Disrupting the North Korean Regime’s Control: Increasing Information Access
North Korea is the most closed and isolated information environment in the world. The regime’s control hinges upon suppressing outside sources of information that could contradict or undermine their ideology. This makes their system of repression extremely effective; it also highlights a critical weakness, one that creates an opportunity for us to effect change inside the country.
Information is power. It enables people to scrutinize the world around them, hold governments accountable, and aspire towards a better life.
At Liberty in North Korea, we’re empowering people inside North Korea with tailor-made tools and technologies that increase their information access, and make that access safer and easier. But what does this actually look like? We asked our Chief Strategy Officer, Sokeel Park, to answer some frequently asked questions about our Information Access Programs (IAP).
1. Without the internet, is it really possible to increase information access inside North Korea?
Yes, absolutely. North Korean people are already accessing uncensored information and media without the internet, notably through USB drives and MicroSD cards that are smuggled into the country and spread through sharing networks. These contain K-dramas, movies, music, and information that the North Korean regime tries so hard to keep out of the country.
The devices and hardware are already in use, the demand is there, and the sharing networks and behaviour exists. The need and opportunity is to leverage and build on this, providing new technologies that will help North Korean people access more uncensored information more safely.
2. Isn’t enabling North Koreans to access illegal foreign media putting them in danger?
Accessing uncensored information is risky in North Korea, especially with increased crackdowns and punishments in recent years. Our technologies and digital security tools equip North Koreans to access information more safely.
North Korean people will continue to take risks for information and media that most people in the world would take for granted.
User security is our highest priority in our development process, and this is guided by North Korean defectors who left the country recently, understand the environment, and can advise us on the best ways to protect and empower North Korean people who are trying to access uncensored information.
3. What is LiNK doing to increase North Korean people’s access to information?
LiNK’s IAP work can be broken down into four areas of focus.
We develop lightweight, secure programs help more North Koreans access more uncensored information; protect North Korean users with digital security and anti-surveillance measures; create and curate strategic content that meet North Korean people’s needs and build resilience to the regime’s propaganda; and work with distribution partners to deliver these technologies and content packages to North Koreans as reliably, effectively, and safely as we can.
4. Why did LiNK decide to do Information Access work?
In a 2024 HanVoice Woorion survey of 500 North Korean refugees, 86.2% agreed that “it is important to increase the flow of information to North Korean people.” This is the most effective way that we can support change inside North Korea.
As an organization, LiNK is uniquely positioned to do this work. With our long history of rescuing and supporting North Korean refugees, we have the networks and ability to work closely with a variety of North Koreans, including recent defectors and people who studied and worked in IT in North Korea, who inform and help test our products and strategies from start to finish.
Crucially, because of the support of people like you, we are able to make strategic investments in projects that governments or other funders may not support, which enables us to pursue the most effective long-term strategy possible to support North Korean people to achieve their freedom.
5. What kind of information can North Koreans access, both legally and illegally?
Legally, North Korean people have access to official media which is extremely centrally controlled and produced. There are no newspapers, TV stations or media channels with an alternative viewpoint from the government, and all official media serves to reinforce the regime’s ideologies and narratives about the outside world, their own country and the leadership. This official media includes, for instance, newspapers, North Korean films and dramas, carefully selected foreign (eg. Russian) films, partially censored sports broadcasts, radio, speeches by the ruling Kim family, government-approved books, and government-approved mobile apps.
Illegally accessed information or media could theoretically include anything, but most commonly would be movies and TV dramas from South Korea, China and elsewhere, music, some e-books, and foreign radio broadcasts including news and documentary programs. Close to the border with China, some North Korean people have a smuggled Chinese smartphone that can be used to connect to the Chinese network and communicate with or get information from the outside world.
→ Want to learn more about life inside North Korea? Sign up for North Korea 101, LiNK’s free online course!
6. How do we know increasing North Korean people’s access to information will help change North Korea?
Hundreds of interviews with North Korean refugees conducted by LiNK, and thousands more by other organizations, consistently show how access to outside information reshaped their understanding of the world, undermined regime propaganda, and often was key in their decision to risk their lives and seek freedom. We also see the North Korean regime’s crackdowns on this access to outside information, especially in recent years, as evidence that the regime understands the power of information to undermine their control and change their country as well.
Throughout history, we’ve seen similar dynamics in other authoritarian countries, where greater access to uncensored information has consistently increased aspirations for freedom, expanded people’s sense of what was possible, and played a key role in people overcoming dictatorships and achieving freedom across the world.
It is inherently difficult to capture and measure the long-term effects of information, particularly in a country like North Korea. But when history, logic, the testimony of countless North Koreans, and careful product and strategy validation processes all point in the same direction, investing in increasing North Korean people’s access to information is not a leap of faith. It is the strongest, most evidence-based opportunity to help North Koreans shape their future and ultimately achieve their liberty.
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In the first half of 2026, our IAP team successfully deployed new information-access technologies across one of the world’s most tightly controlled borders, and reached people inside North Korea.
We believe North Koreans deserve the freedom to access information and make their own choices, and we’re committed to helping them break through the regime’s surveillance and censorship. Increasing information access is one of the most effective ways that we can have a direct impact on North Korean people’s lives right now.
Help drive change from inside North Korea by investing in LiNK’s Information Access Programs.
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Film Review: Under the Sun
Spoiler alert: The North Korean government suffers from a severe transparency deficit.
How do you reveal the reality of a society where government representatives script each scene you're allowed to shoot?
Simple: leave cameras rolling at all times, and show your audience the scripting and retakes of "real life" in all their glory.
You end up not with a documentary about a family going about their lives, but a behind-the-scenes reveal of a family whose dinner-table conversations, workplace interactions, and even expressed emotions are curated by government propagandists for external consumption.
No North Koreans question this process out loud--except to check their lines.In this system everyone knows the role expected of them, especially with government officials overseeing everything. So before our very eyes, we observe the theatrical production of an ideal 'Kimilsungist socialist society', played out by real citizen-actors. And when citizens know the risks of not playing the part they’re asked to play, they become good actors.
This is of course a very real aspect of life in North Korea, even when no cameras are rolling. The everyday ritualised theatrical production of 'obedient citizens willingly striving as one for the socialist cause' is one of the key means by which the state perpetuates itself. Everyone knows what to say, how to say it, and that you have to say it. Whatever your innermost thoughts may be, it's hard to break role publicly when everyone else is sticking so closely to a ‘script’.
Revealing the nature of this production, warts-and-all, is one of the key contributions of Under the Sun.But as with any behind-the-scenes look, cracks in the facade, tired actors and cock-ups are apparent.'Off stage', strategically placed cameras record poor Pyongyang kids scavenging from a trash can. We see commuters disembarking to push a tram. A government 'set manager' shoos away two women approaching the back door of a milk processing plant with a big jug; we can only guess they were looking for an off-the-books top up, unaware there were foreign filmmakers present that day.
We see a forgetful factory worker reporting they have exceeded production targets by 150%, and in the next take 200%. It doesn't matter to any of her coworkers which fiction is used, and no one bats an eyelid.
And of course, children being less practiced in their roles within the system than adults, the best scenes feature North Korean kids. A small girl struggles to keep her eyes open while an aging war veteran wearing far too many medals bumbles through an anti-American propaganda lecture, punctuating tales of shooting down planes with praise for Kim Il-sung.
Jinmi, the star of the film, breaks down in tears when the pressure of performance becomes too much. Elsewhere, on-screen text tells us that she unwittingly revealed her parents' true occupations of journalist and restaurant worker before the government co-producers scripted them as the more socialist-appropriate textile factory technician and soy milk plant worker.
It's hard to not recall The Truman Show, and it boggles the mind to think there are 25 million people living out their lives in this theater state.
But unlike a Hollywood Movie, the enemy here is not represented by a snarling on-screen character. The propagandists are unnamed and we rarely even see their faces properly. The enemy is in fact the system itself, whose quiet tyranny forces every citizen - including the propagandists - to become complicit in its perpetuation by allowing the expression of only a singular narrative of what it is to be a North Korean.
