The Making of 'I Am Sun Mu' – an Interview with Director Adam Sjoberg
Filmmaker and photographer Adam Sjoberg has been working for the last two and a half years on a new documentary about our friend and renowned resettled North Korean artist Sun Mu. The film, titled I Am Sun Mu, follows Sun Mu as he prepares a new exhibition. We have known Adam for a while—he directed Danny From North Korea—but he is also known for previous works such as Shake the Dust and many other internationally-recognized films.
Check out our interview below with Adam on his most recent documentary.
When did you begin working on I Am Sun Mu?
Justin Wheeler introduced me to Sun Mu in January of 2013. We had dinner and discussed the possibility of doing a documentary about his life and work. Because Sun Mu can’t show his face and has to go to great lengths to protect his identity, he was understandably careful about getting involved in a feature film about his life. However, because of the long-term relationship he’s built with LiNK, and my approach to filmmaking, he decided it was a good partnership. I’m super thankful that he said yes. A year after we initially met, he was invited to China to show his work in a solo exhibition. This was an unprecedented event for a North Korean artist—and a bold decision on the part of the curator. I decided this was a perfect opportunity to film him and use the exhibit as a narrative arc with which to tell the rest of his story.
What was your favorite part of the process?
The whole filming process has been a joy to work on. I loved some of the quieter moments of filming it when it would just be Sun Mu and me in his studio. He would be painting or working away on a piece, and I would just be a “fly on the wall” filming. That collaborative effort was really inspiring. I’ve also loved working with a team of creatives that are so talented. Mariana Blanco, our editor, has been crucial to getting the film completed. Ryan Wehner has been making some beautiful animations of Sun Mu’s work that really help bring Sun Mu’s back-story to life. And composer Joel P. West has been working on a unique and beautiful thematic score to round out the film. I love working as a team with people that inspire me.
What are some cool things you learned while you filmed?
There has been so many things that I’ve learned. I already had a basic knowledge of the history of the Korean peninsula, but I’ve learned even more about it—as well as the nuances of the Kim’s rule and influence on every portion of North Korean life. Hearing Sun Mu discuss his life in North Korea, as well as his process of “un-brainwashing” after he left was fascinating. But most importantly, developing a friendship with Sun Mu over the last two years has helped me see past the politics and stereotypes surrounding the issue. Part of the beauty of Sun Mu’s paintings is that they don’t sit in any particular political space. He misses his homeland and longs for a more idealized, free North Korea. His work reflects his torn heart: He is not North Korean or South Korean. He’s simply Korean, which is why so many of his paintings focus on the idea of reunification, which is often seen as an archaic solution to the future of the two Koreas. But I don’t think he’s painting about reunification because he’s sure it will happen, only that he hopes it will.
What was most challenging for you with creating the documentary?
I don’t want to give too much away, but things did not go as expected at Sun Mu’s exhibit. That created safety and security challenges. Beyond that, making a feature-length film is a tough job. There are so many parts of Sun Mu’s life that I wish I could tell. The more I filmed him, the more I wanted to include. But in the end, you have to decide what stories push the overall narrative forward and keep people interested. It was tough to lose some scenes, but there are always DVD extras!
Do you have a favorite scene?
Can I pick two? My favorite is probably a scene where Sun Mu describes the day he escaped. It’s mostly a compilation of his paintings brought to life with animation. Afterwards, Sun Mu sings a song while playing the guitar that he used to play back in North Korea. Another favorite scene is of Sun Mu painting with his daughters. He then describes a couple of paintings he made of them—one of which is of his oldest daughter holding a “letter that cannot be sent” to her grandmother. It’s powerful.
Why do you create documentaries? Why did you choose to do this one in particular?
I create documentaries because I have a passion for helping people tell their stories. I love the genre because of how it opens up people’s eyes to the world. Ever since getting involved with Liberty in North Korea back in 2010, I’ve been interested in this issue. The crisis in North Korea is often overlooked, thought of only in terms of its politics, and is considered by many to be a complicated “cause” in which to be involved. I’ve worked with commercial brands that haven’t wanted to align themselves with LiNK because their manufacturing is in China. But it’s one of the greatest ongoing tragedies in the world today—and I’m proud to be associated even a little bit with what LiNK is fearlessly doing.
Who is this documentary for?
Hopefully it’s for everyone. We tried to make a film that is not just about North Korea, but about a person—an artist. It has a little bit of everything in it: a few laughs, a story of family, a story of escape, and a story of an artist trying to make it. Sun Mu is a very poetic person, and so I think people will be drawn in by his narrative.
What are you most excited for people to see in the documentary?
The climax of the film is pretty exciting and emotional, but I’m most excited for people just to get to know Sun Mu.
Why should people watch this? Why is this important?
As I’ve mentioned above, this is an issue that is often only seen in the media regarding it’s politics, or else in comedies or shock-docs. I want people to see a more human side: to not walk away thinking of the Kims, but of the many people in North Korea who live under one of the most oppressive regime in the world. Not just of their plight, but of their potential.
Where/when can someone see the documentary?
There will be a website up soon with more information. It will take some time before we secure international and domestic distribution. Stay tuned to what LiNK is doing. We’ll try to keep everyone in the loop once it’s out for the world to see!
UPDATE: January 2017! We're excited to announce that I Am Sun Mu is now available on Netflix, iTunes, Amazon, YouTube, and other video on demand platforms! Watch it, rate it, and share!
Want some of Sun Mu's art for your home? Check out the Sun Mu canvas prints on the LiNK Shop!
My Name Is Loh Kiwan | Fictional Story, Real Lives
From a crumpled piece of paper, he copies his name onto the Application for Recognition of Refugee status. The letters flow together in neat, sloping script to spell–Loh Kiwan.
This seemingly mundane declaration of identity serves as the focal point of Netflix’s recently released movie, My Name is Loh Kiwan. Showcasing the titular character’s past and present struggles as a North Korean defector seeking asylum in Belgium, the film follows Kiwan’s journey through both hope and heartbreak while he fights for a new life in freedom. He shows unimaginable resilience in the face of tragedy, betrayal, and bureaucratic apathy, carving out a place where he can live as himself, for himself.
Though based on a fictional novel, Loh Kiwan’s story captures the real life experiences of many North Korean refugees. Whether it be the harrowing circumstances of his escape, the subsequent challenges Kiwan faces while applying for asylum, or even the emotional turmoil of contending with his trauma, My Name is Loh Kiwan derives its drama from reality when depicting the struggles of North Korean defectors.
Uprooted by an act of defiance that saves his friend’s life, Kiwan and his mother escape across the border to China and live there under constant threat of arrest and forced repatriation. With no legal status as refugees and no legal options for leaving the country without government approval, North Korean defectors in China are exceptionally vulnerable to trafficking and exploitation. They live in the shadows, concealing their identities as best they can, despite cultural and language barriers. If captured and returned to their home country, they are subject to brutal torture, imprisonment, and execution. Rather than face such inhumanity, many see suicide as a final escape and carry poison or razor blades with them, much like Kiwan and his mother.
It is ultimately his mother’s sacrifice that saves Kiwan from such a fate. Her death forces him into a position nearly every North Korean refugee recognizes–having to leave behind friends, family, and loved ones with aborted goodbyes for the sake of everyone’s safety and survival. Kiwan’s only material connection to his mother is a photo and a wallet full of blood. In reality, most leave with even less than that.
Not wanting to incriminate the people close to them if they are caught trying to escape, most North Korean refugees forgo any identifying documents or proof of their existence. They take only the bare essentials for survival, not knowing that their arrival in a new country is only the beginning of their journey, or even if they'll make it.
But this is not the narrative Liberty in North Korea believes in. No North Korean person should have to endure the struggles or celebrate the successes of resettlement alone. Much like the assistance Kiwan later receives from an advocacy group that offers legal support and a community of other North Koreans, LiNK walks with our North Korean friends on their journey to freedom. And when they begin new lives, we support their success, amplify their voices, cultivate more leaders and changemakers working on this issue together.
In this, Kiwan’s story reflects yet another reality of the North Korean people. Not only do they encounter extraordinary hardships, but also, they face them with extraordinary strength. Throughout the film, Kiwan persists in his pursuit of an earnest, honest life. Despite setbacks and situations where he’s forced into hurt or hiding, he stays true to his mother’s wish for him to live well, and in doing so, inspires the people around him to do the same.
He finds hope, love, and freedom in others, but most importantly, in himself. When placed on trial to prove his identity before the court, Loh Kiwan proclaims the name his mother gave him.
Owning one’s identity as a North Korean person is not always easy. From the start of their escape, they are forced to hide. Once they reach freedom, the stigma and prejudice people hold towards their homeland pressures many to erase their accent or change their name–sometimes as a form of self-protection, other times as a way to fit in.
What Kiwan’s story shows, however, is that there is hope at the end of hiding. There is beauty in the simple, everyday life he longs for–a life where he can work for himself and share meals with friends, have a home, have a future, and have the choice to stay or go.
This is the life the North Korean people deserve, and every day, both within the country and without, they fight towards a better future. Their courage and indomitable spirit are not just figments of fiction. With your help, their freedom will become a reality.
Sign up below to learn how YOU can help support North Korean refugees today.
