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Webcomic: Escape From North Korea

March 3, 2026

By: Ju Ok Jeon

This webtoon, created by North Korean escapee Ju Ok Jeon, reflects the real risks many North Koreans face when fleeing their home in search of safety, dignity, and the chance to live freely.

In the dead of night, a car pulls to a stop in the middle of one of Southeast Asia’s mountainous jungles. Two men exit the car and look around. They instruct the remaining passengers to also exit and continue on foot.

A group of North Korean refugees exit the car. Among them are a brother and sister, both in their twenties, and an older grandmother. The youthful siblings are in good spirits while the rest of the group appears nervous. Walking through the jungle is the last stretch of their escape journey to freedom.

A broker leading the group of North Korean defectors explains that they must cross the mountains and reach the escape boat by the end of the night, or the police will catch them at daybreak. The sister sets time on her watch.

The North Korean refugees start walking in a single file line. They quickly start to grow weary from the humidity and difficult terrain. The brother checks on his sister.

The sister reassures her brother that she is doing okay. The brother extends a helping hand to the North Korean grandmother, who is struggling on the difficult journey. The trio fall behind the main group of defectors.

The elderly grandmother loses strength and falls. She implores that the siblings leave her behind, but they refuse. Grandma continues to struggle and falls several more times.

The sister can just barely make out the light of the larger group of North Korean defectors ahead of them. The brother is carrying the grandma’s backpack; they are all exhausted. The sister says they should stop to rest.

The grandmother, shaking from wearines, once again says to leave her behind. The sister and brother exchange resolute glances, and refuse to give up.

The trio have lost sight of the rest of the North Korean escapees. Grandma collapses to the ground, unable to get up again. The sister checks her watch.

The grandmother’s hand brushes across a bone laying on the floor of the jungle. Startled and exhausted, her vision blurs.

The grandmother once again tells the siblings to leave her behind. Grasping the sister’s hand, she says they must live.

The sister clasps grandma’s hands and says not to give up. The three North Korean defectors regain their composure and continue forward until they reach a sheer cliff in the middle of the mountainous jungle.

The three North Korean defectors begin to scale the cliff, the brother carrying the elderly grandmother on his back. The sister makes it to the top; she urgently extends a hand to pull up her brother, who is losing his grip.

The brother and grandmother slide partway down the cliff. The grandmother holds on to the brother with her arms around his neck; her grasp starts to choke him.

The brother starts to panic. Color drains from his face.

The sister yells out to her brother to hold on; she manages to grab his arm and pull them up the cliff. The three North Korean defectors collapse on the ground and catch their breath. The brother says he almost died.

Daylight begins to creep over the side of the mountains. The three North Korean defectors wearily continue their escape journey, the two siblings propping up the grandmother by her arms over their shoulders. The grandmother expresses despair and wonders if choosing this journey was worth it; the sister says that they should live like human beings, even if just for a day.

The three North Korean defectors discuss their choice to risk their lives for freedom. Sunlight begins to illuminate their faces. In the distance, a rooster crows for dawn. They say a desperate prayer.

The sun is up. The grandmother says that she’s now free from North Korea and tells the siblings to continue without her.

The North Korean grandmother holds the sister’s hands and smiles warmly.

The sister’s resolve wavers, and she considers leaving the grandma to increase their chance of survival. She exchanges glances with her brother. They both know they can’t leave the grandmother after coming this far.

The time is 7am. Under a blue sky, on the banks of a river in front of a boat, the rest of the group of North Korean refugees have gathered. They look around to see if everyone is accounted for and are about to depart.

The group of defectors hear distant shouting from the edge of the jungle. The brother, sister, and grandma are running towards the river and yell for the boat to wait; they’ve just barely made it.

The three North Koreans burst into tears of relief. The broker leading the group is happy to see that everyone survived the dangerous trek through the jungle. The boat departs.

Amidst the beautiful scenery of Southeast Asia, the boat of North Korean refugees makes its way down the tree-lined river. In the sky, clouds have parted to reveal a double rainbow. The North Korean refugees have made it to safety and freedom.

About the Artist

Ju Ok Jeon is a North Korean defector who escaped in 2013. Having lived under the Kim Jong Un regime in an oppressed land, she conveys—through webtoons and comics—how precious the values of freedom and dignity truly are, with both sincerity and storytelling power.

Support Ju Ok’s work: @unistudio_juok

From Artist to Activist

As a kid in North Korea, Ju Ok was famous at school for one thing—drawing portraits of people passing gas. Her classmates flocked to her, asking to be drawn in exchange for snacks and even small amounts of money. Nothing made Ju Ok happier than to see people’s faces light up with a big smile, and to laugh together over her creations.

But things came to a halt when a teacher pulled her aside for “disrupting the school environment” with her “unrevolutionary” drawings. Ju Ok’s art supplies were confiscated, and she was warned that her parents could be punished for failing to educate their children.

“I vowed to never draw again because my simple drawings could bring harm to my family. But no matter how hard I studied or worked, opportunities were limited because my family belonged to the labor class. After a relative defected, my social classification [songbun] fell, leaving me destined for a life of forced labor. Realizing there was no hope or future, I decided to escape.

In freedom, Ju Ok found that there was a lack of public understanding and empathy about North Korean human rights. A few years ago, her husband, who is also an artist, encouraged her to try drawing again.

“After being severely scolded as a child, I hated anything related to drawing. But when my husband told me I have talent, I got chills—thinking, ‘Did I actually used to like this?’

Through illustration, I want to share the reality of North Korea I experienced, my journey toward freedom, and my resettlement in a free society—so the world can hear the voices of those who still long for freedom inside North Korea.”

Ju Ok hopes her art will reach more people and increase support for this issue. In 2025, she participated in the LiNK English Speech Program to hone her storytelling and English speaking abilities.

“The North Korean issue is not only a domestic matter on the Korean Peninsula but also a complex international issue. That is why it is vital to raise awareness globally—and for North Korean defectors to share their stories directly in English. LiNK’s program has played an important role in helping me move toward my life goals.”

Reimagining North Korea’s Future

Liberty in North Korea helps North Koreans reach freedom and reach their full potential through programs that build their capacity to succeed and lead change. With the right support and tools, they’re sharing their stories, utilizing their talents, and building their careers with unwavering purpose—to create a future where every North Korean person can live free and full lives.

Invest in the next generation of North Korean advocates, storytellers, changemakers, and entrepreneurs, like Ju Ok.

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Women in North Korea: At the Forefront of Social and Political Change

July 23, 2025

By Lindsey Miller

Lindsey Miller is a musical director, award-winning composer, author, and photographer originally from Glasgow, Scotland. From 2017-2019, she lived in Pyongyang, North Korea, while accompanying her husband on a diplomatic posting. For Women’s History Month, she shares a rare glimpse into the experiences of North Korean women, who are finding ways to live life on their own terms despite the circumstances.

Her name is Min Jeong*.

She’s bright, funny and has a dry and cutting sense of humour that rivals that of any professional stand-up comedian. The kind that makes you worry for the heckler in the front row.

‘Why do you keep singing? You’re terrible at singing!’ she says with a straight face to the regular punters at The Beer House, a bar in Pyongyang, before taking their glass and kindly refilling it. ‘And don’t wear those shoes, they’re ugly.’ The other punters burst out laughing while Min Jeong allows a slight silly smile to make its way across the corner of her mouth. That’s the thing about Min Jeong, she has a magnetic and honest energy about her. It was refreshing in a place where simple honesty and truthfulness felt so packed down.

Min Jeong and I spent a fair bit of time together over the two years I lived in Pyongyang. I would go to the bar mainly to just talk to her and spend time with her. She was interesting. She loved hair accessories and jewellery – an increasingly common way for North Korean women to explore self-expression. I’d show her photographs of me and tell her about my different outfits while she’d rate them. I didn’t fare very well in her opinion. I often gave her my wedding or engagement ring to try on and she’d pose with them, comparing them to other things she’d seen foreigners wear. She’d tell me about the cosmetics that she liked to wear and make herself.

One of her favourite things was a face mask which I remember involving eggs. I never tried it but she swore by it, telling me how important it was to look after my skin and reminding me that there was nothing more important than my health. Min Jeong was very bright and regularly bounced between speaking in Korean, fluent English and often Mandarin. She loved animals and we spent a lot of time looking at photographs of dogs on our phones.

Min Jeong was in her early thirties and unmarried. She’d twirl her half-tied-back beautiful shiny black hair in her fingers while telling me about how much her parents were desperate for her to ‘find a boy’. She wasn’t interested and she didn’t have much time given that she only had one day ‘off’ a week which would have been taken up in part by state-enforced self-criticism sessions among other things. Having gone on many dates, the outcomes of which she summarised with a simple wrinkled nose, she seemed to be quite content being single. It was an attitude which I was surprised to learn was shared by a couple of Pyongyang female urban elite whom I met; women who spoke openly about their lack of desire to have children, who wanted to pursue a career. This directly contradicted my understanding of North Korean women’s experiences. 

But I forgot that the experience of women is diverse and North Korea is no exception. 

It’s very easy to think that North Korea isn’t changing but that is not the case. To say that there have been no social changes in the country would be insulting to the creativity, tenacity and drive of the North Korean people, particularly women who continue to be a major driving force of change. Driven by necessity following the devastating famine in the 90s, ordinary women had to become more economically independent in order to survive. While North Korean men were chained to jobs in faceless party offices, women had the time to create their own economic opportunities which could feed their families and keep them alive. Even now, in spite of living in a country gripped by widespread and pervasive human rights abuses including the most extreme forms of sexual and gender-based violence, women are often the breadwinners, women are the ones driving the private markets, women are the ones winning back more agency over their own lives and futures.

I only had to go to Tongil Market to see it for myself. Every vendor standing behind every one of the stalls laid out in long rows across the indoor market hall was a woman. Every staff member taking payments from the vendors for selling in the venue was a woman. The people counting the money in the cash exchange office were women. The people unloading sacks of vegetables and meat were women. Most of the customers were women.

Through having no choice but to fight to survive, North Korean women have driven changes that few could have predicted would last. 

I sit at the bar and Min Jeong passes me a cup of black tea. She starts to scroll through her phone and goes back into her own world. I think about what is going through her mind and all the things she is experiencing but cannot talk about. I think about the millions of other North Korean women with names, voices and stories to tell; who we, on the outside of North Korea, will never get to meet. I think about the world who will never get to meet this generous, kind, extraordinary woman in front of me - my friend.

Min Jeong lifts her head and looks at me,

‘You really shouldn’t wear those shoes, Lindsey. They’re awful.’ She waits a moment and that same slight silly smile starts to creep across the corner of her mouth. ‘I’m kidding. They’re only a little better than yesterday’s.’

Lindsey Miller shares more extraordinary photos and stories from North Korea in her debut book, “North Korea: Like Nowhere Else," a testament to the hidden humanity and dynamism of the people. She also joined LiNK for a virtual Q&A in 2021 and continues to be a friend and advocate for this issue!

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