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The Most Dangerous Contraband in North Korea Isn’t a Weapon. It’s a Wish.

May 29, 2026

By: Jihyun Kang

Growing up in North Korea, Jihyun took inspiration from the smuggled South Korean dramas she watched to create her own unique clothing. After reaching freedom in 2010, she has continued to pursue her interests in fashion and culture as a catalyst for change. She runs several business ventures, practices fine art under the name “Da Gyeol,” and works with the Ministry of Unification as an advisor. She’s pursuing her Masters in Entrepreneurship, Dept. of Future Science & Technology Business, at Korea University.

[Photo by Srattha Nualsate via Pexels] 

I grew up in North Korea, and at fifteen, I encountered a Westerner for the first time at the top of Mount Paektu. He stood over 190 centimeters tall with a thick beard, wearing ripped jeans and a frayed T-shirt. In North Korea, worn-out clothing was a symbol of deprivation. Yet my father whispered, "He is wearing that for style." With that single remark, the worldview I had been taught, began, the first time, to crack. And I thought: I want to dress like that, too.

Fashion is more than clothing. It is the moment when individual desire moves faster than collective command. People follow taste before ideology, and express themselves through what they wear long before any political declaration. 

A state can enforce a dress code, but it cannot manufacture desire. That is why North Korea's fear of blue jeans was not irrational—it was the regime recognizing, however dimly, that something it could not control was already growing.

Clayton Christensen, a professor at Harvard Business School, argued that transformation always begins at the margins—in forms so crude and insignificant that those in power dismiss them entirely. Christensen built his theory around corporations, but the logic applies to any system that holds a monopoly over its people, including a state. North Korea's regime was so focused on maintaining ideological control at the centre that it ignored what was happening at the bottom.

That bottom was the jangmadang—the spontaneous, bottom-up market ecosystem created by ordinary people to survive after the collapse of North Korea's state-led distribution system. When that system imploded during the Arduous March—a famine in the mid-1990s that killed hundreds of thousands—people built informal markets out of sheer necessity: not revolution, not ideology, but survival. Yet by 2018, a CSIS study found 436 officially recognized markets operating across the country. What began as a desperate improvisation had quietly become the infrastructure keeping North Koreans alive.

These markets did not merely sell food. They became conduits for Chinese clothing, USB drives loaded with South Korean dramas, and glimpses of a world no one had taught them existed. When a system ignores what people actually want, the market finds the gap. 

The act of choosing—what to eat, what to wear, what to watch—may seem trivial. But a person who has tasted choice cannot fully return to obedience. 

The jangmadang was the first place where North Koreans learned they could survive without the state. That desire did not stay underground—it surfaced. People began wearing jeans, dyeing their hair, and pulling on T-shirts printed with foreign letters. The regime could no longer ignore it. Authorities branded jeans and Western fashion as 'anti-socialist infiltrations' and deployed street patrols. Teenagers caught in these sweeps were sent to re-education camps; in severe cases, their names and home addresses were read aloud on state broadcasts as public shaming (Radio Free Asia).

In 2024, state-run Korean Central Television went so far as to blur the jeans worn by British TV presenter Alan Titchmarsh during a broadcast. The ruling party's official newspaper, the Rodong Sinmun, warned that a country could 'become vulnerable and eventually collapse like a damp wall' if it failed to preserve its own way of life (Newsweek, May 2021). 

Regulations cannot extinguish human desire; they only raise the price of the forbidden. This is the inflection point Christensen identified: by the time an incumbent recognizes the threat, it is already too late.

To date, more than 34,000 North Koreans have resettled in South Korea (South Korean Ministry of Unification, 2024). At the start of each of those journeys, there was something like my pair of jeans—not ideology, but desire; not a declaration, but a taste; not revolution, but the market.

No government in history has ever successfully suppressed the human impulse to trade, to choose, to want more. Not the Soviet Union. Not Cuba. Not Mao's China. North Korea will not be the exception.

Jihyun is a participant of the LiNK English Language Program (LELP), which serves to not only help North Korean defectors build confidence and skills in English, but develop their capacity as advocates for this issue. To that end, we partnered with select LELP “columnists” to write and polish personal essays through multiple rounds of external feedback and revision. Our goal is to have more North Koreans share their stories directly and lead efforts to change the narrative.

We believe the North Korean people can achieve their liberty in our lifetime

Opportunities like LELP invest in the people building that future now. Help more North Koreans find their voice, reach their goals, and lead change on this issue.

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Webcomic: Escape From North Korea

February 24, 2026

By: Ju Ok Jeon

This webtoon, created by North Korean escapee Ju Ok Jeon, reflects the real risks many North Koreans face when fleeing their home in search of safety, dignity, and the chance to live freely.

In the dead of night, a car pulls to a stop in the middle of one of Southeast Asia’s mountainous jungles. Two men exit the car and look around. They instruct the remaining passengers to also exit and continue on foot.

A group of North Korean refugees exit the car. Among them are a brother and sister, both in their twenties, and an older grandmother. The youthful siblings are in good spirits while the rest of the group appears nervous. Walking through the jungle is the last stretch of their escape journey to freedom.

A broker leading the group of North Korean defectors explains that they must cross the mountains and reach the escape boat by the end of the night, or the police will catch them at daybreak. The sister sets time on her watch.

The North Korean refugees start walking in a single file line. They quickly start to grow weary from the humidity and difficult terrain. The brother checks on his sister.

The sister reassures her brother that she is doing okay. The brother extends a helping hand to the North Korean grandmother, who is struggling on the difficult journey. The trio fall behind the main group of defectors.

The elderly grandmother loses strength and falls. She implores that the siblings leave her behind, but they refuse. Grandma continues to struggle and falls several more times.

The sister can just barely make out the light of the larger group of North Korean defectors ahead of them. The brother is carrying the grandma’s backpack; they are all exhausted. The sister says they should stop to rest.

The grandmother, shaking from wearines, once again says to leave her behind. The sister and brother exchange resolute glances, and refuse to give up.

The trio have lost sight of the rest of the North Korean escapees. Grandma collapses to the ground, unable to get up again. The sister checks her watch.

The grandmother’s hand brushes across a bone laying on the floor of the jungle. Startled and exhausted, her vision blurs.

The grandmother once again tells the siblings to leave her behind. Grasping the sister’s hand, she says they must live.

The sister clasps grandma’s hands and says not to give up. The three North Korean defectors regain their composure and continue forward until they reach a sheer cliff in the middle of the mountainous jungle.

The three North Korean defectors begin to scale the cliff, the brother carrying the elderly grandmother on his back. The sister makes it to the top; she urgently extends a hand to pull up her brother, who is losing his grip.

The brother and grandmother slide partway down the cliff. The grandmother holds on to the brother with her arms around his neck; her grasp starts to choke him.

The brother starts to panic. Color drains from his face.

The sister yells out to her brother to hold on; she manages to grab his arm and pull them up the cliff. The three North Korean defectors collapse on the ground and catch their breath. The brother says he almost died.

Daylight begins to creep over the side of the mountains. The three North Korean defectors wearily continue their escape journey, the two siblings propping up the grandmother by her arms over their shoulders. The grandmother expresses despair and wonders if choosing this journey was worth it; the sister says that they should live like human beings, even if just for a day.

The three North Korean defectors discuss their choice to risk their lives for freedom. Sunlight begins to illuminate their faces. In the distance, a rooster crows for dawn. They say a desperate prayer.

The sun is up. The grandmother says that she’s now free from North Korea and tells the siblings to continue without her.

The North Korean grandmother holds the sister’s hands and smiles warmly.

The sister’s resolve wavers, and she considers leaving the grandma to increase their chance of survival. She exchanges glances with her brother. They both know they can’t leave the grandmother after coming this far.

The time is 7am. Under a blue sky, on the banks of a river in front of a boat, the rest of the group of North Korean refugees have gathered. They look around to see if everyone is accounted for and are about to depart.

The group of defectors hear distant shouting from the edge of the jungle. The brother, sister, and grandma are running towards the river and yell for the boat to wait; they’ve just barely made it.

The three North Koreans burst into tears of relief. The broker leading the group is happy to see that everyone survived the dangerous trek through the jungle. The boat departs.

Amidst the beautiful scenery of Southeast Asia, the boat of North Korean refugees makes its way down the tree-lined river. In the sky, clouds have parted to reveal a double rainbow. The North Korean refugees have made it to safety and freedom.

About the Artist

Ju Ok Jeon is a North Korean defector who escaped in 2013. Having lived under the Kim Jong Un regime in an oppressed land, she conveys—through webtoons and comics—how precious the values of freedom and dignity truly are, with both sincerity and storytelling power.

Support Ju Ok’s work: @unistudio_juok

From Artist to Activist

As a kid in North Korea, Ju Ok was famous at school for one thing—drawing portraits of people passing gas. Her classmates flocked to her, asking to be drawn in exchange for snacks and even small amounts of money. Nothing made Ju Ok happier than to see people’s faces light up with a big smile, and to laugh together over her creations.

But things came to a halt when a teacher pulled her aside for “disrupting the school environment” with her “unrevolutionary” drawings. Ju Ok’s art supplies were confiscated, and she was warned that her parents could be punished for failing to educate their children.

“I vowed to never draw again because my simple drawings could bring harm to my family. But no matter how hard I studied or worked, opportunities were limited because my family belonged to the labor class. After a relative defected, my social classification [songbun] fell, leaving me destined for a life of forced labor. Realizing there was no hope or future, I decided to escape.

In freedom, Ju Ok found that there was a lack of public understanding and empathy about North Korean human rights. A few years ago, her husband, who is also an artist, encouraged her to try drawing again.

“After being severely scolded as a child, I hated anything related to drawing. But when my husband told me I have talent, I got chills—thinking, ‘Did I actually used to like this?’

Through illustration, I want to share the reality of North Korea I experienced, my journey toward freedom, and my resettlement in a free society—so the world can hear the voices of those who still long for freedom inside North Korea.”

Ju Ok hopes her art will reach more people and increase support for this issue. In 2025, she participated in the LiNK English Speech Program to hone her storytelling and English speaking abilities.

“The North Korean issue is not only a domestic matter on the Korean Peninsula but also a complex international issue. That is why it is vital to raise awareness globally—and for North Korean defectors to share their stories directly in English. LiNK’s program has played an important role in helping me move toward my life goals.”

Reimagining North Korea’s Future

Liberty in North Korea helps North Koreans reach freedom and reach their full potential through programs that build their capacity to succeed and lead change. With the right support and tools, they’re sharing their stories, utilizing their talents, and building their careers with unwavering purpose—to create a future where every North Korean person can live free and full lives.

Invest in the next generation of North Korean advocates, storytellers, changemakers, and entrepreneurs, like Ju Ok.

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