The North Korea I Remember: School, Family, and Home
By: HyeGyeong Joo
HyeGyeong is a PhD student in the Department of Economics at Korea University, specializing in theoretical economics. Her research looks at developing theoretical models of the North Korean economy. Since 2022, Hye-Gyeong has also participated in LiNK’s English Language Program.
Have you ever wanted to go home even while you were already at home? Because I have. It feels as though I am not longing for a physical house, but for something harder to name: a sense of belonging, of being whole, of belonging not anywhere but somewhere I would truly belong. Instead, I often feel emptiness, as if I do not fully belong. But I am not sure what these feelings mean or where they come from exactly.
I have been living in South Korea for around ten years, but I still miss North Korean food, school life, and above all, the time I spent with my family. There are restaurants in South Korea run by North Korean refugees, and sometimes their dishes bring back memories of home. Foods like injogogi-bap or nongma-guksu remind me not only of North Korean cuisine, but of birthdays, family, and everyday life.
The long strands of nongma-guksu always carry the wish for a long life, while the taste of injogogi-bap brings back the memory of a soybean dish made to resemble the meat we so rarely had.
While these foods remind me of home, what I remember most vividly is my school life in North Korea. When I was in fourth grade, the girls in my school would often gather in the schoolyard to play jump rope. I was actually quite good at it. We would start with the rope at ankle height and gradually raise it higher and higher.
One day, when the rope had been raised to about head height, I tried to jump over it. Since I was quite short, I had to lift my leg as high as I could. Unfortunately, I ended up tearing my pants. I was so embarrassed that I almost cried. But what I remember most clearly is my teachers laughing so hard as they watched from the side. Even now, I can still picture that moment vividly.
I also remember winter lunchtime at school. We all brought packed lunches from home. In one corner of the classroom, there was a stove, and before lunch, students would place their lunch boxes on top of it to warm their food.
Sometimes, the lunch box closest to the stove would get burnt. During class, the smell of scorched rice would fill the room and make us so hungry that it was hard to focus. When lunchtime finally came, my friends and I would gather around the stove, sit in a circle, and eat together.
More than anything else, however, I miss the memories of winter. My friends and I would climb the hills near our town, sit on large sacks, and slide all the way down as if we were on sleds. We did it so often that the fabric on the back of our pants would wear thin and eventually tear. When that happened, I would go home only to be scolded by my mother.
Life was not easy in those days. We were often hungry and did not live comfortably. Sometimes we skipped breakfast, and sometimes a thin porridge was all we had for dinner. Yet, despite those hardships, I cannot forget the laughter we shared.
Looking back now, I realize that what I miss is not North Korea as a system. What I miss are the people with whom I laughed and cried, and the memories of my childhood that have stayed with me to this day.
For a long time, however, I could not talk about these feelings to anyone. I kept them to myself, unsure of how others would understand them. That began to change after I met people through Liberty in North Korea (LiNK). For the first time, I found a space where I felt I could speak more honestly about my memories and my life in North Korea.
Through the LiNK English program, I became close to a friend, and together we made a plan to create a book. I would write about real life in North Korea, and she would draw the illustrations for the book. I wanted people to see North Korea not only as a political system, but also as a place where ordinary people live, love, struggle, and create memories.
I shared this plan with someone I trusted deeply in South Korea. But she told me, “No, you can’t!” She said that if I spoke honestly about daily life in North Korea and about how much I miss certain parts of it, despite all the difficulties, people might ask, “Then why are you here? If you miss it so much, why don’t you go back?” Her response hurt me so deeply that I eventually closed my heart to others. After that, I stopped talking about these feelings with anyone. Only later did I finally find a place where I could tell my story freely and without hesitation.
When many people think about North Korea, they often think about politics, missiles, or the regime. But when I think about North Korea, I remember a girl whose pants tore while playing jump rope, students gathering around a stove to eat lunch together, and children laughing as they slid down snowy hills on sacks.
That is why I hope people can see North Korea not only as a political system, but also as a place where ordinary people live their lives. The people living there are not so different from people anywhere else. They laugh, dream, make friends, and create memories. Those are the stories I hope to share.
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HyeGyeong is a participant of the LiNK English Language Program (LELP), which serves to not only help North Korean defectors build confidence and skills in English, but develop their capacity as advocates for this issue. To that end, we partnered with select LELP “columnists” to write and polish personal essays through multiple rounds of external feedback and revision. Our goal is to have more North Koreans share their stories directly and lead efforts to change the narrative.
We believe the North Korean people can achieve their liberty in our lifetime.
Opportunities like LELP invest in the people building that future now. Help more North Koreans find their voice, reach their goals, and lead change on this issue.
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Film Review: Under the Sun
Spoiler alert: The North Korean government suffers from a severe transparency deficit.
How do you reveal the reality of a society where government representatives script each scene you're allowed to shoot?
Simple: leave cameras rolling at all times, and show your audience the scripting and retakes of "real life" in all their glory.
You end up not with a documentary about a family going about their lives, but a behind-the-scenes reveal of a family whose dinner-table conversations, workplace interactions, and even expressed emotions are curated by government propagandists for external consumption.
No North Koreans question this process out loud--except to check their lines.In this system everyone knows the role expected of them, especially with government officials overseeing everything. So before our very eyes, we observe the theatrical production of an ideal 'Kimilsungist socialist society', played out by real citizen-actors. And when citizens know the risks of not playing the part they’re asked to play, they become good actors.
This is of course a very real aspect of life in North Korea, even when no cameras are rolling. The everyday ritualised theatrical production of 'obedient citizens willingly striving as one for the socialist cause' is one of the key means by which the state perpetuates itself. Everyone knows what to say, how to say it, and that you have to say it. Whatever your innermost thoughts may be, it's hard to break role publicly when everyone else is sticking so closely to a ‘script’.
Revealing the nature of this production, warts-and-all, is one of the key contributions of Under the Sun.But as with any behind-the-scenes look, cracks in the facade, tired actors and cock-ups are apparent.'Off stage', strategically placed cameras record poor Pyongyang kids scavenging from a trash can. We see commuters disembarking to push a tram. A government 'set manager' shoos away two women approaching the back door of a milk processing plant with a big jug; we can only guess they were looking for an off-the-books top up, unaware there were foreign filmmakers present that day.
We see a forgetful factory worker reporting they have exceeded production targets by 150%, and in the next take 200%. It doesn't matter to any of her coworkers which fiction is used, and no one bats an eyelid.
And of course, children being less practiced in their roles within the system than adults, the best scenes feature North Korean kids. A small girl struggles to keep her eyes open while an aging war veteran wearing far too many medals bumbles through an anti-American propaganda lecture, punctuating tales of shooting down planes with praise for Kim Il-sung.
Jinmi, the star of the film, breaks down in tears when the pressure of performance becomes too much. Elsewhere, on-screen text tells us that she unwittingly revealed her parents' true occupations of journalist and restaurant worker before the government co-producers scripted them as the more socialist-appropriate textile factory technician and soy milk plant worker.
It's hard to not recall The Truman Show, and it boggles the mind to think there are 25 million people living out their lives in this theater state.
But unlike a Hollywood Movie, the enemy here is not represented by a snarling on-screen character. The propagandists are unnamed and we rarely even see their faces properly. The enemy is in fact the system itself, whose quiet tyranny forces every citizen - including the propagandists - to become complicit in its perpetuation by allowing the expression of only a singular narrative of what it is to be a North Korean.
