The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
Yoon Ha's Story: Part 1 - Life in North Korea
Yoon Ha resettled to South Korea through LiNK’s network about a year ago. She recently shared her story with us. This is part one of three. Continue to part two.
When I was asked, “How was your life in North Korea?” for the first time, I just started crying because my life there was so hard. It was so hard.
When I was a little kid my mom left me, my younger sister, and my dad, because of our financial struggles. I felt so abandoned and unloved.
And even though I was young, I had to start working to contribute to my family’s finances. My sister and I would forage for plants in the mountains and riversides. We carried the herbs, roots, and pinecones on our backs, walking for three hours to get to the marketplace. We sold our stuff so we could get corn powder to eat. And then we would walk the three hours back to our house. It was very, very hard.
In my late teens my father passed away. I was devastated. After a few years of living with relatives, my sister and I moved back to live with our mom again. But we were still very poor. People would make fun of us for being so poor and not having a father around. I felt a lot of shame about my family and living situation.
When I was 22, my mom asked me to start living with a man much older than me to lessen the financial burden on my family. I didn’t like living with him at all.
I decided to leave my hometown to find a better life somewhere else. I walked for a few days to get to Hamhung, one of the biggest cities in North Korea, hoping I could find work there.
In the city, I did a lot of things to make money. I would sell gas lighters and secondhand vinyl. I had to do it secretly because it was illegal. And it never paid well--just enough to buy food. I was staying at homes, cheap inns, empty houses, and even sleeping on the streets and next to graves when I had to. Sometimes I got beaten by people from the city because they didn’t like that I was making money but wasn’t from there.
I worked there for many months, but I couldn’t save any money so I decided to go back to my mom’s place. My mom and my sister were still struggling, and having me back was a burden to them. So I left home again and walked to Pyongyang to find work. In North Korea you need a special permit to move to different cities, and I didn’t have one. I got caught and sent to jail for 10 days.
After I was released, I started walking to other cities again to find work. I knew I might get caught by the police again, but I couldn’t go home. I walked a lot. Walking was the only way I could travel to where I needed to go.
I made it to another town and found work crushing ore to extract gold. The work was illegal and we would do it secretly in people’s houses. In one of these houses, I got beat up and got kicked out. I didn’t do anything wrong; they just didn’t want to pay me. Even after that incident I continued to do the same work in other houses. For the first time in my life, I had made a decent amount of money--enough to buy 100 kg of corn.
I was so happy. I would be able to bring some money to my mom and sister so we could eat food for a while. I also missed my family, so I started heading home.
At a bus station on the way home, a woman and her daughters asked me to get water for them. They stole all of my money and ran away.
I couldn’t handle all the bad things that kept happening to me. It felt like my life was hopeless and pathetic. I went to a river near the bus station to commit suicide. But right when I was about to jump into the river, all of sudden a thought came over me.
“Why do I have to die? Why? I've not done anything wrong. I'm still only in my early 20s.” I made the decision to live and make the better life I wanted.
Instead of going home, I started walking again. I just kept going north. Even though I was so hungry, the hope for a better life drove me to keep walking.
After walking for days, I somehow arrived in Hyesan, a city on the border with China. I saw many people like me, who had been wandering around in search of food and work. I had travelled to many different parts of North Korea, and came to the conclusion that life was difficult everywhere in my country.
A couple in their 30s or 40s approached me and asked how old I was. I told them my age, 23. They asked if I wanted to go to China. They said I could have a better life there.
“A better life? Yeah, I would do anything to have a better life.”
So I decided to go to China with them. I was so focused on having a better life; I didn’t ask many questions. A few days later, in the darkness of night, we crossed the river into China.
Continue reading with part two.
