The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
Walking Forward with Brightness | Joseph’s Story: Part 2
That semester, for the first time in my life, I received an academic award for excellence and made the dean’s list at school. I went on to graduate from high school and study political science at Bard College. After my undergraduate studies, I had the honor to work for former President George W. Bush, who had made it possible for me and other North Koreans to come to America as refugees. Over the years, he has became a personal role model and friend.
Today, I am pursuing a master's degree in Public Administration at the Kennedy School of Government at Harvard University. At Harvard, I’ve met people from all different walks of life. When I met students on government scholarships or born into generational wealth, I did not envy them because I have a dream that is bigger than me and bigger than my life.
But when I met a classmate from Ghana, it was the first time I felt envious. He said, "Kim, I’m learning so much here, and I can’t wait to take these skills and knowledge back home to improve my country after graduation."
I envied him for having a home he could return to. For having the opportunity to try, fail, fail again, and eventually make a difference in his homeland.
I, too, dream of the day when I can finally return to North Korea—when it is a place where every man, woman, and child is free to live with dignity, to learn about the world, and to shape their own identity - one that is not given or defined by the government.
In a free North Korea, I dream of returning to my home in Hoeryong—the last place we were a family together, to see if the pear tree my father had planted is still there.
In a free North Korea, I dream of teaching high school students in my hometown and caring for orphans. My students will attend Harvard University and be able to say, “I’m learning so much, and can’t wait to use these skills to improve my country.”
I know that my dreams might sound impossible, but being here in the US, sharing my story with you should have been impossible. You’re looking at someone who survived a famine, escaped North Korea in broad daylight; an elementary school drop out who is attending the best university in the world, and a former refugee who today serves on the board of the organization that helped him reach freedom.
Since its founding, LiNK has helped nearly 1,400 North Koreans escape to freedom. These aren’t just numbers—they are people like me. Individuals and families whose lives were transformed and whose future generations will only know what it means to live in freedom.
Thank you for standing with us, for your unwavering commitment to the protection, rescue and resettlement of North Korean refugees, and for investing in our future through programs that equip our community with skills and confidence to define our own success and contribute to the change we dream of for North Korea.
No organization has done more to partner, support, empower, and believe in the North Korean people than Liberty in North Korea. It is truly a special organization, and I don’t say this because I have to, now that I sit on the board. To do the work that we do requires an immense level of trust and respect, which begins from the moment North Korean people connect with LiNK and is evident through the actions of the staff, the wisdom of the board, the passion of student chapters, and the incredible commitment of our donors.
From afar, North Korea looks like a country as dark as the sea at night. But it is not a land of darkness, merely a land with darkness. There is suffering and hardship, but there is also unimaginable beauty, immeasurable resilience, and 25 million people who have to choose hope every day.
I know that the journey to freedom cannot be made alone. I am no longer a child. I am wiser today. But that doesn’t mean I have everything figured out. I choose to walk forward not because of the things I am certain about, but in spite of everything I am uncertain about. I choose to walk forward with brightness and hope—for my family, for my people, and for my homeland.
And I hope you will walk with me until finally, we can walk into a free North Korea together.
Read part 1 of Joseph’s story about his escape and arrival in the United States
In freedom, Joseph’s constant striving has led him down a path of extraordinary achievement. Yet in his mind, each opportunity was just the next best way for him to grow his capacity to work on this issue. To have him join the organization's Board of Directors as the first North Korea-born member is truly a full circle moment.
The North Korean people have the same brightness and potential as Joseph. Help make this kind of story possible for more of them.
