Women’s History Month | Korean Freedom Fighter Yu Gwan-sun
March 1st marks the beginning of Women’s History Month, an opportunity to celebrate the contributions women have made to culture and society through the ages.
For Koreans, it’s also the anniversary of the March 1st Movement, or Sam-il (3-1) Undong. On this day in 1919, Koreans across the peninsula took a stand against Japanese colonial occupation. As peaceful protesters called for independence, an unlikely leader and activist emerged in 16 year old Yu Gwan-sun. As we honor her bravery as a symbol of Korea’s collective fight for freedom, we’re reminded of the North Korean women who are still fighting for free and full lives today.
The Korean Independence Movement
The Sam-il movement began with a declaration of independence issued by thirty-three Korean cultural and religious leaders - many of whom were young adults. In the face of great risk, they laid out a Korean vision of equality, internationalism, human happiness and world peace that is still relevant today. These daring words galvanized the nation, and peaceful protests erupted across the country over the coming weeks, with peasants, tradespeople, housewives, and scholars marching alongside one another. An estimated 2 million Koreans participated in these first public displays of resistance, fostering a sense of national unity; an awareness that each individual was not alone in their desire for freedom.
Ordinary Korean women played a crucial role in the grassroots movement. While traditional Confucian culture and Japanese education policy relegated women to the domestic sphere, they emerged as leaders in the demonstrations following March 1st. Along with freedom for their country, they sought social awakening and an improvement in the status of women.
Canadian journalist Frederick Arthur Mckenzie, who was working as a correspondent in Korea at the time, witnessed the historic culture shift. In his book, Korea’s Fight for Freedom, he recalls how “Female students were most active in Seoul. For instance, most of the people arrested in the morning of the 5th of March were girl students.”
Freedom Fighter Yu Gwan-sun
Yu Gwan-sun was one such student, a brilliant 16-year-old girl who attended Ewha Hakdang. There, she witnessed the beginnings of the Sam-il Movement and took part in the initial protests in Seoul. Yu and her classmates were detained by Japanese authorities, but missionaries from their school were able to negotiate their release.
Following March 1st, schools were shut down in an attempt to stop students and activists from coordinating further protests. Yu returned to her hometown of Cheonan, but her conviction for a free Korea did not waver. She smuggled a copy of the declaration of independence and went from village to village, spreading word about the Sam-il Movement. On March 31st, Yu climbed to the top of Mount Maebong and lit a beacon fire, signaling to protestors that the time had come to make their stand.
The next day, 3,000 people gathered at Aunae marketplace in Cheonan shouting “Mansei!” and “Long live Korean independence!” Yu distributed homemade taegukgi, or Korean national flags, while rallying the villagers. When Japanese military police arrived to shut down the protest, they fired into the crowd and killed 19 people, including Yu’s parents.
The Sam-il Movement was eventually suppressed by Japanese authorities in mid-April. According to The Bloody History of the Korean Independence Movement by Park Eun-sik, there were an estimated 7,500 deaths, 16,000 injuries, and 46,000 arrests.
Yu Gwan-sun was arrested and convicted of sedition. She was sent to Seodaemun Prison but even then, she did not give up the fight for freedom. While incarcerated, she famously wrote:
“Even if my fingernails are torn out, my nose and ears are ripped apart, and my legs and arms are crushed, this physical pain does not compare to the pain of losing my nation. My only remorse is not being able to do more than dedicating my life to my country.”
On the one year anniversary of the Sam-il Movement, Yu organized a large-scale protest with her fellow inmates. They were brutally beaten and tortured for their defiance, and she was
transferred to an isolated underground cell. On September 28th, 1920, at the age of 17, Yu died from the injuries she suffered.
Yu never experienced a free Korea, yet she audaciously fought to see a different future in her lifetime. Twenty-five years after her passing, in August of 1945, Korea finally gained its independence from colonialism, but at the same time was split into North and South Korea. Today, Yu is remembered as Korea’s “Joan of Arc,” and the Sam-il Movement is celebrated annually as a national holiday in South Korea.
North Korea’s Fight For Freedom
As we honor the bravery of Yu Gwan-sun and other women in history, we’re also reminded of the millions of North Koreans still fighting for free and full lives. They’re engaging in everyday acts of resistance and transforming their country from the ground-up.
In North Korea, women are also the ones driving crucial engines of change. Grassroots market activity at the Jangmadang is primarily driven by women, shifting economic power away from the regime and into the hands of the people. Women are smuggling goods across the border, testing the limits of self-expression through fashion and beauty, and becoming breadwinners for their families. From outside of the country, resettled North Korean women are accelerating change as activists and entrepreneurs, sending money and information back home.
While North Korean women still face many obstacles and human rights abuses, they’re challenging the status quo and striving towards freedom.
Liberty in North Korea
LiNK is helping North Korean refugees to reach freedom, begin new lives, and become agents of change on this issue. We’re so excited and grateful to announce that 8 North Korean women have recently reached freedom through LiNK’s rescue routes!
During the three years of heightened surveillance and lockdowns in China, our field team has worked tirelessly to establish new routes and expand our network. We’re excited to finally gain momentum in this area of our rescue work!
Like Yu Gwan-sun, these North Korean women never gave up in their pursuit of freedom. Many of them had crossed the North Korean border into China years ago, but were unable to complete the journey during the pandemic. Now they’ll be able to take full authorship of their lives.
“I tried multiple times to escape China but ended up getting caught and spending time in a Chinese prison. When I left home this time, I knew it would be my last attempt to reach freedom. If I failed, I had planned to drink pesticide and kill myself - if I were caught it would do so much harm to my family in China and even in North Korea. This time with the help of LiNK, I successfully made it to safety. I threw away the pesticide after the journey. I risked my life to come here, and I will live in freedom to the fullest.”
- Yi Hyun, reached freedom through LiNK’s networks in 2023
Thank you for making this possible with your steadfast support, especially through a tumultuous past few years. North Koreans have not given up, and they will not until they achieve their freedom. We can stand with them as they change history.
Fundraise or donate to help rescue more North Korean refugees today!
Film Review: Under the Sun
Spoiler alert: The North Korean government suffers from a severe transparency deficit.
How do you reveal the reality of a society where government representatives script each scene you're allowed to shoot?
Simple: leave cameras rolling at all times, and show your audience the scripting and retakes of "real life" in all their glory.
You end up not with a documentary about a family going about their lives, but a behind-the-scenes reveal of a family whose dinner-table conversations, workplace interactions, and even expressed emotions are curated by government propagandists for external consumption.
No North Koreans question this process out loud--except to check their lines.In this system everyone knows the role expected of them, especially with government officials overseeing everything. So before our very eyes, we observe the theatrical production of an ideal 'Kimilsungist socialist society', played out by real citizen-actors. And when citizens know the risks of not playing the part they’re asked to play, they become good actors.
This is of course a very real aspect of life in North Korea, even when no cameras are rolling. The everyday ritualised theatrical production of 'obedient citizens willingly striving as one for the socialist cause' is one of the key means by which the state perpetuates itself. Everyone knows what to say, how to say it, and that you have to say it. Whatever your innermost thoughts may be, it's hard to break role publicly when everyone else is sticking so closely to a ‘script’.
Revealing the nature of this production, warts-and-all, is one of the key contributions of Under the Sun.But as with any behind-the-scenes look, cracks in the facade, tired actors and cock-ups are apparent.'Off stage', strategically placed cameras record poor Pyongyang kids scavenging from a trash can. We see commuters disembarking to push a tram. A government 'set manager' shoos away two women approaching the back door of a milk processing plant with a big jug; we can only guess they were looking for an off-the-books top up, unaware there were foreign filmmakers present that day.
We see a forgetful factory worker reporting they have exceeded production targets by 150%, and in the next take 200%. It doesn't matter to any of her coworkers which fiction is used, and no one bats an eyelid.
And of course, children being less practiced in their roles within the system than adults, the best scenes feature North Korean kids. A small girl struggles to keep her eyes open while an aging war veteran wearing far too many medals bumbles through an anti-American propaganda lecture, punctuating tales of shooting down planes with praise for Kim Il-sung.
Jinmi, the star of the film, breaks down in tears when the pressure of performance becomes too much. Elsewhere, on-screen text tells us that she unwittingly revealed her parents' true occupations of journalist and restaurant worker before the government co-producers scripted them as the more socialist-appropriate textile factory technician and soy milk plant worker.
It's hard to not recall The Truman Show, and it boggles the mind to think there are 25 million people living out their lives in this theater state.
But unlike a Hollywood Movie, the enemy here is not represented by a snarling on-screen character. The propagandists are unnamed and we rarely even see their faces properly. The enemy is in fact the system itself, whose quiet tyranny forces every citizen - including the propagandists - to become complicit in its perpetuation by allowing the expression of only a singular narrative of what it is to be a North Korean.
