My Name Is Loh Kiwan | Fictional Story, Real Lives
From a crumpled piece of paper, he copies his name onto the Application for Recognition of Refugee status. The letters flow together in neat, sloping script to spell–Loh Kiwan.
This seemingly mundane declaration of identity serves as the focal point of Netflix’s recently released movie, My Name is Loh Kiwan. Showcasing the titular character’s past and present struggles as a North Korean defector seeking asylum in Belgium, the film follows Kiwan’s journey through both hope and heartbreak while he fights for a new life in freedom. He shows unimaginable resilience in the face of tragedy, betrayal, and bureaucratic apathy, carving out a place where he can live as himself, for himself.
Though based on a fictional novel, Loh Kiwan’s story captures the real life experiences of many North Korean refugees. Whether it be the harrowing circumstances of his escape, the subsequent challenges Kiwan faces while applying for asylum, or even the emotional turmoil of contending with his trauma, My Name is Loh Kiwan derives its drama from reality when depicting the struggles of North Korean defectors.
Uprooted by an act of defiance that saves his friend’s life, Kiwan and his mother escape across the border to China and live there under constant threat of arrest and forced repatriation. With no legal status as refugees and no legal options for leaving the country without government approval, North Korean defectors in China are exceptionally vulnerable to trafficking and exploitation. They live in the shadows, concealing their identities as best they can, despite cultural and language barriers. If captured and returned to their home country, they are subject to brutal torture, imprisonment, and execution. Rather than face such inhumanity, many see suicide as a final escape and carry poison or razor blades with them, much like Kiwan and his mother.
It is ultimately his mother’s sacrifice that saves Kiwan from such a fate. Her death forces him into a position nearly every North Korean refugee recognizes–having to leave behind friends, family, and loved ones with aborted goodbyes for the sake of everyone’s safety and survival. Kiwan’s only material connection to his mother is a photo and a wallet full of blood. In reality, most leave with even less than that.
Not wanting to incriminate the people close to them if they are caught trying to escape, most North Korean refugees forgo any identifying documents or proof of their existence. They take only the bare essentials for survival, not knowing that their arrival in a new country is only the beginning of their journey, or even if they'll make it.
But this is not the narrative Liberty in North Korea believes in. No North Korean person should have to endure the struggles or celebrate the successes of resettlement alone. Much like the assistance Kiwan later receives from an advocacy group that offers legal support and a community of other North Koreans, LiNK walks with our North Korean friends on their journey to freedom. And when they begin new lives, we support their success, amplify their voices, cultivate more leaders and changemakers working on this issue together.
In this, Kiwan’s story reflects yet another reality of the North Korean people. Not only do they encounter extraordinary hardships, but also, they face them with extraordinary strength. Throughout the film, Kiwan persists in his pursuit of an earnest, honest life. Despite setbacks and situations where he’s forced into hurt or hiding, he stays true to his mother’s wish for him to live well, and in doing so, inspires the people around him to do the same.
He finds hope, love, and freedom in others, but most importantly, in himself. When placed on trial to prove his identity before the court, Loh Kiwan proclaims the name his mother gave him.
Owning one’s identity as a North Korean person is not always easy. From the start of their escape, they are forced to hide. Once they reach freedom, the stigma and prejudice people hold towards their homeland pressures many to erase their accent or change their name–sometimes as a form of self-protection, other times as a way to fit in.
What Kiwan’s story shows, however, is that there is hope at the end of hiding. There is beauty in the simple, everyday life he longs for–a life where he can work for himself and share meals with friends, have a home, have a future, and have the choice to stay or go.
This is the life the North Korean people deserve, and every day, both within the country and without, they fight towards a better future. Their courage and indomitable spirit are not just figments of fiction. With your help, their freedom will become a reality.
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Lost Stories from North Korea — A Life With No Exit
By Jane
Jane is a participant of LiNK’s Intensive English Program (LIEP), designed to build the capacity of North Korean English speakers at the intermediate level. In partnership with the British Council, LIEP aims to cultivate participants’ communication and critical thinking skills in English. LIEP is complementary to our broader LiNK English Language Program (LELP), which supports speakers of all proficiency levels.
When I was young, we lived in the countryside. Like the other kids, I had to help my mom with farming. It was hard work. From spring to fall, everything was difficult. Carrying a heavy load on my back, climbing up the mountain, my hands covered in blisters from using farming tools—I would often return home late, completely exhausted.
Our field was located at the top of a high mountain. From there, I could look down and see the Amnok River flowing, with a railway track stretching beside it. One spring day when I was around 13, I was resting at the top of the mountain, looking down at the train passing by below.
Watching it move slowly like a caterpillar, I thought to myself, "I want to get on that train and go somewhere far away." That was the first time I dreamed of escaping. We were living in a prison with no exit, no hope.
Eventually, I managed to escape from that life in that prison. But my mother must have continued climbing that mountain and working in that field for many more years. Perhaps, during her moments of rest, she would look down at the river and the railroad. Perhaps, she thought about me, who had left for a place far away.
Now, I am living well in South Korea, as a mother of one myself. I carry dreams and hope in my heart. But not everyone has been as fortunate as I have in finding a way out.
I have a friend, a North Korean defector now living in the United States, who once shared a story that moved me to tears. A few years ago, she fled North Korea with her two young daughters and eventually made her way to America. She attempted to reach South Korea twice. The first time, she set out with her daughters, ages seven and eleven. They wandered for days through the vast Baekdudaegan mountains. When their water ran out, she dug into the earth with her bare hands, squeezing out a few drops to moisten their mouths.
Along the way, they came across the bodies of two people, sitting with their backs leaning against each other in the middle of a field. From their clothes, she could tell they were North Koreans, their bodies already beginning to decompose. Fearing that she and her daughters might meet the same fate, she decided to turn back and return to North Korea.
As I listened to her story, I couldn’t hold back my tears. Who were those two souls lost in the mountains? Where had they been trying to go? How long had they wandered? They might have been so exhausted that after sitting back to back, they couldn’t get up again. What thoughts filled their minds in their final moments?
That’s why I want to be a writer—to share these stories with the world.
For the people in North Korea who still dream of breaking free from a life with no exit, and for the nameless souls who never made it to freedom.
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Opportunities like LiNK’s Intensive English Program (LIEP) are helping North Koreans find their voice, reach their goals, and lead change on this issue. Your support can help us continue to make an impact in the lives of North Korean refugees, like Jane.
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