The Most Dangerous Contraband in North Korea Isn’t a Weapon. It’s a Wish.
By: Jihyun Kang
Growing up in North Korea, Jihyun took inspiration from the smuggled South Korean dramas she watched to create her own unique clothing. After reaching freedom in 2010, she has continued to pursue her interests in fashion and culture as a catalyst for change. She runs several business ventures, practices fine art under the name “Da Gyeol,” and works with the Ministry of Unification as an advisor. She’s pursuing her Masters in Entrepreneurship, Dept. of Future Science & Technology Business, at Korea University.

I grew up in North Korea, and at fifteen, I encountered a Westerner for the first time at the top of Mount Paektu. He stood over 190 centimeters tall with a thick beard, wearing ripped jeans and a frayed T-shirt. In North Korea, worn-out clothing was a symbol of deprivation. Yet my father whispered, "He is wearing that for style." With that single remark, the worldview I had been taught, began, the first time, to crack. And I thought: I want to dress like that, too.
Fashion is more than clothing. It is the moment when individual desire moves faster than collective command. People follow taste before ideology, and express themselves through what they wear long before any political declaration.
A state can enforce a dress code, but it cannot manufacture desire. That is why North Korea's fear of blue jeans was not irrational—it was the regime recognizing, however dimly, that something it could not control was already growing.
Clayton Christensen, a professor at Harvard Business School, argued that transformation always begins at the margins—in forms so crude and insignificant that those in power dismiss them entirely. Christensen built his theory around corporations, but the logic applies to any system that holds a monopoly over its people, including a state. North Korea's regime was so focused on maintaining ideological control at the centre that it ignored what was happening at the bottom.
That bottom was the jangmadang—the spontaneous, bottom-up market ecosystem created by ordinary people to survive after the collapse of North Korea's state-led distribution system. When that system imploded during the Arduous March—a famine in the mid-1990s that killed hundreds of thousands—people built informal markets out of sheer necessity: not revolution, not ideology, but survival. Yet by 2018, a CSIS study found 436 officially recognized markets operating across the country. What began as a desperate improvisation had quietly become the infrastructure keeping North Koreans alive.
These markets did not merely sell food. They became conduits for Chinese clothing, USB drives loaded with South Korean dramas, and glimpses of a world no one had taught them existed. When a system ignores what people actually want, the market finds the gap.
The act of choosing—what to eat, what to wear, what to watch—may seem trivial. But a person who has tasted choice cannot fully return to obedience.
The jangmadang was the first place where North Koreans learned they could survive without the state. That desire did not stay underground—it surfaced. People began wearing jeans, dyeing their hair, and pulling on T-shirts printed with foreign letters. The regime could no longer ignore it. Authorities branded jeans and Western fashion as 'anti-socialist infiltrations' and deployed street patrols. Teenagers caught in these sweeps were sent to re-education camps; in severe cases, their names and home addresses were read aloud on state broadcasts as public shaming (Radio Free Asia).
In 2024, state-run Korean Central Television went so far as to blur the jeans worn by British TV presenter Alan Titchmarsh during a broadcast. The ruling party's official newspaper, the Rodong Sinmun, warned that a country could 'become vulnerable and eventually collapse like a damp wall' if it failed to preserve its own way of life (Newsweek, May 2021).
Regulations cannot extinguish human desire; they only raise the price of the forbidden. This is the inflection point Christensen identified: by the time an incumbent recognizes the threat, it is already too late.
To date, more than 34,000 North Koreans have resettled in South Korea (South Korean Ministry of Unification, 2024). At the start of each of those journeys, there was something like my pair of jeans—not ideology, but desire; not a declaration, but a taste; not revolution, but the market.
No government in history has ever successfully suppressed the human impulse to trade, to choose, to want more. Not the Soviet Union. Not Cuba. Not Mao's China. North Korea will not be the exception.
–
Jihyun is a participant of the LiNK English Language Program (LELP), which serves to not only help North Korean defectors build confidence and skills in English, but develop their capacity as advocates for this issue. To that end, we partnered with select LELP “columnists” to write and polish personal essays through multiple rounds of external feedback and revision. Our goal is to have more North Koreans share their stories directly and lead efforts to change the narrative.
We believe the North Korean people can achieve their liberty in our lifetime.
Opportunities like LELP invest in the people building that future now. Help more North Koreans find their voice, reach their goals, and lead change on this issue.
Webcomic: Escape From North Korea
By: Ju Ok Jeon
This webtoon, created by North Korean escapee Ju Ok Jeon, reflects the real risks many North Koreans face when fleeing their home in search of safety, dignity, and the chance to live freely.

























About the Artist
Ju Ok Jeon is a North Korean defector who escaped in 2013. Having lived under the Kim Jong Un regime in an oppressed land, she conveys—through webtoons and comics—how precious the values of freedom and dignity truly are, with both sincerity and storytelling power.
Support Ju Ok’s work: @unistudio_juok

From Artist to Activist
As a kid in North Korea, Ju Ok was famous at school for one thing—drawing portraits of people passing gas. Her classmates flocked to her, asking to be drawn in exchange for snacks and even small amounts of money. Nothing made Ju Ok happier than to see people’s faces light up with a big smile, and to laugh together over her creations.
But things came to a halt when a teacher pulled her aside for “disrupting the school environment” with her “unrevolutionary” drawings. Ju Ok’s art supplies were confiscated, and she was warned that her parents could be punished for failing to educate their children.
“I vowed to never draw again because my simple drawings could bring harm to my family. But no matter how hard I studied or worked, opportunities were limited because my family belonged to the labor class. After a relative defected, my social classification [songbun] fell, leaving me destined for a life of forced labor. Realizing there was no hope or future, I decided to escape.”
In freedom, Ju Ok found that there was a lack of public understanding and empathy about North Korean human rights. A few years ago, her husband, who is also an artist, encouraged her to try drawing again.
“After being severely scolded as a child, I hated anything related to drawing. But when my husband told me I have talent, I got chills—thinking, ‘Did I actually used to like this?’
Through illustration, I want to share the reality of North Korea I experienced, my journey toward freedom, and my resettlement in a free society—so the world can hear the voices of those who still long for freedom inside North Korea.”
Ju Ok hopes her art will reach more people and increase support for this issue. In 2025, she participated in the LiNK English Speech Program to hone her storytelling and English speaking abilities.
“The North Korean issue is not only a domestic matter on the Korean Peninsula but also a complex international issue. That is why it is vital to raise awareness globally—and for North Korean defectors to share their stories directly in English. LiNK’s program has played an important role in helping me move toward my life goals.”
Reimagining North Korea’s Future
Liberty in North Korea helps North Koreans reach freedom and reach their full potential through programs that build their capacity to succeed and lead change. With the right support and tools, they’re sharing their stories, utilizing their talents, and building their careers with unwavering purpose—to create a future where every North Korean person can live free and full lives.
Invest in the next generation of North Korean advocates, storytellers, changemakers, and entrepreneurs, like Ju Ok.




