The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
“Until I Escaped from North Korea, I Thought the Kim Family were Gods” – Bella’s Story
I was 10 years old when I escaped from North Korea.
Sometimes, when people hear this, they assume I don’t feel close to my North Korean identity because I left at such a young age. But I can clearly remember my childhood, my most impressionable years, shaped by the hands of the regime.
Through songs and schooling, every aspect of my life was warped by indoctrination. In kindergarten, we learned heroic tales about Kim Il-sung and Kim Jong-il. National holidays were celebrated with special snacks distributed by the government. There were portraits of the Kims prominently displayed in our home, that I cleaned every morning to a wake-up song praising the regime.
I was filled with reverence and gratitude toward the Kim family. To me, they were like gods, and North Korea was my entire universe.
The area of Haesan-si, Yanggang-do where I lived was very cold. We frequently ran out of food to eat, and endured harsh winters with thin clothes and shoes that would fall apart as you wore them. But still, I never questioned the regime. It was the only life I had ever known, so I believed that’s all there was to the world.
The thought of leaving was unimaginable.
When my mother suggested I join her in China, where she had escaped three years prior, I called her a traitor. You betrayed the General. You should come back to North Korea right now–these harsh words came from the mouth of a 7-year-old, who had only ever known propaganda and control. I saw what I was taught to see, and said what I was told to say.
Eventually, my mother arranged for a broker to help me cross the border. My heart soared at the thought of seeing her again, but at the same time, it sank with a heavy weight. I felt guilty for betraying our dear leader. I was frightened by the thought of leaving my home.
I was also leaving behind my father. At 9 years old, I couldn’t have imagined that those moments together would be our last. I was wearing a new padded jacket and snow boots that my dad had bought just for the trip. He held me tight and told me I would be with my mom soon. I carry the memory with me now, just as I carried it with me when I crossed the frozen river at the border. In the dead of winter, my new life began in an unfamiliar country.
We lived in China for six months before arriving in South Korea. During that time, I relearned and realized a lot of new things–like what it felt like to be full. Just being able to eat to my heart’s content brought me so much happiness. Being able to sing songs and watch cartoons and movies that weren’t about the Kim regime was fun and eye-opening.
Friendship and romance, heartbreak and hope–through the lenses of other people’s lives, I saw a world that wasn’t defined by loyalty to a regime. This was a world that was free.
This was the world the North Korean government hadn’t wanted me to see, because I would have realized my life there was not normal.
Arriving in South Korea only made this more apparent. While other children had grown up dreaming of becoming presidents, celebrities, or scientists, I had dreamt of becoming a butterfly, so I could fly close to General Kim Jong-il.
Childhood is when we learn how to see the world, but my view had been distorted by my homeland. At the same time, though, denying North Korea felt like denying myself and my family. I still loved where I came from, even if it hurt me. Reconciling the hurt with the hope helped me realize how to move forward.
Today, I’m pursuing a double major in Political Science & Diplomacy and North Korean Studies at Ewha Women’s University. My dream is to attend law school and help North Korean refugees who are facing legal challenges.
I love North Korea enough to want to change it, for current and future generations. For the children in North Korea now, who think the world starts and ends with the Kim regime. For the children like me, who have grown up and realized that there’s so much more to life, and we are the heroes of our own stories.
I share my story today, asking for the support of people like you. Your attention and support are more powerful than any political regime. Share our stories with more people. Support organizations that are rescuing North Korean refugees and finding ways to send information back inside the country. Help us create a future where children born in North Korea can see and experience the world for themselves.
Free from politics and propaganda, free to discover, and free to dream. There is no greater source of hope than the North Korean people themselves.
In freedom, a vast new world opened up to Bella, one that wasn’t defined by the regime. Each new experience helped her slowly unlearn a decade of propaganda, a process that was accelerated by movies and other forms of foreign media.
Inside North Korea, foreign media is just as powerful. LiNK’s Information Access Programs develop news strategies, technology, and content to send back into the country and empower the North Korean people, ultimately eroding the regime’s legitimacy and control. Help ensure this crucial work can continue.
