The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
Joy's Story: Part 3 - A Difficult Decision
Read parts one and two of Joy's story that detail her life in North Korea and how she was sold as a bride in China.
When I started living with the Chinese man I was sold to, I thought of escaping after six months. I just did what the Chinese man wanted without thinking about birth-control—I never had proper sex education. Two months later, he and his family took me to a hospital for a pregnancy test. I was pregnant. I am so sorry to my daughter for this, but after I got pregnant was so miserable and I felt like I was stuck in this situation because of the baby. I knew that I couldn’t escape until I gave birth to my daughter and raised her for a while. I was not happy, but the Chinese man and his family were. I am very sorry to my daughter for how I felt about having her back then, but the pregnancy was not what I wanted and I didn’t love the Chinese man. I actually tried to abort the baby by jumping down from a high tree many times but it didn’t happen.
I ended up having a daughter and raised her for two years before I escaped.
When I was still raising my daughter and living with the Chinese man and I was losing hope about my life, the North Korean broker who sold me into marriage got back to me and introduced me to some people who later connected me to LiNK’s network. She told me that she felt really bad for selling me to the Chinese man but she had to do it to survive in China as a North Korean herself. When she told me about going to South Korea and life there, I felt like that was my last chance to have my life back again. At that point, I was no longer breastfeeding and my baby had started to talk, so I thought the Chinese man’s parents could take care of her. I decided to leave for South Korea.
I was so sad to leave my two-year-old daughter in China.
Before I left, I thought of taking her with me, but she was still very young and I was not sure if I was going to make it to South Korea safely so I didn't want to risk her life.
To this day I feel guilty and sorry about having left her so I could have freedom and better life. I know my daughter has been hurt a lot by my leaving.
Before I started moving to get out of China I stayed with some other defectors before I got connected to LiNK's network. At the time, I cried every day thinking of my daughter. Even when I was sleeping in the house, I kept waking up to see if my little daughter was sleeping well on my arm and realized that she was not with me anymore.
I didn't want to cry in front of other defectors, so I cried behind a curtain and I found another North Korean woman crying there because she also left her child. We ended up hugging each other and crying together.
Since I resettled to South Korea a few years ago, I have been talking with my daughter through online video calls as often as possible. She is doing well and is now in elementary school, but I can tell she has been so hurt by my absence in her life. It breaks my heart when she asks me why I am not with her. Whenever there is homework about family or whenever her teacher asks her to bring her mom, she gets so sad and I feel so helpless and remorseful. I plan to visit her in China on one of my summer breaks from college.
It is so ironic because I was so hurt a lot by my mom for leaving me and my family when I was a little kid and I did the same thing to my own daughter.
Now I understand why my mom had to make such a decision...Hopefully there will be a day my daughter can understand and forgive me.
