in my town and who had also been sold into a marriage. She said she could connect me to people in a different city who could help me go to South Korea.
When I was eight months pregnant and my stomach was so big, the Chinese man didn’t watch me as much as he had before. Maybe he thought my body was too heavy to run away. So one day I left home, telling him that I was going to my friend’s house. But actually, I was going to another city to meet people who would connect me to LiNK’s network.
When I was about to leave the town, however, I got caught by the Chinese man. He made me sit behind him on his motorcycle and was taking me back to his house. Riding on the back of the motorcycle, my hat got blown off my head by the wind. I asked him to stop so I could pick it up. It was my favorite hat. He said, “No, we aren’t going to stop. Forget about the hat.”
At that moment, my whole heart and body were telling me, “Do not give up on what you deserve. You deserve to have a simple hat and you deserve to live in freedom like a human being.”
I don’t know how I did it but I jumped off the motorcycle while it was moving. Luckily he wasn’t going too fast and I landed on my back so the baby didn’t get hurt, and I was okay other than scratching my forehead while rolling on the ground.
I got up and started walking toward where the hat fell. The man asked me where I was going and I told him that I was going to get my hat. His motorcycle had lost balance and fallen after I jumped. He didn’t even ask how I was as he started to inspect it for damage. I realized this was my opportunity to run away again. So I grabbed my hat and started running up into the nearby mountains.
I kept going up and up until I was near the top where I could see the road, the man, and his motorcycle. I hid there for a few hours, scared of getting caught by him again. I actually saw him driving around to find me. So I climbed further up and over the other side of the mountain.
Being eight months pregnant, my body was very heavy. But I had to keep moving to get away from the man. I made it over the mountain.
I started heading to the city by taking different vehicles. One time I got on a truck that was transporting dogs. Since all the space was taken by the dogs, I had to sit on one of the guys’ laps in the front seat.
Finally, after some long bus rides that made me feel sick, I connected with LiNK’s network.
Continue reading with Part 3.
