The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
A North Korean’s Promise to his Father | Joseph’s Story: Part 1
Most of you may know me as Joseph, but my Korean name is Kim Kwang Jin. It means, “walking forward with brightness.” My father gave me this name, full of the hopes and expectations many fathers have for their sons.
But hope is a hard thing to have, especially in a country like North Korea, and as a child, I certainly didn’t make it any easier for my father to believe in my brightness. Even in elementary school, I was a poor student.
The first time I remember making my father proud was through my cooking, not from studying. That day, he and my older sister had gone to the mountains to collect firewood. It was getting close to midnight, but they still hadn’t come home, so I decided to make dinner for them—rice and kimchi soup. At the end of dinner, my father said, Son, this is the best rice I’ve ever had. I had never made rice before, and I knew it was undercooked. That night I realized how much my father loves me. I promised myself that next time I would make him better rice.
But next time never came. When I was 12, my father died of starvation.
To save us from the same fate, my mother and sister left for China in search of work and food. My mom ended up in a North Korean prison. But my sister never returned. Within one year, I had lost my entire family. I was alone—helpless, homeless, and orphaned on the streets.
After three years of barely surviving, I decided to escape. The journey would be risky, but staying in North Korea would be a risk too. I knew I could die of starvation. So I took a chance. Unlike most people, I decided to escape during the daytime, thinking that the border guards would become complacent because why would anyone be crazy enough to cross the border in the middle of the day with nowhere to hide?
Fortunately, I made it to China without being caught.
In China, I slept in the mountains and went to towns begging for food to survive. One day, while crossing a bridge in Yanji, I remember it started to snow. Everyone around me started walking fast.
I remember being so envious because walking fast must have meant they had a home they were rushing toward. I, too, wanted to walk fast, but I had no home and no one waiting for me.
Later on, I was lucky enough to be taken in by a halmoni, an older grandmother. She fed me and let me live with her for six months but I still lived in hiding, fearful that at any moment I could be arrested and sent back to North Korea. The halmoni eventually connected me with Liberty in North Korea and I had an opportunity to escape China and be the first North Korean refugee minor to come to the United States.
I was placed with a foster family and began attending an American high school, which felt a bit ridiculous at first. Even in North Korea, I was an F student. I barely finished elementary school so jumping straight into high school in a foreign country felt overwhelming.
One evening, my foster mom made chicken wings. They were so good that I wanted more, but I realized there wasn’t enough for everyone to have seconds. So I held back, thinking no one would notice. As I stared at my plate, my foster dad placed his last wing in front of me. I looked up, and he smiled, urging me to eat without saying a word. In that silence, I felt the depth of his love and care.
At that moment, I thought of my biological father. Even during our hardest times, he used to share what little food he had with me. I wished more than anything that I could cook for him one last time and share one more meal together.
That night, I promised myself that I would study hard and go to college. I believed that was the best way to honor my father’s sacrifice and make him proud.
Continue reading part 2 of Joseph’s story
Years before Joseph would reach freedom, talk on the TED stage, write a memoir, and pursue his master’s at Harvard Kennedy School, Joseph’s father saw the brightness in his son. While he may not have been able to witness Joseph reach these milestones, none of it would have been possible without the depth of his love that became the foundation for Joseph’s life.
His family’s support, both in North Korea and in the US, has given Joseph the confidence to believe in and fulfill his brightness.
When recalling his past, warm childhood memories and gripping hardship are shared in the same breath. Joseph often says that North Korea is not a land of darkness, merely a land with darkness. Both can exist. But what matters is what we choose to focus on—the shadow cast by the regime or the brightness of the North Korean people.
Help more North Korean refugees reach freedom and share their brightness with the world.
