The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
Meet Charles - A North Korean Living in the United States
Charles escaped from North Korea and made the dangerous journey through China without the help of a rescue network. We met Charles after he resettled in the United States and were able to connect him with Coding Dojo, a coding boot camp and Liberty in North Korea partner, that generously provides free programming education to North Koreans. We've become great friends with Charles and recently he was excited to share his story with you.
My name is Charles. I was born on October 1st, 1994. I grew up without the love of my parents because my father left us when I was five years old and my mother passed away six years later from starvation. For years, I had to figure out how to live alone. I begged for food from strangers on the street, battling starvation and freezing weather. One day my stepbrother came to find me and take me in. I lived with him for a while and when I was 14 years old he brought me to my father in China. Life was so much better in China and I remember thinking there would be no more starvation and no more begging for a place to sleep.
Yet nine months later, the Chinese police came to our house and arrested my family.
We begged the Chinese police to let us go but they wouldn’t listen. Instead, we were kept in a Chinese jail for two weeks. It was when I was sent back to North Korea after this two week period that I realized that no happiness existed any longer -- the happiness that I had felt had been only temporary. The North Korean government questioned me, abused me, and forced me to work as punishment even though I was only sixteen.
Each meal consisted of a single piece of corn.
After eight months, I was finally released. I was just skin and bones - I had almost starved to death.
Without any money, I knew I had to find work. I began working in a coal mine which allowed me to buy rice to eat. Work in the coal mine was very risky -- I saw people lose their arms and legs as they were smashed under the rocks. I was afraid and I couldn’t help thinking that I would soon lose an arm or a leg myself. After working in the mine for a year, I realized I couldn’t stay in North Korea any longer. I knew how long and hard escaping North Korea would be without money or food, and I understood that if I was caught I could be killed. But I wanted to take these risks instead of continue working at the coal mine. I knew I could leave - I just needed to be brave.
My journey began when I boarded a train to take me closer to the border of China and North Korea. I was riding illegally and though I managed to hide during most of the ride I was at one point caught by the train security without my birth certificate. They locked me in a room with plans to kick me off at the next stop. I felt every piece of hope inside of me break because I knew they would send me to jail. Then, as the train slowed, I realized that I might be able to escape through the window.
With my heart pounding in my throat I opened the window and jumped out.
Still, I had more to go. I walked for hours, illegally boarded a second train, and then, finally, I was at the border of China and North Korea.
I remember feeling excitement and happiness when I reached the border, but I also felt worry because I knew I had to cross the Tumen River. The land surrounding the river had constant security and if I was caught I would be shot. I hid in tall grass for six hours, waiting for darkness. Finally, I took a deep breath and stepped into the water. I was halfway across when the river picked up. I almost fell and in my fear I let out a scream before I could catch myself.
Suddenly, I felt a light on my head. A border guard screamed, “Come back here or we'll shoot you.”
I was terrified, and I thought I would never make it because the current kept pulling me under, but I just kept swimming. At last, I made it to the river’s shore.
My journey did not end when I got to China. I traveled by foot, van, bus, motorcycle, and boat. My shoes fell apart and my feet bruised and bled. I went for days without food and water and there were times when I wanted to give up. I cried many days until I couldn’t cry anymore because I was too dehydrated. When I made it to my father’s house, I expected him to welcome me, but he beat me and asked me why I had come to him. I saw that he did not want me. He asked me to leave and he sent me away with his first wife. Together, his wife and I escaped the eyes of many police officers and finally made it to Southeast Asia where I was safe. For months I stayed in a Korean embassy refugee camp and then an international refugee camp where I was finally helped to come to the United States.
In those months and years when I was struggling to survive, my dreams and hopes for a better life kept me going.
I told myself every day that I could make it better -- that one day, somehow, I would change my life, and I kept dreaming about this life. Eventually, I realized that I couldn’t just wait for this dream of a better life to come true -- I had to make it happen.
_____Charles has shared his incredible story at many events to help grow the movement of support for the North Korean people. We are honored to be able to work with him and we are grateful to you for making it all possible! Thank you.
